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The Forgotten Saga, to the detriment of what the title claims, should be remembered. Its completely free nature for all Valhalla owners is certainly the primary incentive (as well as the strongest one) to entice users to catapult themselves back into the epic stories of the Norse myth, opening wide the doors of a mode that entertains enough. This is why Havi's adventure in the realm of the dead is worth living. Again, and again, and again, if necessary.

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To those who are reading this article to understand if it is worth getting the Necrons DLC we provide a couple of opinions: if the reader appreciates the multiplayer of Battlesector, then it may make sense to face online opponents with a new list of units. If, on the other hand, what it is aiming for is a complex campaign or an interesting way in which to deal with artificial intelligence, we recommend giving up.

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F1 22 in virtual reality takes Codemasters' simulation to another level, offering an immersiveness never before achieved in the series.

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Once again Kunos took her time to churn out yet another impeccable package from the point of view of reproductive quality. The tracks are extremely faithful to their real counterparts, the behavior of the cars on the track is credible, the track limits are well implemented and we can say, without fear of being denied, that the best digital reproduction of these three circuits is precisely that offered by Assetto Corsa Competizione.

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High Isle is a rather traditional expansion for the canons of The Elder Scrolls Online, and this could be positive for those who are satisfied with the type of content already present - and will also find Tales of Tribute waiting for it -, a little less for those waiting for substantial news (such as a new class) or a change of course. Personally we would like to see a little more experimentalism, but if you know how to choose well what to do and what to avoid, The Elder Scrolls Online is still confirmed as a rich and stimulating experience.

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The Ascent comes on PS5 with an offer substantially superimposable to that of the counterpart for Xbox Series X, obviously considering the state of the game after the updates published in the months following the launch. For this reason, the latest edition of the Neon Giant title keeps intact its balance of strengths and weaknesses, the latter for the most part linked to some superficiality too much in the playful definition of the title.

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Masterpieces that remain precious, regardless of the passage of time, like those priceless treasures to whose research Nate has dedicated his whole life.

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Inquisitor - Martyr is unfortunately the failed attempt to create a worthy RPG action set in the fascinating world of Warhammer 40,000.

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Everything is an undefinable game in which we can literally control 'everything' we see. The new product made by David OReilly is an exaltation of senses and freedom, beauty and wonder.

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The Playroom VR is a preliminary experience to Virtual Reality, perfect for the families and for younger players, but also fun to try out with a group of friends. Unlike PlayStation VR Worlds this "anthology" can be downloaded for free, and there isn't any reason not to install it.

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Ghost in the Shell VR is a well-made and very interesting VR experience, despite its marketing purposes.

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Patapon Remastered is actually the furthest thing from the well-deserved celebration of a glorious little cult: due to an insane amount of input lag, the game in its current state is simply not only an unplayable broken mess, but also a true offense to the immediate and unique gameplay that made the original so incredibile.

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Theme Park Studio doesn't offer a good alternative to Planet Coaster: the game is awful and boring, and it's a total waste of money

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Immortal: Unchained is an intriguing premise ' the concept of a sci-fi soulslike based on firearms ' ultimately turned into one of the worst video games in years: a game that's uninspired, ill-conceived and at times completely broken. Do yourself a favor and stay away from a frustrating experience that simply isn't worth your time and money.

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There is no way to justify TMNT: Mutanti a Manhattan: the combats are noisy and puzzling, it looks like the system has been made to confuse the players, and it keeps reminding how shallow the game developing has been. The few good aspects just fade away in front of its low-level production.

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Hokko Life arrives on Nintendo Switch in an unacceptable technical state, so much so that any possibility of feeling sympathy for the dishes inhabitants of Hokko and for their events fades regardless.

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The Good Life is a product plagued by major problems on the playful and structural side. An extremely lacking title from a technical point of view, which brings to the screen a series of decidedly questionable game design choices, at the base of an adventure that, while trying to tell a story in its own mature way, often expires in tedium and struggles to sustain the interest of the player.

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Like a sneaky, deadly hunter, Maneater plunges into the turbulent depths of the video game market in search of unsuspecting victims. He intrigues them with the promise of a compelling exploration, attracts them winking at a stimulating progression, opens his jaws to emphasize the exaltation of a fierce predatory experience. But be careful: if someone really had to approach him, he would end up in a lake of blood. Tripwire's dogfish has unseen teeth, moves with unmanageable spasms, and fails to vary either its diet, nor the bleak routine of a boring, mechanical hunt. Stranded on the sand, await the sad fate that touches all the fish left in the sun.

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We Force Studios develops an action-platform full of bugs and lacking anything fun. Randall is a metroidvania without identity and personality.

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The Turkey of Christmas Past is a really weird action game, with a repetitive gameplay, a bizarre sense of humor and a terrible level design.

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