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All in all, this re-release doesn’t fumble the ball – and American football fans in particular will find a lot to like.
This mashup of shooter, stealth, and RPG wears its influences proudly but rarely matches them. Its alt-history setting is interesting and there are plenty of ways to approach the robot-killing, but these elements are at odds with messy storytelling and characterisation.
The core loop is a simple one, but it’s not as instantly addictive as many of the other games from Atari's prime. While it’s satisfying to pull off a huge combo, and requires a surprising degree of strategy, by the time you’ve played through the core 50 levels of the game, you won’t be as anxious to dive back in as you might hope.
While it does feel quite scrappy, and you will have to spend a bit of time setting the title up to your tastes, we reckon this is a fair trade given the ridiculously low price point. There is local multiplayer if you want to play with family and friends, which extends to a nifty little tournament mode, too. So, if you’re in the mood for some multiplayer baseball, you really can’t go wrong here.
Octopath Traveler II presents enough rich, turn-based action to forgive its minor combat system flaws. It's a breath-taking work of art, filled to the brim with story and adventure, bolstered by a cast of incredible characters who will leave you wanting more at every turn. A masterfully crafted RPG.
The wait has been worth it: Like a Dragon: Ishin! is another great instalment in RGG Studio's series. An often gripping story is made even better by the game's historical leanings, while a rewardingly intricate combat system gives the gameplay an addictive hook. Add all of those typically barmy Yakuza side activities into the mix, along with some delightful references to past games, and you've got the makings of a fan favourite.
Theatrhythm: Final Bar Line is an impressive feat. We hit credits on it, but we feel like we've only scratched the surface of its colossal 400+ song list. The love and passion for the series is apparent throughout every inch of this project, and we'd recommend it to anyone interested in rhythm games. Packed with absolute bangers, Final Bar Line will keep you busy for a long time.
Wild Hearts is, at times, an utterly thrilling game. It's a game that will leave you kicking yourself for a poorly timed dodge or a missed opportunity, and jumping out of your chair when you finally topple a troublesome foe with a last-ditch, go-for-broke attack. There's a handful of technical issues, a mite too much repetition, and some quibbles about the difficulty, but the core monster hunting experience is spectacular enough that the joys far outweigh the frustrations.
Horizon Call of the Mountain is not without its flaws, but it's hard to imagine a better showcase of PSVR2's potential than this. The core climbing gameplay is impressively executed, and it evolves just enough over the course of the campaign to remain fulfilling. We're not a huge fan of the combat, and the plot is practically impenetrable unless you're a franchise die-hard, but these niggles don't necessarily deter from the overall satisfaction you'll feel as you scale rock-faces several hundred metres into the sky.
Close to two decades later, Tales of Symphonia Remastered is a reminder of how neatly crafted the original GameCube and PS2 title was. Barring a few rough edges, this is still a great action RPG, full of charm and character. The only real downside is that the remaster itself leaves a lot to be desired.
Where we fall slightly out of love is with the fiddly controls. It packs a lot of useful functions onto the controller but it took us a while to figure it all out, and the tutorials are so minimal that some features barely register. It's also a shame the DualSense's capabilities are wholly ignored; this seems a perfect game for all its tricks. Even with any small reservations, though, we can't deny the game is just as engaging, relaxing, and enjoyable as everyone says.
Wanted: Dead is, at its worst, a frustratingly bad action game, but in its inexplicable presentation, nonsensical storytelling, and baffling character dialogue, it's difficult to completely dismiss. There's undeniable fun to be had here in a so-bad-it's-good kind of way, and that might even be enough for the game to secure cult status somewhere down the line. But for now, you'll need to slog through some of the most jank combat in full-price gaming to squeeze enjoyment out of the experience. Wanted: Dead is a truly fascinating mess.
We upset the cliché goth girl who is like, really into horoscopes and stuff. We upset the ow'right guv'nor lad's lad who looked like he was AI generated using only the phrase "probably watches Love Island". We upset the dork student who actually got her book out and started reading it mid-date rather than talk to us. We upset everyone. Speed dating? Spite dating. That's the future.
Hogwarts Legacy has turned the hopes and dreams of Harry Potter fans into reality. Finally there is a proper simulator of the school of witchcraft and wizardry, allowing you to create your own student, attend classes, and explore the vast landscape outside.
The absurdity of World War Z's Horde Mode XL is certainly worth checking out, and for newcomers it has a fun campaign to shoot your way through, too. As a PS5 upgrade, it's supremely disappointing to experience worse performance than what came before, but it isn't quite enough to spoil the fun we had spraying bullets into piles of zombies.
Deliver Us Mars has an entrancing sci-fi story that will keep you thinking long after the credits roll. There are a few little issues, such as a boring climbing mechanic and frame rate drops on Earth, but with some fantastic voice acting it's easy to get really invested in the characters and the fate of humanity. The simple puzzles do a good job at giving your brain a little workout while never being so taxing that they slow down the pace of the action. Overall, this is a great follow-up that delivers a compelling sci-fi narrative.
Fashion Police Squad is by no means perfect, but thanks to its strong personality and great ideas, it's worth a blast for any fan of the retro FPS genre. We're very excited to see what this team makes next.
SpongeBob SquarePants: The Cosmic Shake is an earnest effort to produce another great game for the character, but it hasn't completely worked. The premise is good, the level design is imaginative, and there's a clear love for the IP with its countless references and costumes. However, some of the gameplay feels very dated, while a number of presentational shortcomings and a laundry list of bugs hold it back. If you're a big SpongeBob fan, there's absolutely a good time to be had here, but a general lack of polish and some played-out design mean it's not quite the sweet victory we were hoping for.
Forspoken should and could have been a better game than it actually is. Its strengths lie in its core gameplay, which is fast, fluid, and great fun at its best. However, unnecessary open world clutter hampers exploration, and the combat system only begins to hit its stride hours into the adventure. If you can push through a poorly paced story, packed with desperately dull characters, then you might find enjoyment in Frey's fantastical abilities, which undoubtedly steal the show both in and out of battle. It's not quite the disaster that the memes would have you believe, but it's certainly not the PS5 showpiece that was once promised, either.
Dead Space has been brought back in the most faithful manner possible.