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Aside from that, this is the same great spin on Tetris we all know and love. Fantastic music is paired with vibrant, sumptuous visuals, and together they take this nearly 40-year-old game to a new level, whether you play it in PSVR2 or on your telly.
Ragnarock is a rough-around-the-edges rhythm game that's super fun to begin with, but the appeal may start to wane after a handful of sessions.
Capcom has translated the Resident Evil Village experience to VR in supreme style, but it comes with a few caveats. Some of the cinematic spectacle is lost, and you'll need to battle fiddly animations just as much as the werewolves dominating the remote village. Still, wonderful VR graphics, welcome comfort options, and great haptic feedback support make it a PSVR2 must-play.
If you're looking for a PS1 RPG experience that typifies the era, The Legend of Dragoon is a solid shout. A big budget title at the time, its ambition is still hard to fault - but with the benefit of hindsight, it's also easy to see where this Sony-backed release stumbles. The combat system is uniquely satisfying, but it can feel frustratingly stunted. Meanwhile, endearing characters carry an emotional story, but an awkward localisation effort comes close to sabotaging the script. A flawed classic, but a memorable adventure all the same.
The slight input lag and dark visuals are disappointing, but Pinball FX has so much content that pinball fans will struggle not to find the fun here. The biggest problem with this package is its messy monetisation: the developer can't decide whether to lean on its subscription-style Pinball Pass or traditional DLC, and its hybrid approach is neither here nor there really. When you consider that no previously purchased content carries across, it's hard to recommend reinvesting so heavily here – especially when, even with all the bells and whistles, the core nuts-and-bolts of playing many of these tables remains the same as in past games.
What you’re left with is a solid VR showcase game, but the good-not-great music, and the hit detection issues ultimately hold it back from being anything more.
The few redeeming features in the vibrant visuals, accurate hand tracking, and the somewhat enjoyable traversal when using the glider are just not enough to resurrect this unfinished title. Altair Breaker can barely even be classified as a fully-fledged game; it proves the VR software stereotype correct by just being a glorified tech demo.
Scars Above is a more appealing prospect than it is a final product - an interesting premise that's ultimately lost amidst repetitive gameplay and mundane design. Some aspects of it are genuinely intriguing, if underexplored, but simply reaching for the stars alone is no guarantee of ever actually leaving orbit, let alone getting off the ground - and recommending this experience over any other is a bit rich, even for the lower asking price.
However, as it stands today, PSVR2 has breathed new life into Zenith’s servers with a salvo of fresh faces willing to give the game a shot. The level 40 veterans we’ve come across have all been happy to help newcomers with advice, and there’s the promise of more content to come without any subscription fee to speak of. We can hope that future support will turn Zenith into something more thrilling or fix its crashes which we encountered several times. But right now, even after a year of steady support, Zenith: The Last City is an unexceptional affair.
Ultimately, what you're left with is the definitive version of the game, even with the changes being relatively slight. It was one of the best games on PSVR back in the day, and the same can be said for its port on PSVR2.
Cave Digger 2 is no technical showpiece, and annoying little issues do have a tendency to pop up just often enough to be a distraction. Pickaxe swings often don’t register right, you can find yourself lodged into nearly inescapable crannies, and hand tracking has a tendency to bug out occasionally. So, Cave Digger 2: Dig Harder is still a delightful diamond in PSVR2’s launch catalogue, but its intermittent issues and wanting variety cause it to lose some of its lustre.
However, despite this, Kayak VR: Mirage is still a great showcase for the tech, and will certainly be one of the first titles you dig out for your friends to try. There may not be a lot to it, but we can't deny the tranquil experience it offers.
During our playthrough, however, we encountered several bugs with machinery getting stuck and items falling through the bar and not resetting to their default positions, making it impossible to complete orders. All the problems we found were solved with a quick restart of the level, but when it occurred multiple times it turned out to be quite the inconvenience. We also noticed the lack of any implementation of PSVR2’s newest features: headset haptic feedback, adaptive triggers, and eye-tracking all appearing to be absent from this PSVR port.
In addition to the synth-driven city pop soundtrack, the neon punk aesthetic looks really nice in 4K in PSVR2, and while the vibrant colours may lead to headaches, we like the chaotic, almost violent nature of the presentation. But ultimately, we found ourselves tiring of the overly long levels fairly quickly, and so the title lacks that sense of replayability that’s so fundamental to truly great arcade releases.
Still, the scale of the missions really increases as you progress, and later levels — like the excellent heist one — offer a lengthy and complex challenge which we really enjoyed. In addition, we appreciated the sandbox area, as it provides an excellent creative space with access to every object and gadget available all at once.
Whether you have a group of friends to play with or feel like conquering the campaigns alone, you’ll have a blast no matter what. Demeo is easy to pick up and difficult to master, although it should be noted that the social space Heroes Hangout is inexplicably absent from this version. Nevertheless, it has a slew of content, a fun and strategic gameplay loop, stunning visual detail, and superb virtually reality implementation that all help to create a fully immersive tabletop title like no other.
Song in the Smoke Rekindled brings one of virtual reality's top survival experiences onto a platform where it can be enjoyed at its best. If you're willing to muscle through some run-of-the-mill resource management, you'll be rewarded with delightfully tense sequences punctuated by superb sound design.
Do well and everyone is happy and they might leave tips. You can spend your hard-earned coin on new cooking equipment, décor for your bistro, furniture, that kind of thing. As you progress, you learn new recipes, and you can add new flourishes to old ones. Eventually you get more chefs you can lead to help you out. And if you're really struggling there's options to lower the difficulty significantly, which makes the game quite chilled out if that's more your thing.
Star Wars: Tales from the Galaxy's Edge - Enhanced Edition starts out flat but does eventually get a bit better. You'll need to trudge through a couple of hours of bland shooting galleries to get to the good stuff, though, and even then the title is largely let-down by repetitive encounters and some dated design decisions. The game takes decent advantage of PSVR2's innovative features, but also underlines its Meta Quest 2 origins at times. And while there's an unquestionable novelty to existing within George Lucas' legendary universe, it feels like the license is doing a lot of the lifting for a mostly average adventure.
All in all, this re-release doesn’t fumble the ball – and American football fans in particular will find a lot to like.