FingerGuns
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Bulletstorm lives and dies on its campaign and the Switch version has absolutely smashed it out of the park. It’s a crying shame the planned sequel was cancelled due to the poor sales of the original release possibly in relation to launching so close to Gears of War which was considerably more successful. The madness of this game warrants a second outing, the tremendous Skillshot system still unrivalled to this day.
What is here and working – the fantastic art style, the smart banter between Ted and Teddy, the first-person FMV’s – shows that Headspun has a tonne of potential but right now, too many rough edges and bugs mean it’s in need of further rehabilitation.
The combat, side missions and boss battled are all a triumph of that original pitch I was served a few years ago, combining the best of mobile gaming wrapped up in a highly polished and visually spending package without any adverts or micro transactions. Unfortunately, It’s just too short. Clocking in at 2 hours for a straight forward play through and ~6 hours for a 100% run, it feels like there could have been more before the formula had ran its course.
Riverbond breaks no new ground but is an enjoyable romp through a highly detailed and eye-catching voxel world that accommodates younger players better than most in this genre. The bosses, as menacing as they look, aren’t quite up to scratch and in co-op, you can easily lose yourself in the action, but if you’ve got a brood of kids to entertain and a few Dualshock 4 controllers handy, you can easily get 7-10 hours of fun out of this game before the repetition sets in. Perfect for a rainy day.
Roarr! Jurassic Edition on PS4 is a budget title for a budget price. It’s 5-6 hours of family friendly, repetitive button mashing in a clean but simplistic world set to a half-decent soundtrack. The occasional bug, the difficulty that goes from too easy to cheaply unfair and zero replayability beyond butting a dress on a T-Rex mean any potential the game has is squandered however.
Erica is a genuinely terrific achievement. As far as the ‘PlayLink’ aspect goes – even if the game is not officially part of Sony’s range – there’s nothing better out here. Technically it feels solid as a rock, with gloriously smooth transitions from gameplay back to FMV cut-scenes. You immediately feel part of the world and it never really gets old. You want to do right by Erica the moment you meet her and there’s very few games that offer this level of interaction, even if as a whole, the game is about the journey rather than the destination.
PC Building Simulator on PS4 is an enchanting game, channelling creativity and problem solving through the medium of making and fixing computers that even a PC newcomer like I can get to grips with and wholeheartedly enjoy. I do wish the game had spent a little more time explaining 3DMark scoring and overclocking as these are areas that it skips over too quickly for my liking but otherwise, this is a game that's easy to access, even easier to lose an afternoon too and is a great translation of the PC version.
Damsel gets a middling recommendation. If you’re looking for something you can file under “slightly difficult to get used to, eternity to master” then this would be in that rather specific category. As I said at the start, this won’t look out of place on the Switch or Steam library, as those two are bread and butter for this kind of game. Whereas on the supposed powerhouse that is the Xbox, it just seems like a waste of potential. Granted, this is only an indie title, so there isn’t going to be mass dollar behind it. It’s just that the end result on the Microsoft flagship is a bit of a damp squib.
It’s easy to pick up, it’s difficult to master and offers badass bosses at the end of each world whilst sword-fighting robot viruses intent on taking over an old lady’s computer to a synthwave soundtrack blasting over beautifully designed neon-infused levels.
The human experience of being drawn into a cult full of deep, dark secrets and the emotional toll it weighs upon you is front and centre in Sagebrush and that’s what made this two-hour experience stand out to me. The slow pace is entirely purposeful, allowing you to soak up each moment and learn more about those who believed in Father James room to be understood, to be heard and ultimately, to be mourned.
Solo should have been two separate games really, one a standard cutesy platformer that you can throw on PSN and let people who enjoy puzzle platformers if that’s their bag and the other should have been a more meaningful journey where you do find out stuff about your past or present love or even if you’re suffering heartbreak. Being asked a question about sex and having such a personal question add nothing to the game is a bit of a bitter pill to swallow.
Clunky controls, terrible on-screen litter and the slow pace just kill any semblance of enjoyment for me. Even the nonsensical plot and voice acting don’t make me want to play this again.
Bouncy Bullets is one of Petite Games’ better concepts but it’s a game that doesn’t make full use of its potential with its design. It’s a colourful game with an excellent soundtrack but the frame rate issues when using bounce pads, the thicker than custard AI and the shortness to the game relegate this to yet more Trophy Hunter fodder and little else. A real shame.
Aside from the vastly eclectic endings, the gameplay just isn’t enough to sustain it through several attempts to find them all. The gameplay never deviates from avoiding vision cones and knocking some people out if necessary. And as the game is encouraging you to experience it over and over again, it really needed a compelling reason to work your way to another ending. The premise and the endings are the clear standouts. It’s the bit in-between that makes it feel like The Church in The Darkness is a squandered opportunity.
Although everything looks great and some of the weapons are a bit of fun, plus there are some good ideas sporadically dotted through the game, destroying Nazi’s in a bloody great big mech should be the best fun ever - but it’s simply not.
The strengths of Wargroove come from the visuals and the gameplay, relegating the story to second place but that’s absolutely no problem for me. In order to get the most out of this game I really had to fall into it and I’m glad I did. There’s plenty to love about Wargroove.
It’s beautiful, it’s got a manic soundtrack to keep the adrenaline pumping, and it is a faithful throwback to the days of arcade past.
Horace is a very, very good game. A humour filled but emotionally charged plot delivered via beautiful and well-paced cut scenes, some of the most gorgeous pixel released this year, a smorgasbord of pop culture references and mini-games and a hand crafted feel to the platforming, as if everything has been placed with care and attention, combine into one of the most surprising games of 2019.
Whatever your constitution, The Blackout Club gets a strong recommendation from me. It’s got a tense feel to it, some cultist shenanigans going on, and especially off the back of the latest Stranger Things series, it’s something a bit different in the horror ranks.
If you’re into your steampunk with a side of apocalypse, then you’re covered. If you’re a WarCraft alumni who fancies a bit of a twist in the not-technical-zombies mold, this will inject some fresh life into the RTS catalogue.