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When I have to struggle to pry myself away from a game to actually write my review, you know it’s done something very right! Minor gripes such as the lack of a proper title screen and the procedural generation skipping leg day here and there are completely outweighed by how much raw fun can be had from blasting demon hordes away with some of the most creative guns I’ve seen in a long while. With a rocking soundtrack, addicting gameplay loop, and creative progression system, Nightmare Reaper delivers a bloody and bountiful harvest. If you’re a fan of old-school shooters, there’s no reason to miss out on this one.
Vengeful Heart is worthy of your time if you are at all interested in visual novels. The overall narrative is gripping, and it’s no overstatement to say that at times, I found the visuals and soundtrack mesmerizing. The early stages undoubtedly contain some uneven writing, but it’s a small issue when contrasted with everything the game gets right. If you can look past this, and the linearity of the narrative, then Vengeful Heart is an absolute gem of a visual novel that I would encourage you to support and try out.
The Skywalker Saga is a triumphant return to form for TT Games. Covering all nine big screen Episodes in one game has presented players with a Star Wars sandbox like no other. With meaningful developments in the gameplay department and a level of immersion that surpasses not only all LEGO games that have come before but all Star Wars games also, this is a title to treasure for Star Wars fans and lovers of collectathons alike.
Unless you have the patience of a saint, I would steer clear of In Nightmare. It really is a shame, as there’s an interesting story being told from Bill’s eyes and a really vibrant and vivid world with a unique style to explore, but any semblance of gameplay is horribly hampered by a nightmare of poor gameplay designs. I’ll keep dreaming of how much I’d enjoy this game once it sees some quality of life improvements show up to fix the plethora of lackluster stealth gameplay and frustrating “puzzles”.
Gal*Gun Double Peace makes the jump to the Nintendo Switch fully intact and slightly undressed. Whether flinging pheromones at frisky schoolgirls on your TV or in handheld mode, the game runs well and its vibrant visuals, while not particularly detailed, still manage to pop off the screen the same way they did when it was first released in 2015. Solid performance aside, however, just how much enjoyment you’ll get out of this risque rail shooter depends on what you’re looking for. If you’re already a fan of the franchise and itching for more fanservice-filled firefights, you’ll undoubtedly find those here. However, if you’re looking for a satisfying shooter that will test your reflexes with thrilling boss battles and exciting locales to blast your way through, I’d probably wait for The House of the Dead: Remake to shuffle its way onto the Switch instead.
While not perfect, Andro Dunos 2 is an excellent revival of Visco’s 16-bit shooter series that deserves your attention. With its killer retro-inspired presentation, driving music, and plenty of exhilarating boss battles to test your mettle, it’s a game that’s easy to recommend to anyone who has a passing interest in shoot-’em-ups. If nothing else, it makes me excited to see what else publisher PixelHeart has in the works for Visco’s other IP. If the upcoming Ganryu 2 is anywhere near as good, nostalgic Neo Geo fans should be in for a treat.
Overall, Kirby and the Forgotten Land is still a tremendous adventure. It makes the transition from 2D to 3D effortlessly, and offers an expansive adventure full of replay value. While I was frustrated by some curious omissions, this is still one of the best Kirby games in quite a while and easily the best one yet on Nintendo Switch. A must-own for fans of the pink puffball.
Developer Thinking Stars have come out swinging with Anno: Mutationem, a lot of it works, and some of it not so much. The game feels like the first act of an anime series, or the first part of a bigger story. There is a tease that there could be more to come, but we’ll have to wait and see. As it stands now, Anno: Mutationem is a little rough around the edges, but despite its flaws, I kept going back to it and was endlessly impressed by its scope, ambition, and excellent combat.
Weird West sometimes gets its wagon wheels stuck on the sand with its exciting but underdeveloped ideas. Nonetheless, it’s still well worth a fair few silver dollars for being an ambitiously open-ended Action-RPG with a truly unique story and ambiance. So saddle up, partner. We’ve got some outlaws and zombies to hunt!
I have nothing but praise for Wobbledogs. It’s ridiculous yet captivating, its enduring adorability carrying players through the occasional wait times between prayers to the RNG gods (spindly Wobbledog why are you so hard to get??!). If you loved Spore and Viva Pinata and want the perfect blend between the pair, it’d be a doggone shame if you passed up Wobbledogs.
Lost Ark is literally great enough to re-ignite my passion for MMORPGs after 15 years. That’s not a joke, and it’s not something that I’m just saying for the sake of this review. Because of that, I don’t know that I should be reviewing this game so much as I should be thanking it. I’m incredibly happy to have finally found an MMO that I can look forward to playing every day, and, if you’re willing to take my word at all, I think you’ll find that you’ll end up the same way once you sit down with this game for yourself.
Expedition Zero does a solid enough job of creating atmosphere and making the player nervous, but playing it just isn’t fun. The seed of a solid idea is here in the game’s various printers, but they don’t do enough to help overcome the slow and awkward movement. Horror fans may find a few hours of scares, but anyone else should steer well clear of this expedition.
I never considered stopping this ride until I’d saved Uncle Marcus. The core mystery here is fascinating and had its hooks in me until the end, while the entertaining cast made me want to go back and see every alternate ending. Who Pressed Mute on Uncle Marcus? doesn’t reinvent much, but its a well-executed FMV title that should satisfy anyone who’s a fan of the genre.
Tiny Tina’s Wonderlands is a resounding success and is easily the most fun I’ve had with the series since the release of Borderlands 2. In some respects, I actually think there is a case to be made that this is the best playing game that Gearbox has made, so positive are the changes made to the narrative delivery, class system, and the introduction of the overworld. If you’re a fan of Borderlands, Wonderlands is an extremely easy sell. But, even if you’re a lapsed fan feeling the burn after so many years of Borderlands products, there is so much that is fresh on display that I think you owe yourself a visit to the Wonderlands.
It feels a little funny to review .hack//G.U. Last Recode for the Switch. Diehard .hack// fans like myself just needed to be told when and where to buy it with no questions asked, and those who have never dipped their toes into the title (or franchise as a whole) have three current platforms to choose from with a basic understanding of what one can reasonably expect from any of them. To that end, I’d like to close the review on this note: .hack//G.U. Last Recode is worth the money no matter which platform you buy it on, but if you want to support some of the most creative and dedicated developers out there, pick up .hack//G.U. Last Recode on the Switch — don’t let Cyberconnect2’s blood, sweat, and tears go to waste.
GetsuFumaDen: Undying Moon doesn’t feel like it adds anything new to the side-scrolling roguelike genre; for some, that’s just fine. Not everything needs to be high-octane-melt-your-brain gameplay, right? GetsuFumaDen: Undying Moon instead feels like playing a beautifully painted Japanese wall scroll come to life, its colors slowly meandering across the screen as they melt into one graceful bloodpit at the bottom. If you prefer form over function or are just curious about this Eastern franchise finally coming West, GetsuFumaDen: Undying Moon is ready to slash up a good time.
For me, the Mario Kart 8 Deluxe Booster Course Pack has been a wonderful reminder of how much I love this game. That on its own makes it well worth the price of admission, especially when it promises to keep giving me reasons to come back for most of the next two years. Hopefully, I’ll see you on the track.
Dark Deity is a flawed—but enjoyable—take on the classic Fire Emblem formula. I wish some of its elements weren’t so obtuse and vague, but I still found it impossible to put down. There’s room for a sequel, so hopefully, it won’t be too long before we get a chance to revisit Terrazael.
For the most part, Marvelous sowed some pretty good SEEDs (hah, get it?). Obviously, I’m not completely satisfied with everything—the relationship mechanics are essentially a gamble, now, and we’re straight-up chugga-chugga-choo-chooin’ through certain loading zones, but there’s a reason that I played 130 hours of this game. At the end of the day, Rune Factory 5 is a fresh and enjoyable new entry to the series, and I really think that fans will come to love it just as much as they have every other title.
While its difficulty spikes could use a bit more balancing, it does nothing to diminish my love for Tunic. This is a masterfully designed game that challenges you to take elements of classics that have become familiar and apply them in all-new ways. Its triumphant in-game manual gave me more moments of stunning realization than every other game I’ve played in 2022. If you’re a fan of any of the titles that stand as major influences to Tunic, you owe it to yourself to check this one out.