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Shovel Knight Pocket Dungeon ticks all sorts of boxes. It is absolutely a puzzle game. You need to deal with falling “blocks” in a timely fashion. It also feels like an action-RPG. You need to consider your health, your equipment, and the amount of damage you’ll take. Roguelike elements come up too, due to being kicked back to camp when you die and opportunities to unlock relics for future runs.
Fortunately for fans of the genre who might look to review potential new games for their libraries, Dairoku: Agents of Sakuratani is a game with exceptional characters. It’s handled well, with great interactions and lore. The result is a visual novel that’s is a blast to play.
That’s what makes Monster Rancher 1 & 2 DX so fascinating. You see, Monster Rancher makes more sense now than it did then.
But of all the ones I’ve played, and consider that includes every localized Otomate game so far, Cupid Parasite is the one that best embraces the absurdity of the situation. It gets absolutely bonkers, which makes it all the more amusing and appealing.
The downside is, while it can still be compelling, the way it’s handled can also make things tedious. In review, Danganronpa S pales in comparison to the minigames its based upon.
With new visuals, greater accessibility features, and a re-orchestrated original soundtrack, Final Fantasy V Pixel Remaster keeps modern sensibilities in mind while maintaining the feel of the original release.
Galdra Studio’s Arcadia Fallen is that sort. It attempts to take people on an adventure while challenging them with some puzzles and offering opportunities to bond with (and romance) allies. However, it also provides a chance to shape a protagonist’s personality with answers, have multiple “correct” answers, and shape a story while letting someone be themselves. While it might not be entirely revolutionary, it accomplishes its goals and tells an interesting story.
This has been the year of me playing games I’d usually never pick up and going, “Wow, this is a good game!” So let me begin this review with this — Undernauts: Labyrinth of Yomi is a good game that fell completely under my radar. From developer Experience, Undernauts is your typical dungeon RPG, but that doesn’t mean it’s your average DRPG.
lue Reflection: Second Light, which is essentially Blue Reflection 2, is a game of many mysteries. Why did Ao and a number of other girls wake up to find themselves in a deserted school? Where are they? What caused them to lose their memories? How is it that some young women can turn into magical girls called Reflectors? While the players possess as little insight as them (unless they played or watched previous Blue Reflection stories), Gust’s latest is good at doling things out in a surprisingly relaxed way.
Shin Megami Tensei V is an incredible and memorable experience. It does some extraordinary things, both in terms of gameplay and its story. I’d even say the experience could be daunting, but in the most positive way. It is going to test you and make you think.
A lot of puzzle games involve finding the right place for things. In Tetris, you try to organize tetrominos to create perfect rows. In Puyo Puyo, you want the puyos to fall into the right places to trigger combos. Upon closer review, Unpacking is a game that is sort of similar, though the item placement involves no competition, no stress, and almost no worries about doing things “wrong.”
Voice of Cards: The Isle Dragon Roars, the new game from NieR creator Yoko Taro, is a peculiar little game. It knows what it wants to be! And its aesthetics definitely come first. But if you’re at home in its slower pace and tavern feel, you’ll have a good time.
Can the Gardeners of the Galaxy save the flarking universe? Magic 8 Ball says "I am Groot."
Impostor Factory is a surprisingly beautiful game that questions what it means to have a meaningful life. It tells a cyclical narrative that still manages to feel honest and emotionally raw. It works best if you go into it with as little information as possible, so I won’t say much more than that on how the story unfolds.
There’s so much to Dungeon Encounters. People might not even notice at a first glance. But the systems at play are so compelling and rewarding. Finding a new item. Beating a party of foes that stumped you before. Managing to track down a wandering adventure. Saving a party of fallen allies that died earlier because you overestimated your abilities. It’s enthralling.
Like its predecessor, The Caligula Effect 2’s greatest sin is that it is entirely average. The soundtrack is incredible, to be certain. Progress is clear, given that the dungeons work so much better. The general story feels stronger as well. But the supplemental elements, generic enemies, and need to only take advantage of the tactical parts of battle when facing bosses leave it feeling a bit lackluster.
Metroid Dread is constantly offering a player a challenge, then providing an appropriate reward for their efforts. It forces you to be better. You’re put in situations where it will be difficult, but paying attention and trying usually means you can get through it.
New games have moved from the obvious to the truly weird. And, perhaps most importantly for this installment, the world has become much more about video calls than house parties. The Jackbox Party Pack 8 is the first one fully developed in these conditions, and its collection of games feels like it wanted to be deeper and more involved to fit in a little better.
There is just a lot to do in The Good Life, which means that players can potentially sink upwards of forty-plus hours taking pictures or running mundane, everyday tasks. And while I like life simulators, I don’t like them when they can barely run at over 3 FPS.
In review, there’s a lot to like about Demon Slayer: The Hinokami Chronicles even if it isn’t exactly perfect. It’s a strong first step. The Adventure Mode’s execution and ideas are sound, even if it can feel a bit simple in practice. The Versus mode works well, with characters who feel distinct and have personalities come through.