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New Gundam Breaker is a disaster. A near broken mess of an action game, even Gundam maniacs will struggle to stomach its many, many flaws. Its visual novel elements are so obnoxiously cliche that you'll have to stop your eyes from rolling our of their sockets, and the gameplay is a mix of clunky controls and unfathomable chaos. Add some unbelievably poor technical performance to the mix, and you have a Gundam game that's not even fit to be mobile suit scrap orbiting the Earth.
The Lost Child isn't a game bereft of merit, and we're sure that there's a number of people who'll enjoy the visual novel slash first person dungeon crawler approach taken here. But it's certainly a game with limited appeal - even among the role playing game demographic - thanks to the lifeless battles and cumbrous dungeon design. It's a game that pays more than a passing nod to numerous other RPGs - Pokemon, Persona, and other Shin Megami Tensei titles - but sadly, never approaches the quality of any of them.
Late in the game, one of the characters has a line where he says “I am a miserable, unfortunate man.” We can't think of a more perfect way to describe playing this title. From a team capable of making a game as exceptional as Fated: The Silent Oath, the quality of work, or lack thereof, on display here stings.
Jurassic World Evolution sits happily in the difficulty sweet spot: it's easy enough to pick up and play that park builder novices will likely have a good time, but it's involved enough that genre veterans should enjoy it as an amusing diversion between more hardcore titles. While there's a couple of tedious processes involved, building a park is generally entertaining, and dinosaur fans – who isn't a dinosaur fan? – will likely be enamoured with the array of creatures available, and the mischief they can get up to.
BlazBlue: Cross Tag Battle is an incredibly entertaining fighter that hinges on some brilliantly crafted team mechanics, so it's a real shame that the overall product is cloaked in controversy. Accessible yet open-ended and deep, Arc System Works' latest is slick and expressive, but it's the questionable DLC practices that ultimately muddy the waters.
This is a very straightforward port of Far Cry 3, a game loved and loathed in equal measure. The Classic Edition is a great way for newcomers to experience one of the best games in the series, despite some clunky controls. Many people will have made up their mind about Jason's journey years ago, but on its own merit, this is a competent re-release of a fun, if a little dated, open world shooter.
Onrush is a chaotic arcade game that surprisingly comes together – even if there are question marks regarding its longevity. This brash vehicular experience draws inspiration from several different areas of the industry, but it reassembles them into something unusual and entertaining. A great online infrastructure means you can be in and out of the action in seconds, but the package could do with a little more meat on its bones to fully justify its price tag.
What started out as a Kickstarter three years ago, Shape of the World is an impressive accomplishment.
Vampyr has a ton of interesting ideas, an intriguing world, and a great cast of characters, but is ultimately let down by its narrow-minded focus on unnecessary combat.
Despite bringing a few new mechanics to the table, Far Cry 5: Hours of Darkness is a lesser experience when compared to the base game in every possible way. Its story is almost non-existent, the open world is completely generic, and with a fair few features from the original experience missing, it all feels like a step back. The core of what makes this a Far Cry game is still present, but you were probably already tired of that long ago.
Along Together serves up a fun virtual reality experience that doesn't attempt to do anything new, but rather refines mechanics introduced by others. It's mildly challenging puzzles won't present much of a roadblock in your path to progress, besides the unintuitive junkyard location, and so an afternoon's worth of enjoyment is around about where your expectations should lie.
Gorogoa is an immaculate puzzle game. Gorgeous art, beautiful but ominous ambient music, and mind-blowingly clever design combine for something special. It's a game like nothing we've ever played before, and with a modest run-time and low price-point to boot, you have no reason not to snag this outstanding experience.
A depiction of hell that hasn't really been fully realised before, Agony is marred by frustrating stealth sections and some poorly explained mechanics. The horrifying imagery is generally effective and the overall presentation manages to survive some glaring technical issues, but this is very much an acquired taste in every sense of the word.
While Milanoir does a whole lot of things right with its fair share of positives and highly stylized aspects, it still manages to drop the ball on some key elements like crucial gameplay mechanics. Regardless, this game is a fun play, and we'd say it's definitely worth your money, assuming you are looking more for a solid story and over the top experience than you are for the smoothest, frame-perfect gameplay.
Street Fighter 30th Anniversary Collection does exactly what it says on the tin. It's a lovely compendium of every single Street Fighter from the arcade original right up to Street Fighter III: 3rd Strike. Fans of the franchise will really appreciate having so many entries in a single place, and the wealth of customisation options, online modes, and extra content in the museum will go down a real storm.
Yoku's Island Express is one of the most surprising games of 2018. The combination of pinball and Metroidvania is, on paper at least, a little like dipping your French fries into your milkshake; as good as the two elements are separately, they shouldn't really work together. But thanks to an array of smart design choices, a wonderful art style, and some genuinely inventive puzzles, Yoku's Island Express is a game that only rarely frustrates – and frequently delights.
Moonlighter is a delightful mix of action RPG, rogue-lite dungeon crawling, and shopkeeping sim with an ingenious gameplay loop that'll have you hooked. The way the game's contrasting parts blend into one another means you're always making progress, and it feels great. Exploring the dungeons is challenging and fun, and managing the shop is addictive, thanks to an intelligent economy system. There are some rough edges, such as complex menu screens and one or two minor bugs, but when this game gets its hooks in, you won't care. Shopping around for your new favourite indie? Look no further.
PixelJunk Monsters 2 is a brave sequel that attempts to fix something that isn't broken, and has ended up taking away more than it adds.
SEGA Mega Drive Classics is a very generous package, offering over 50 16-bit titles for a very reasonable price.
With a dearth of decent games based in the Warhammer 40k universe, Space Hulk: Deathwing seems at first glance to be heading in the right direction. With a reverence for the source material that'll appeal to Warhammer 40K aficionados, it successfully evokes the space hulk setting and the relentless battles at its heart. While the basic building blocks of a decent experience seem to be here, the undeveloped gameplay, and repetitive structure – that degenerates into tiresome battles of attrition – mean that even transplanting it into the co-op multiplayer mode and adding more unlocks and rewards won't be enough to keep your finger on the trigger for long.