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Indigo 7: Quest for Love is an earnest, enjoyable attempt at a new puzzle game. It’s fun, it’s quirky, the art style is endearing, and the gameplay is solid. Honestly, I’d be giving this game a higher score if it didn’t have some bugs and issues that pop up here and there. Those problems aside, though, if you’re looking for a great multiplayer puzzle game that isn’t Tetris or Puyo Puyo, give this game a shot.
Despite at times significant performance issues, Ys IX: Monstrum Nox works well enough when it matters on the Switch. Players able to spend their time on Balduq on another platform will want to consider doing so, but if your only option is to play on the Switch or you really want to play on the go, Monstrum Nox is still at its core one of the best action-RPGs I’ve played in years.
Even with multiple goals to accomplish, secrets to uncover, and potential endings to see, Overboard! isn’t going to last you months. This is a relatively short game. You might run through it thirty times, but many of those will take ten to fifteen minutes. Others might take thirty minutes to an hour on the long end, but this is an appetizer, the sort of game to be savored over a long weekend rather than obsessed over for months. That’s not a slight. That weekend will be filled with fascinating twists, especially considering you know from the very start what actually happened. Overboard! is a wonderful voyage, well worth your time. Just make sure you don’t go over the rail yourself.
Is Metro Exodus: Enhanced Edition worth picking up? It absolutely is for the price it’s being sold at. It’s a little over 30 quid/dollars and with the DLC and took me about 20-25 hours to get through with a young puppy in the house. It obviously includes the base game, but also comes with the story DLC that came out with the expansion pass. Both add new narrative beats to the game. But where Metro Exodus: Enhanced Edition really lets itself down is the execution of the world it is based in. Sure, crafting an arsenal to butcher hundreds of faceless bandits is fun. But Metro Exodus’ complex post-apocalyptic world has such a deep lore, begging to explored properly. It deserves better than this.
Curved Space tries new things in the twin-stick genre. I appreciate the attempt, but most of those new things don’t work out. Playing it is often uncomfortable, and too many of its weapons are duds. At times the fast-paced shooting can be enjoyable, but even that is too often broken up by pacing issues. I’m all for destroying spiders, but I’d rather do so without feeling sick to my stomach.
Everything about Space Jam: A New Legacy – The Game feels as cheap as its price. What’s here isn’t really bad, but it isn’t good either, and it’s over before you know it. If you’re desperate for something to play and need to kill a half-hour, you can do worse. Free is definitely a competitive enough price. Otherwise, if there’s anything in your library or on Game Pass for subscribers that you’ve been meaning to get to, you’ll do a lot better to spend your time playing that.
There’s room on the market for mindless action, especially when it can be played with friends. I’m glad a game like Dungeons & Dragons: Dark Alliance is on Game Pass because that’s the perfect way to get a group of friends playing together. I just wish that once they gathered, they had something better to play. Unfortunately, despite some parts of the game looking and sounding nice, there’s little else to recommend it. With awful AI, weightless combat, an unengaging story, and loot that feels inessential, the entire game is a slog. The biggest fans of Dungeons & Dragons may find a bit of fun with friends, but they deserve better than this.
Backbone gets off to a great start and it definitely has a lot to say. Great visuals and a stunning soundtrack made me want to give it the benefit of the doubt, to ignore its issues. As it goes on though, Backbone loses everything that made it interesting in its early hours. What replaces it is so different that its hardly even the same game. Different doesn’t have to mean bad, but the changes and ideas thrown around in the second half are too underdeveloped to overlook. Perhaps a sequel can allow the development team to further delve into its many themes. I liked enough of Backbone that for most of its running time I was enjoying myself. In its current state though, it’s hard to enthusiastically recommend.
Empire of Angels IV is a perfectly fine game. But you may have noticed that’s a recurring theme of this review; the combat is okay, the story is okay, and the artistic direction is okay. The game does everything just fine, but it doesn’t particularly excel in any one area. If you’re looking for a nice casual game with a pleasant level of challenging content, but aren’t looking for anything deep and engaging, I think you’ll enjoy this game. You can pick up and play whenever without really forgetting much of the story or what you’re doing.
This is absolutely a game worth playing for any tactical RPG fan.
Paradox Error is so concerned with crafting a meta, fourth-wall-breaking experience that it completely neglects the platformer genre’s fundamentals. It is as dull as it is frustrating. Aspects of its design are unnecessarily hostile to the player. There are thousands, if not tens of thousands, of better platformers out there. Aside from a morbid curiosity, there’s little reason to suffer through this one.
Mario Golf: Super Rush isn’t an unplayable game. The core golf is actually quite good, despite some changes, which will have a mixed reception from players. Almost everything around it, however, is either poorly thought out, lacking any personality, or lacking in content. Perhaps down the line, more content will fill it out enough that you can have fun playing only the parts which work, but Camelot has a lot of work to do to get this one to par.
A strikingly immediate game that covers dark subjects most titles wouldn’t dream of approaching, Doki Doki Literature Club Plus! left my jaw on the floor multiple times. I won’t tell you why, or when. You’ll know when you get there. I was at times happy, sad, and truly horrified. I feel bad even telling you that this game isn’t what it looks like, because even that gives away more than I want you to know going in. This is a game that just keeps opening up as you dig deeper and one that even now I can’t stop thinking about, even if a part of me wishes I could.
ALTDEUS: Beyond Chronos is by far one of the most impressive visual novels I’ve ever experienced and sets the bar for how the genre should work in VR. I’ve never felt so completely and utterly immersed in not only a game and its world, but in an anime. From the larger-than-life story to the amped up music and visuals, ALTDEUS: Beyond Chronos took my breath away time and time again, pushing the limits of what I knew about VR visual novels. If you have a VR headset, a little bit of patience for a slow-burn story, and 20 – 30 hours to really get into everything it has to offer, you’re more or less obligated to pick up ALTDEUS: Beyond Chronos.
Alex Kidd in Miracle World DX places me in a bit of a difficult position. On the one hand, I feel fairly confident that fans of the original game will be able to come into this and receive a heaping helping of soul-warming nostalgia. The graphical updates are pleasing to the eye. The updated music may not always carry the game’s tone that it is playing over, but it still sounds great. And there are even a few added levels and slight tweaks to previously existing ones to surprise players. For those people, my numeric rating would be more likened to a 4 out of 5. However, for folks like myself that are experiencing this for the first time for any reason other than a history lesson will be confronted with annoying controls and a somewhat serviceable but unexciting adventure that, in this reviewer’s opinion, didn’t quite stand up to the test of time.
Scarlet Nexus does so much right that it’s a shame some of these troubles hold it back. They feel like the sort of things tied up in creating something new, problems that exist due to a lack of budget or different groups working on the game not being entirely on the same page until later in development. Still, despite these flaws, Scarlet Nexus brings an impressive new world to life while featuring deeply engaging combat. That’s no small thing. Fans of the genre will find a game well worth their time. I only hope that in a few years, we’ll be playing an even stronger sequel which irons out these nagging issues.
Despite any perceived difficulties experienced in Narita Boy, all can be forgiven if you enjoy a world that immerses itself completely in the tech of a bygone era. There’s something to be said about racing against the digital wind on a CRT-horse in a pixelated world that looks like the SNES Star Wars game but feels like that infamous Battletoads level. If you know that exact vibe I’m talking about, you gotta check out Narita Boy. After all, the fate of the Digital Kingdom rests in your hands.
Honestly, there’s very little I can find in the way of criticism for this game. It’s stunningly gorgeous, intuitive and creative, and a delightfully unique little puzzle-platformer. The game is beautiful and oddly moving, considering the complete lack of dialogue. If you need something a little different from your standard platformer, give Out of Line a try.
Pathway has a lot to offer. It’s got aspects of a tabletop roleplaying/board/resource management/strategy game all in one. And while that may sound like a confusing mash-up, it’s executed quite well. Really, my biggest complaint is the steep difficulty curve, as each mission seems significantly more difficult than the one before it. While there are options to reduce the difficulty, even still it felt needlessly hard at times. The last thing I’d like to mention about this game is something I haven’t encountered before: the ability to turn off the violence against the dogs in the game. Sometimes you will be attacked by dogs, and there is an option that when you defeat them, rather than dying, you can have them simply run away. As a lover of doggos (especially my derpy dog, Link), I found this to be a wonderful addition to the game.
I suppose it’s fitting that Zed should be the protagonist of Disgaea 6: Defiance of Destiny because, much like a zombie itself, this game feels lost and incomplete. I know I’ve been harsh, but none of this has been fun for me. I wanted Disgaea 6 to be the best Disgaea yet. But it isn’t. What makes this even more ironic is that Disgaea 6, by normal SRPG standards, is fine. It’s really not bad at all. But Disgaea games have never been “normal SRPGs.” They’re Disgaea games. And, as far as that’s concerned, Disgaea 6 can’t so much as hold a candle to its predecessors. That’s not something that I can overlook so easily, especially after a six-year wait.