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Mega Man Legacy Collection 2 is worth it for 9 alone, but you'll also get to experience several legacy games that were passed by. I'm still holding water for 8 all these years later, and due to some amazingly camp artwork and stellar animations, it's one of the most "showable" Mega Man games to date. I think a lot of people are going to be pleasantly surprised by it, as well as the near flawlessness of 9 -- even if 7 and 10 are just as wart-filled as they always were.
Slowly but surely Ninja Theory has moved into film territory, but they can't let go of their need to shove action mechanics into everything they do. With the increased focus and acceptance of so-called "walking simulators" there's a huge market they can tap into, and I hope they end up doing that in the future. I enjoyed pretty much every facet of Hellblade that didn't involve combat, which unfortunately pops up a little too often on top of the aforementioned technical problems -- just enough to grate.
Infinite Minigolf shows a lot of promise, but in its current state it's bland. Apart from the course creator, there's just nothing here that stands out from other minigolf titles. Zen has always been good about supporting their offerings after release, and I'm hopeful Infinite Minigolf will continue to receive updates to improve the experience. As it is, it's a decent time, but hard to recommend if you're not excited by the prospect of making your own courses.
I think VR developers are getting the hang of things. I'm no longer suggesting friends pick up titles because "it's a good way to kill 20 minutes," but rather because these are video game experiences worth having and enjoying. Lone Echo strikes an exciting balance between exploration and puzzles that make space seem like a playground for the player. It really nails the relationship between the two main characters and does a great job of telling an interesting, if a bit predictable, story thanks to a unique conversation mechanic and great voice acting.
Anyone who isn't a fan of the "Telltale interactive story" style will find nothing at all here to change their mind on the genre, but fans of previous games will find themselves thrown into yet another adventure filled with questionable loyalties, tense confrontations, morally-grey decisions and that ever-nagging thought that maybe, just maybe, you should have turned left instead of right.
I really wanted to love Gotta Go but there honestly isn't a single redeeming quality to it beyond its incredibly likable trailer. I'd love to see the folks at Dire Nerd come back with a more fully-realized sequel or update, but until then don't waste your time or money on this.
Really, Immortal Planet is mostly a game for Souls fans that just cannot get enough of FromSoftware's particular brand of action. While it could also work as an introduction to the series proper, what with its short length, Immortal Planet doesn't bring enough new to the table to really justify a purchase for anyone not already familiar with the Souls series. That it starts to recycle content in such a short time frame is also a crime, even if the combat can be engaging.
Again, whether or not Namco Museum is worth your money depends on two things. The first is whether or not you like these games in the first place. The second is whether you legitimately see yourself spending enough time with these classics to justify the $30 price tag. Despite a couple odd inclusions, there was a lot of care given to making these experiences authentic, while at the same time giving players a lot of options that allow them to ruin that authenticity in favor of having a more enjoyable experience.
With a longer run time and more complexity, Dino Frontier could've been the next great PlayStation VR game. As is, though, it's still high up there as one of my favorites for the headset. If you have Move controllers and want a light city-building sim to chill out with, jump on this right away.
Tacoma gives players a masterfully crafted setting and encourages them to find out what made the people who once called it home tick. Life, even among the stars, can be mundane and familiar but Tacoma's presentation is nothing short of spectacular.
Aztez is an absolute killer. It's cool, brutal, and a masochistic amount of fun.
Ten years after it debuted on a handheld a fifth the size of a PS4, Patapon remains an utterly unique experience. For the life of me I couldn't tell you what lessons it could hold for future games, but I'm glad it's in a position for more folks to enjoy all over again.
So overall, Redeemer is a bit of a dud. While it certainly has a good premise and delivers on its promise of blood and brutality, it just feels like the game came out of the oven too early. Hopefully after a few patches and some more polish, Sobaka Studio can iron out the bugs present and tighten up the flow to create a decent little brawler. Until then, give this a pass.
At the end of the day, you probably already know if this game is right for you. If you couldn't get enough of Super Meat Boy and have spent the past seven years fiending for more punishing platformers, than The End of Nigh is something you should immediately inject into your veins. If you are usually iffy on super-challenging platformers, but curious if this is the one that will turn you around, keep on walking.
Sometimes, you really do just need a laid-back game that drops any semblance of agency or emergency and instead allows you to simply explore everything that it has to offer at your own leisure — something that you can easily unwind with, or a title that's just relaxing and inviting. Yonder fulfills this purpose wonderfully, and I can see myself revisiting it time and time again just so I can get lost in its world once more.
The people behind The Darkside Detective obviously know how to make individual parts of a game. The artwork is splendid, the music should be on rotation on my iPhone, and, barring a few bugs, the easy-to-grasp point-and-click gameplay works. Its issues lie in the writing, the element that should be the glue that holds the package together. Its lightweight, cornball comedy opts for cheap and easy jokes I never really find funny. I'm not expecting the brilliance of Rex Stout with every word, but maybe aim higher than something I'd read on a Bazooka Joe wrapper.
Theseus feels like a small-team effort, and a middle-of-the-road one at that. The myth-turned-game concept is smart, but the execution and scope aren't where they need to be.
Writing that such a good looking, clearly heartfelt project isn't an awesome game frankly sucks. Literally just glimpsing these screenshots fills me with wonder once again. But I have to shake off those starry-eyes and remind myself of the fatigue and apathy I felt just halfway into Eshe's journey toward salvation or damnation.
With the easy 30-hour campaign behind me, I'm having a great deal of fun with the post-game content. There are new maps to unlock, new classes to discover, and daily quests I can conquer. I could easily stop playing now and dive into something a bit meatier, but the pleasant nature of Miitopia, as well as seeing so many poorly recreated famous faces in random roles, is a curio that deserves to be kept in my 3DS until I see it through to the very end.
Hey! Pikmin is a little too simplistic for its own good, especially early on, but Arzest does a fantastic job of distilling what makes this series so special into bite-sized chunks. The transition cutscenes that play out like physical comedy shorts and the adorable little noises really sell it.