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There's a decent multiplayer action game concept buried in here, absolutely. Some of these characters deserve to live on in future projects. At the same time, it feels like there are only so many team dynamics to experience. It's all too fleeting. Once you've hit that point of no return, there's no real motivation to continue. I'd like to pick this back up one day, but realistically, I don't see that happening.
Pokémon Mystery Dungeon: Rescue Team DX is a pleasant remake of a pair of dungeon crawlers that, as I can see now, are a bit more dated than I originally thought they'd be. There is still a lot to love about this interesting spin on the Pokémon formula, but not enough for me to lose myself in the experience as I did once before.
Half-Life: Alyx is an accomplishment no matter which way you spin it.
Doom Eternal keeps the strong foundation built back in 2016 intact, while adding some of its own panache in the process. I think we can officially declare that the last iteration wasn't just a lone fluke, and that Doom is back in the shooter spotlight where it belongs.
Honestly, 18 days is far too little time to generate a comprehensive assessment of Animal Crossing: New Horizons. There is still much I don't know about this game, including how in-game purchases will ultimately be incorporated. But based on what I have been able to experience, it's what I've wanted Animal Crossing to be for many years. While it fumbles its camping-inspired opening, New Horizons makes a nice recovery with a strong focus on player accomplishment, creating a potent sense of achievement in this idyllic piece of escapism.
Ultimately, though, what stings the most about seeing My Hero One's Justice 2 is how much hasn't changed since the first game. It's still very much a reasonably well-made and pretty anime arena fighter, but it's nothing more than that. Even the considerably messier One Punch Man: A Hero Nobody Knows at least had the ambition to try to capture the source material's spirit through its main single-player mode. My Hero Academia fans looking for exactly that will be satisfied, but once again it seems Bandai Namco have opted to coast rather than adopt U.A.'s "Plus Ultra" philosophy.
With the need to go bigger, Ori and the Will of the Wisps loses some of the simplicity and innocence of the original game, but it steps up in turn with bite and refinement. It's the perfect companion to Ori and the Blind Forest, and is an early defining moment of the decade to come.
If there's one point I want to get across above all others, it's this: Nioh 2 isn't as revelatory as the first game, but that shouldn't be held as a mark against it – at least not this time. Team Ninja was right to iterate and expand carefully. Nioh got so much right on the first go. While the new prequel storyline suffers from a slow and disconnected start, just about every other aspect of Nioh 2 feels upgraded.
To that end, it's more charitable to see One Punch Man: A Hero Nobody Knows as more of a Hero Association RPG than a fully qualified fighting game. You won't be seeing it on the main stage at EVO anytime soon, but you can at least have a fun few hours raising your own hero.
Granblue Fantasy: Versus might not fulfill your dreams of providing a deep RPG and fighter in one, but given that the bulk of the game is focused on what Arc knows best, it's easier to overlook that sin. Hardcore players might scoff at the lower ceiling compared to other fighters, but there's a lot of potential here, and the meta will only continue to evolve.
Despite some minor flaws, Bloodroots is a manically fun game that oozes style. Discovering new and unique ways to use the extremely varied arsenal to my advantage kept me coming back again and again. Even when I died (and believe me, I died plenty), I was thoroughly enjoying myself. If you're in the mood for a fast, stylish action game with plenty of challenge, Bloodroots might be just what you're looking for.
Silver Dollar Games has wholeheartedly delivered on the promise of the original and managed to outdo my expectations spectacularly. One Finger Death Punch 2 is everything I love about the series turned up to 11, and it's a fantastic example of how minimalist design can effectively carry a game, even when pared down to just two simple inputs.
Any one of these games are worth throwing 10 bucks at, much less all six. So long as you can deal with some antiquated visuals (even with the new look) and a bit of exploration-based frustration with the ZX games in particular, you'll have plenty of rainy days squared away with the Mega Man Zero/ZX Legacy Collection.
In the end, that's the real draw of Azur Lane: Crosswave, rather than its gameplay, which is more of a formality. As such, your reaction to it will likely depend on your on how receptive you are to Azur Lane itself. Existing fans and open-minded lovers of cute anime girls gabbing will find much to dive deep into, but everyone else is probably better off taking some shore leave.
As is, Taur has a wonderful central idea – it lets you tear up the place with a ridiculously powerful sci-fi cannon that's a joy to control – but the elements surrounding that core concept aren't as fleshed-out, refined, or engaging. It's the kind of game that leaves you wanting a sequel that can fire on all cylinders.
It should feel dull, but it doesn't. Dreams doesn't feel like homework. Part of that is on the intuitive tools, and part of that is on Media Molecule's community-centric approach. This isn't "just another project" for the team – it's the culmination of everything they've worked toward since LittleBigPlanet.
If the shrug emoticon were a video game, it would be Code Shifter. It's just a tepid experience from top to bottom, one that doesn't do anything to make me hate it but certainly doesn't do anything to garner a recommendation.
The Bad Seed is a natural extension of everything that made Dead Cells so tireless and long-lasting. The new levels don't feel arbitrarily tacked-on (even though they essentially are), and you don't need to be a masterful player to conquer them. I could go for a few more DLC packs with this exact structure, easily.
I brought up "the old Blizzard" in this review because this is a first time in a while (yes, even counting Diablo III at launch) that you can really sense a huge shift at the company in just about every sense. Warcraft III: Reforged is both the beginning and end of an era. It works to a degree thanks to the immense talent of the original Warcraft III creators and custom map fiends, but it doesn't quite feel like Blizzard, does it.
I ended Wide Ocean Big Jacket feeling good, and it resonates, but at the same time, it's not necessarily an experience that will stick with me.