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95% is a bit of a miserly score for a game as outstanding as Metroid Prime Remastered, but those who have already played the original might consider themselves satiated and save money for a work that shows no particular additional content compared to the original. Everyone else should put it at the top of their shopping list, in no uncertain terms.
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Deliver Us Mars is a sequel that follows in the wake of the previous title. Excellent narrative and environmental puzzles functional to the story, but it is a game without novelties and with absolutely mediocre cutscenes, animations and polygonal models.
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SpongeBob once again stars in a 3D platformer that rests its gameplay on well-established stylistic features, offering few surprises but still providing a fun and enjoyable experience.
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Everything is very simple and fun in SpellForce: Conquest of Eo due to the bare-bones 4X gameplay, where the important thing is almost exclusively to come out victorious in battles in order to advance in the main story and side quests. Turn-based combat is the game's highlight, tactical but fast-paced. The offering probably won't please all SpellForce fans, but it will certainly enlist new ones.
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Backfirewall_ is a simple but effective idea that Naraven develops with intelligence and taste. The puzzle component is witty, well balanced and lightened by a hint system that averts the risk of frustration. The most interesting part, however, is undoubtedly the narrative.
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Harry Potter fans will be thrilled to experience an epic adventure in a familiar setting recreated with such passion and accuracy, but those who crave it for the action RPG soul should know that Hogwarts Legacy doesn't have exceptionally deep mechanics.
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A Space for the Unbound is a narrative adventure about issues as important as they are difficult to deal with, but it does so with extreme tact and elegance through a particularly apt allegory. Despite some flaws in the gameplay mechanics, rather repetitive towards the end of the game, the story of Atma and Raya is one worth experiencing.
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Raiden IV x MIKADO remix adds nothing to the original 2007 release, but it's a perfect title to have in your library and play in your moments of relaxation. Beyond the slightly excessive price and the absence of novelties, it is an operation that, as it should be, focuses entirely on nostalgia.
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Hi-Fi Rush is what happens when Tango Gameworks unlocks its ancestor DNA, finding ways beyond the Resident Evil-ish production and remembering about Vietiful Joe and that early-2000 mood in video games. Is what happens when Devil May Cry finds about the iPod and the 1 dollar the track music, crafting a maybe little game but with a great rockstar attitude.
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Forspoken is a game that has great potential, expressed in a precise, fast and fun combat system. Sadly, everything else in the game lacks novelty or interest in exploration.
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Season is a phenomenal work, not just the classic little pearl, but an all-round videogame experience capable of exciting, telling, immersing us in the last moments of a reality that could end, change, change. A mechanism of memorization and movement within towns, villages and glimpses of nature of disarming beauty.
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The remake of Dead Space follows the track of the original game, obviously (and considerably) improving it from a technical point of view and adding or modifying some gameplay elements. The result is a sci-fi horror adventure that will please both veterans of the series and thrill-seeking newcomers.
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Warlander is a high-quality MOBA with a hack 'n' slash combat system that works well even in the most chaotic online situations. Regardless of the task at hand in battle, there is never a shortage of action, whether you seek for a fight to break through enemy lines or stay in the rear building defen-sive machines. Character growth and equipment provide satisfaction, and even without the Battle Pass, a lot of rewards can be unlocked. I am a bit afraid about the importance of in-game purchases, however, since the upgrades are not all merely cosmetic but directly affect player stats.
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Cozy. This is PathCraft, a very comfortable experience which doesn't really break any new ground in the puzzle platformer arena, but it makes you feel home and will challenge you with progressively more difficult puzzles. With its cute art and precise and immediate controls, it's easy to recommend.
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Spiritual successor of the good old Rampage, Terror of Hemasaurus delivers a funny (but short) experience of total arcade carnage and destruction, with a charming pixel-art and hilarious story
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Between novelties and various refinements, Fire Emblem Engage's combat system is perfectly polished and exciting. Not all of the campaign is full of twists and turns, and the shadow of socializing at all costs might make the more grumpy digital generals nervous, but overall Fire Emblem Engage is a recommended chapter.
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Persona 3 Portable is an unconvincing conversion of a game that could have expressed more in 2009, constrained then by limitations that current platforms do not have. It remains an important chapter for the saga with a unique aesthetic that serves as a bridge to its origins, but it is a shame that the adaptation was made without the will to dare.
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Lone Ruin is an action roguelike with an intense gameplay loop, the kind of game that you want to keep coming back to. A shame that, even for an indie game, it's not particularly rich content-wise.
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One Piece Odyssey is definitely the best game dedicated to Eiichiro Oda's omnibus work, and a perfect JRPG for newcomers. Those who don't like One Piece or are looking for a more challenging and in-depth experience would do well to look elsewhere, knowing however that such successful adaptations are a very rare commodity indeed.
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By betting everything on the Death Knight and its difficult but undoubtedly successful adaptation to the dynamics of Hearthstone, Blizzard ends up forgetting a bit about the other classes. Could more have been done for Anduin and company? Probably, but the risk of exaggerating was perhaps too high and we finally have our DK, so that's okay.
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