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While I feel the live service elements are out of place, I ultimately can't hate the final product. Crash Team Rumble is a blast, one that's easy to learn and hard to put down.
Though it is not without its fair share of flaws, the revamped Layers of Fear contains everything that fans enjoyed about the original series and elevates them with improved visuals and new gameplay mechanics that help alleviate some of the monotony. The writer’s story offers an intriguing through-line that sensibly ties together each narrative thread. Technical hiccups aside, Layers of Fear wraps up the series in a graphically enhanced package that is easily the best way for players both new and old to experience the franchise.
F1 23 is an improvement over last year's iteration, but not nearly as impactful of an upgrade. Here's hoping that the F1 series can continue to build on its successes and take a page out of Red Bull's recent Formula 1 dominance: incremental updates are more valuable than wholesale changes.
I had my doubts about two Riot Forge games coming out in such proximity to one another, but Riot Games is proving to be good at picking great developers to give new and interesting life to its League of Legends universe. Double Stallion didn’t just flesh out another corner of League of Legends lore with Convergence. It also built a metroidvania that I feel would be considered innovative and enjoyable whether it had the League of Legends name on it or not. I wish the enemies had more variety to them, and the time-shifting effects on voiced dialogue are sometimes very silly, but I would dare to say that whether you enjoy LoL or not, you’re in for a treat if you choose to spend time with this game.
Despite having predetermined outcomes, Harmony: The Fall of Reverie does a great job at giving players a true sense of agency over the direction of the story. Even when things don’t go as expected, the events that unfold are no less intriguing. The game raises the bar for what can be achieved through player choice, and those looking for a compelling narrative-driven experience have plenty to enjoy here.
There are lots of ideas in Amnesia: The Bunker that are truly intriguing. I love the World War 1 setting as a backdrop for a horror story, especially the way it intersects with technology of the era. But the way gameplay elements are introduced as friction meant to induce tension simply feel overtuned. I often felt like I was fighting the game just to get around, which was frustrating in a software kind of way rather than an atmospheric enhancement. I wasn’t scared because I was too busy squinting or yanking on the flashlight’s pull cord just so I could pull on doors and latches. No amount of spooky ambiance in the background could bring me back into the experience.
LEGO 2K Drive's solid Story Mode is mainly undone by uneven pacing and the inability to play it online with friends. Add in the game's comprehensive vehicle builder, and it all leads to a solid debut for the 2K/LEGO partnership, even if the microtransactions can feel like stepping on a square LEGO brick.
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I wanted desperately to find a good game underneath all the bugs in Redfall, and every now and then a tiny ray of light would shine through and give me hope. I took my time to give it a fair opportunity where others wrote it off only a few hours in. Unfortunately, they were right, and this will go down as one of the more disappointing games that I’ve played in recent years. All we can hope for now is that Redfall’s disastrous journey serves as a warning to Microsoft and its stable of development studios. Not because the world’s second-largest company can’t take the hits, but because players deserve better.
All-in-all, this game rekindled my love of the franchise, and I can’t wait to see how Street Fighter 6 grows over time.
Blizzard opts for refinement over innovation with Diablo 4, but it's still a devilishly good time.
Nightdive’s System Shock remake keeps much of its successful elements intact while doing away with a lot of its archaic issues that would drag down a modern game.
There’s no doubt in my mind that Lord of the Rings fans will appreciate a lot of what Gollum is offering. It’s genuinely cool seeing such a fascinating side character step into the protagonist role in a story that further expands on a universe teeming with secrets to discover. It’s a bummer that there isn’t much else to write home about. A dull gameplay experience and technical hiccups make The Lord of the Rings: Gollum just as much of a polarizing experience as its main character.
Despite the stark lack of context, Hello Neighbor VR: Search & Rescue has an interesting house to explore with fun environmental puzzles, an unnerving persistent threat, and an interesting dynamic between the kids all working to help each other move forward in the house by degrees. It’s just all gummed up in unreasonably janky interactions and contrivances. I’m also not thrilled that it does nothing to ease you into the game, making it an utterly confusing experience for anyone who hasn’t been on board with Hello Neighbor already. I would like to think this can be a starting point of what to do and what not to do for tinyBuild and Steel Wool Studios if they go for a VR Hello Neighbor again. The puzzle and environment design is good, but they need to put a lot more time into what makes both a comfortable and responsive VR experience.
After Us serves as a compelling reminder of the far-reaching consequences of environmental neglect. While there are stories to glean through memories, the game is primarily a tactile experience, emphasizing parkour and puzzle-solving over delivering a strong narrative. The game has approachable puzzles and straightforward controls that should be easy for most to pick up. Its engaging gameplay mechanics, stark visuals, and poignant message make for a satisfying puzzle-platformer overall.
Miasma Chronicles is a fascinating experience that aims for a narrow target and hits it, for the most part. Making a serious, tactical RPG a vehicle for compelling storytelling is a tough proposition because the broad appeal of the latter is often at odds with the brutal vibes of the former. But with its tailored difficulty options, stealth options outside of combat, and, of course, the solid weight of the storytelling itself, Miasma Chronicles succeeds in its mission.
If you're a Star Trek fan looking for a game that respects the series enough to get the details right, then as a Vulcan might say, Resurgence is the most logical choice. It has an intriguing narrative that takes the risk of having two protagonists and plenty of difficult choices for you to make. However, some of the overcomplicated mini-games and melodramatic cutscenes mar the last third of the game. While Resurgence isn’t a technical marvel by any means, you don't need a lot of bells and whistles to tell a decent story. And I'm willing to settle for that.
Bread & Fred has solid platforming mechanics, and the introduction of the rope opens the door to brand-new frustrations and gameplay elements. It succeeds greatly at producing a co-op experience that’ll either have you at the throats of your friends and loved ones, or laughing uncontrollably, even if it feels like there isn’t much more substance beneath the surface.
Firmament was an extremely meditative puzzle solving experience. I applaud Cyan Worlds for continuing to design these games without flashy ruckus, time limits, or deaths to speak of. It’s a peaceful journey through vast and mysterious lands full of wild and interesting machinery built into beautiful natural surroundings.
I haven’t felt as challenged or as impressed by a puzzle game like Humanity since Portal 2 and The Talos Principle. Sony likely saw something special about it too (and this time at least, I agree), as it is one of the few games that will be available with a PS Extra or Premium subscription on day one. While Humanity does become less of a puzzler near the endgame, that’s a minor quibble in light of the risks it takes, its inventive range of content, its thought-provoking story, and its curiously peculiar presentation. (The dog is cute too.)