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Straight up, Shin Megami Tensei III Nocturne HD Remaster could have used more technical improvements. The subtle mechanical changes make it a better game without fundamentally changing it - which is a great thing because Nocturne never needed to be changed. I just wish the "remaster" part had a little more oomph to sway people who might find it dated.
Ultimatum is up and down with the actual changes, but the league mechanic is solid and the Trialmaster character is easily one of the best introduced since Einhar, and I sure hope he's here to stay, even if his boss fight is frustratingly locked behind RNG.
Wrath of the Druids is simply more Assassin's Creed Valhalla, with a few added twists and some of the same baggage. The benefit of not swinging for the fences is that you're getting more AC comfort food, even if it falls far short of a home run. For 25 bucks, you might need something a little more than that.
I was worried both of these games would only be considered good from a historic standpoint, that they would be celebrated solely due to their longstanding absence outside of Japan. But thankfully, both Famicom Detective Club games stand on their own even thirty years after their initial release. These are two beautiful, gripping games that show the timelessness of a well-written mystery.
Even if there are a lot of shared elements between the two games and the ground-based traversal isn't everything it's cracked up to be, Below Zero's greater focus on character-driven storytelling lands well and this standalone adventure captures the unrivaled magic of underwater exploration all over again.
I don't think Resident Evil Village is going to be very divisive per se: I suspect the reaction will be generally positive. But it's going to definitely spark some conversations as to how it stacks up against the current darling of RE7, and it has a long hill to climb to match its success financially. As for me, I think it complements it quite well, and then some.
New Pokémon Snap is a sign of the times in that way, but while it's adapted to the age of Instagram, it hasn't lost its soul in the process. This is the Pokémon Snap you remember, with a few additions that don't always hit as resoundingly, but the foundation has been well-kept. It was a blast to spend a weekend just blasting through every ride this park had to offer, and they're varied enough that I know I can go back today, tomorrow, and months from now, and still find new things to photograph, new interactions to fool around with, and a good time to be had.
Perfect Gold is one such game that did manage to hit paydirt. It's absolutely solid, and finding a narrative, even in the VN genre, that deserves to be called that can be difficult. The characters are flawed without being annoying, interesting without being archetypal, and the storytelling does a great job of focusing on them. It's worthwhile if you're into watching two people in love while figuring themselves out.
Returnal is a mostly thrilling sci-fi action romp that suffers from a lack of scale at times. In the moment, I'm completely fixated on my run, upgrading like a fiend, and dashing around for iFrames like I was playing a Capcom game. But after that run ends and I'm looking at the bigger picture, Returnal can feel a little smaller than it actually is. Keep that in mind before you take the pricey plunge.
What it comes down to is that Shadow Man Remastered is an excellent title that I enjoyed thoroughly. However, it is an excellent twenty-something-year-old title, and some people just can't go back to that era. I get it. But for the rest of us, this is definitely a title worth pulling back from Deadside.
There aren't many games like NieR Replicant, and I'm not just talking about in the modern era, but since 2010 as a whole. Whatever power that be helped Yoko Taro become world-famous, to the point where he can keep making these weird masterpieces, in any format: thank you.
All in all, I say this is a great game to pick up if you're a fan of the genre. It's endlessly charming, and a real breath of fresh air in terms of its style and gameplay loop. On Spry Fox's website, they claim they "want to make the world a happier place" with games, and I say they have more than achieved that goal.
Rain on Your Parade more or less delivers on what it promises. It's a clever and charming game that's bound to put a big, dumb smile on your face each time you ruin some unsuspecting person's day.
The 1.02 patch just went live, but console players are still reporting that it's not fixing a majority of the problems, especially progression blockers. Unfortunately it seems like a situation we'll have to wait out, and just hope that ZA/UM is able to fix the issues. This game really is a must-play for anyone who loves storytelling or the RPG genre - that is if you're on PC, or if you can wait for subsequent patches for console versions. In spite of everything though, Disco Elysium's twisting, tumbling adventure is one worth waiting for.
That's not to say Spacebase Startopia is a bad game, it's just something of a disappointment. At best, it feels like a remake that makes a few missteps. It's a forgery at worst. If you really want more Startopia but can't stand to look at its dated graphics, there's definitely something for you here. Otherwise, you're better off docking with a different donut.
There are some cobwebs to shake out of Oddworld: Soulstorm, and some that will remain even after a hot shower, but you'd be hard-pressed to name very many games that are doing what this series is doing in 2021. I'm glad that Oddworld Inhabitants is still around, doing their weird and interesting thing.
It's a lower bar to clear to be sure, but People Can Fly delivered what Bungie and other studios can't seem to do these days: a complete $60 game. Outriders is a flawed looter shooter that can fall into a rut with its core looting loop, but the gunplay is fun, and that's a decent-sized win. If you can grab two other people to recruit via Game Pass, it's a great way to spend some time.
Simply put, it's a title that knows what it is and seems to hit all its targets with deadly precision. This results in a game that isn't exactly transcendental, but is as solid as bedrock. Even if you're not a fan of the Record of Lodoss War source material, it is worth a look. At the very least, it took me back to my days of binging on Castlevania's Game Boy and DS titles, which I mean as a compliment. It may not be the freshest meal in the cafeteria, but it's still a tasty dish at the right price.
Like I said at the top of this review, your enjoyment of Balan Wonderworld is going to depend on your tolerance for primitive 3D level design. Strip away the unnecessary costumes and their poorly implemented management system - and fire those Balan's Bouts into the sun - and you might have a nice throwback to a more experimental time of platform gaming, one that would be easier to recommend. But sadly, you can't just strip those elements away. They're here, and they're ruining what is otherwise an enjoyable rewind to the golden era of the mascot platformer.
It comes across as a diabolical labor of love. The game is obviously made by people who cared for the property, as it conserves everything that was great about the original title while tightening the screws on the old doomsday device. Even without the multiple campaigns, it's a ridiculously long game. But the fact that I was rarely annoyed or bored, while continuously finding new elements to love, is a testament to how well-executed the sequel is. If the first game wasn't diabolical enough for you, this one should scratch that evil itch a bit better.