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Earth's Dawn is a solid little title with a few minor niggles that hold it back from being a great title. On the surface, the game appears quite simple and yet the combat, skills and crafting make for quite a deep and intriguing game with many gameplay and combat possibilities.
With a rewarmaster now under its belt, one would assume that it's well worth going back to it. In some regards that is true. The game's vibrant art style is complimented all the more with the visual and textural upgrade, and the smoother frame rate causes War himself to look like a powerhouse against every enemy that he faces. However, that's all that this remaster has to offer.
"Guardian of Gotham" is some of Telltale's best writing to date. It masterfully paces several dangling story threads into one tightly delivered penultimate episode while also seeming to build the greater Bat-verse for future seasons. It's exciting and uniquely theirs at this point.
Someone who really wants to relive the games of their childhood could find something to like here, but they would be equally or perhaps better served simply playing an old favorite.
After a particularly good year for the first person shooter, Call Of Duty is not a particular stand-out, a far cry from the series must-buy status at its height.
Clustertruck is an okay game that has the player jumping from truck to truck as a cluster of semis destroy themselves, careening through eight different worlds with increasingly difficult obstacles along the way. Abilities and utilities that are earned along the way can make the game easier, but it will still take a lot of repeating levels to make one's way through the game. While it's a fun for a while, the game soon becomes frustrating and repetitive, especially for those of us who aren't great at jumping.
Did Skyrim need a remaster? Probably not. Are we all going to buy it anyway? Probably.
With better options for sale even in its own genre, it's more likely that SDB will sit in your digital library without a chance of ever actually taking up hard drive space.
Titanfall 2 is everything for which you could possibly wish to find in a sequel, answering all of the negatives of its predecessor. While short in length, the campaign is an exhilarating ride that showcases everything that made the first game feel so refreshing, and the refined multiplayer will keep you consumed for months to come. This title is a must own for any first-person shooter fan.
Saturday Morning RPG's welcome nostalgia trip to the eighties provides five fun episodes and two bonus modes for its players to sink their teeth into. Although its combat eventually grows tiresome and its quests verge on lackluster, the well-written dialogue, outstanding music, constant infusions of humor, and nonstop pop culture nods keep it from feeling like it overstays its welcome.
Slain ticks off the boxes as a serviceable homage to old school action-platformers. It has relatively tight controls and gameplay and has that 80's/90's difficulty that will make elder millennials jaunt down memory lane. The lack of depth and unreliable technical aspects limit Slain's fun factor, while the writing aims to be both cheesy and Gothic, but cannot serve both masters and ultimately fails. Finally, the achievements... ugh... just don't go there. If you're aching for a throwback to Belmont's heyday and don't care about your achievement ratio, give Slain a shot, but otherwise, give it a pass and catch some z's.
Mordheim is a game for fans of its tabletop sibling. As a strategy game, it offers enough depth and complexity to stand out from the crowd. As an RPG, it's simply burdened by too much complexity to reward the player. Sadly, thanks to a story that is difficult to appreciate and a heavy focus on run-of-the-mill missions, the gameplay becomes repetitive far too quickly as there are not enough interesting story missions to breathe life into the experience.
Battlefield 1’s campaign provides an emotional and thought provoking look at the horrors of World War 1, while at the same time providing varied gameplay and an interesting cast of characters to help make this the best Battlefield single-player experience in a long while. The multiplayer remains as strong as ever, providing an action-packed and enthralling experience that provides a welcome evolution to the already successful formula.
"New World Order" is a slower episode that promises a lot of worthwhile story moments soon, but fails to provide many of its own. Character interactions are the best that they've been so far, but everything else is missing the drama that it needs to deliver a worthwhile standalone episode. If you've made it this far, you're likely in it for the long haul anyways, so if you just forgive Telltale for once again taking its foot off the gas pedal for its middle episode, it stands to reason that what's ahead will be both the Batman that players deserve and the Batman that players need right now.
The new Painted World looks gorgeous at times and exploration feels rewarding as you discover more shortcuts and pathways. The multiplayer arena seems unusual at first, but it is an interesting take on the game's PvP. Only hardcore fans will stick around for the long haul, though, so the DLC's main appeal comes from an awe inspiring boss fight at the end.
Whilst Dirt Rally is aimed at the drivers, WRC 6 is definitely for the fans. The game wants to bring the thrill, the sensation and the enjoyment of rallying to all of the fans of the sport regardless of their driving ability.
The Bug Butcher is a fun arcade title that has the player exterminating bugs at an increasingly frenetic pace until all bugs have been destroyed. The easy-to-operate game mechanic and variety of difficulties that are available make it fun for all skill levels, but the challenging achievement list and buggy saving could squash some players' enthusiasm like...well, like a bug.
One Hundred Ways is a stark reminder that in this new age of consoles, not all indies are darlings and not all games on the Xbox marketplace are worthy of such a home. It's a game that might have been fun in waiting rooms or in transit someplace, but in a home setting on an Xbox One, I can't think of one good reason why anybody would want to play this. It's a boring, aesthetically nauseating slog through puzzles that more often annoy than challenge.
REUS presents the world as if the almighty was an accountant. It is as much a game about crunching numbers as it is about creating a paradise for humanity, but its beautiful setting helps to mask how logic-driven it really is. It's both confusing and addictive in equal measure and manages to find a great balance between continuously providing a challenge and not overwhelming players. Once you get to grips with the minutia, everything begins to make sense. It's not always easy to get everything running smoothly, but when you do it is immensely satisfying.
Mantis Burn Racing is trying to be nothing more than a fun, top down arcade racer and it easily succeeds in this.