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In the end, to The Top, Mammoth! is a mobile game that's found itself awkwardly ported over to the Switch. The core gameplay loop is enjoyable enough for some quick gameplay sessions, but starting things off with some devious level design doesn't endear it to the target audience. Several design decisions, from the menus to the vagueness applied to power-ups, don't help the game's cause, and the obvious padding in a few areas and some pretty big bugs leaves much to be desired. The more tactile controls make this better than the mobile iteration, but on a system that already offers a plethora of quick pick-up-and-play experiences, it's difficult to recommend this title.
I hate to be this negative and scolding in this review, but in its current state, Babylon's Fall should not exist, especially not with such a hefty price tag. It's a live service game that's hell-bent on monetizing everything, but it's uninterested in being engaging, rewarding, or nice to look at. There are plenty of glimpses of the familiar Platinum Games talent involved, teasing the game that could have been, but it ultimately fails to make an effort except for microtransactions. Even hardcore fans of the genre or Platinum Games should likely avoid this title.
Green Phoenix aims to serve two distinct audiences but succeeds at pleasing neither. Shooter fans will hate almost everything about it, from the lack of proper aiming to the lack of enemies. Fans of deep narratives will find the story to be derivative and uninspiring and will hate that it is told so poorly. It may look pretty, but there's no real reason to give this a shot.
The concept behind Open Country is solid enough. A more relaxed hunting and survival simulator in a traditional game structure has an audience: those who feel that hunting games are too vague for newcomers. While some of the quirky bits can be forgiven, the busted hunting mechanics and the dated presentation bring everything crashing down. Unless you're the very forgiving and patient type, pass on this title.
To put it bluntly, Tamarin is messy. The story isn't that interesting, and the characters try to make it sound important but come off as pompous. The platforming is decent once you learn that you have useful moves, but the finicky nature of some elements and the slippery physics mean that asking for precision is inviting frustration. While the thought of resurrecting a Jet Force Gemini-style game is intriguing, the execution fumbles greatly due to it casting aside the advances that have been made in third-person shooters in the last 20 years. Unless you're craving an exercise in frustration, steer clear of Tamarin.
I'm hopeful that the Gnomes & Goblins developers can address these performance issues quickly. There's still a lot of design work that needs to be addressed if they want this game to be as great as its concept. Until then, Gnomes & Goblins is little more than a stuttering tech demo that doesn't capture the imaginative concept it so desperately craves to be.
Tennis World Tour simply doesn't deliver on the experience it wants to give us. While it offers some interesting and innovative gameplay aspects, it's either irksome or overly simple.
Fear Effect Sedna is a case of improperly executed good intentions. It has an intriguing story at its core, but the bad script fails to make it shine. It has lots of different gameplay mechanics at work, but none of them feel good, let alone good enough to carry the weaker parts. It has a presentation that's less than stellar, even for fans who enjoyed the originals. There's still a chance that you can enjoy the game, but you'll have to forgive the various flaws to do so.
Past Cure is many things: technically infuriating, a slog, and thematically inconsistent. While one can appreciate the effort of a small team trying to craft a game that does many things, it can't seem to do any of them well enough to warrant any attention. With a glut of better games that tackle similar elements on the platform, it's very difficult to recommend Past Cure to people, even as a quick diversion.
The premise for Ian's Eyes has potential. If done correctly, a horror game that revolves around a glorified escort mission can be a tense and entertaining experience. However, there's nothing here that can be considered well done, as the game simply strives to emulate all of the bad parts of the old survival-horror games without the good parts with that came with it. Even if you're a die-hard survival-horror fan, there's very little that's worth checking out in Ian's Eyes.
Unfortunately, Coffin Dodgers is a mess. It squanders its interesting premise, and races are plagued with poor track design, ineffective weaponry, and a lack of meaningful content. The multiplayer fares about as badly as the solo game, making it a blessing that this isn't online, and the constant frame rate issues sap any potential fun from the title. Unless you're willing to pay for a quick boost to your Trophy count, there's no reason to touch this title.
Zamarian gets some kudos for trying to use the tube format since it's still a rarity in the genre. Other than that, it doesn't do anything all that well. The controls are too squirrely to make you feel like you have any mastery over them, and the game doesn't break away from its mobile roots to embrace the advantages of the more versatile platform. The shooting feels uninspired until you reach the boss fights, which can be more of a confusing mess than something enjoyable. With an all-around mediocre presentation, Zamarian's only real saving grace is the $4.99 price tag. Even then, it's difficult to recommend this title unless you're desperate for a slightly different kind of shooter.
In the end, Slain! is very much a game that employs style over substance. It gets the look down, and the music fits in nicely. While the platforming is passable, the combat feels half-baked. Combine that with a myriad of bugs both big and small, and the game disappoints all around. While the hope is that the developers get some patches in soon to improve things, it's very difficult to recommend Slain! in its current state to anyone when there are plenty of better alternatives.
Wildshade: Unicorn Champions is a very messy game. The racing is simple in execution but suffers greatly from a heavy use of rubberbanding, while the tracks don't offer up too much incentive to look for shortcuts. The modes are sparse, and the breeding feature is ultimately boring. The presentation is decent enough in segments, but the visions of horses tumbling while you they whinny destroys any impressions of it being a family-friendly game. This isn't an outright terrible kart racing game, but considering the breadth of titles in the genre across the two platform generations, there's very little reason to choose Wildshade over the spectrum of vastly superior ones.
Crime Boss: Rockay City isn't a complete disaster. The idea of fusing together managerial duties with action-oriented shooting works well on paper since the gameplay styles complement each other. However, neither aspect plays out that well, and when you combine it with a lackluster story and worse than mediocre performances, the experience doesn't improve as you get further into it. Unless you're hard up for a crime-based game, there's little reason to give this title a shot.
Itadaki Smash isn't exactly the worst beat-'em-up on the Switch, but it gets close. The graphics are drab, with some bad-looking character models and mediocre animations. The humor is tiresome, and the lack of moves reveals the game's shallowness. The game is short, but the cumbersome saving combined with the overall instability makes it difficult to like. The Switch has a plethora of very good beat-'em-ups, both old and new, so there's no need to check out this offering.
It is difficult to recommend MX vs ATV Legends under any circumstances. The opening moments are punishingly slow to get through, and the whole process of going through the events lacks any polish. The races all suffer from a myriad of issues - including bad track design, wonky physics, constant stuttering, and a fiddly handling system against braindead AI. With the ability to power up all three of your vehicles after only three races, the drive to progress is barely there. This is a case where there are plenty of other motocross racing games that are worth your time, unless you're willing to wait a year or two to see if the team can throw enough patches to make this somewhat decent.
32 Secs might work fine as a mobile title, but it doesn't feel like much was done to ensure that it would be a good fit for the Nintendo Switch. From the lack of an overall objective to an intense amount of grind, it feels exactly like the mobile game but with a higher price tag to replace microtransactions. The Switch may not be the first platform for racing games, but racing fans should look elsewhere to get their fix.
While Spuds Unearthed isn't the worst VR experience out there, it is certainly one to avoid.
Galaxy Warfighter is a better game if you're on iOS or Android. It wouldn't necessarily make it a masterpiece, but it is a more tolerable experience on devices that are made for your pocket. On the PC, however, the litany of issues plaguing the game design are too much to make this worthwhile when the platform has a near-limitless supply of better titles in the genre. Unless you really need Steam Achievements, pass on this one.