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In his most inspired moments, Sable can remember Link's climbs, Sam Porter Bridges' deliveries and Wander's wandering on Agro. There are many suggestions that the Shedworks team has managed to incorporate into its ambitious project, which on more than one occasion will only leave the player breathless. Unfortunately, however, the obvious flaws of Sable eliminate the possibility of presenting all these ideas in a coherent and engaging adventure from beginning to end.

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Death Stranding makes its debut on PlayStation 5 with a Director's Cut that, while offering players a good dose of unpublished content, does not consistently alter the quality balance of Hideo Kojima's latest work. The ludonarrative essence of the production has therefore remained the same as two years ago, with all its merits, its defects and its overflowing expressive power.

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After completing Kena, we felt the desire not to leave these virtual lands, to continue in the heart of the forest to eliminate even the last bit of Corruption. Like the souls of the village, in short, we did not want to "go further". The magic of Bridge of Spirits is all here: in its sweet magnetism, in its balance between gameplay and narration, in the echo of those adventures of the past, where simplicity moved hand in hand with refinement. Splendid to look at and rewarding to play, Kena is a debut work as rarely seen in recent years: that the independent sector can be guided by its spirit.

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Visual Concepts and 2K renew the appointment with the franchise dedicated to basketball stars and stripes. NBA 2K22 is a very ambitious title, perhaps too much. Leaving aside the technical sector and the shooting system, further refined, the "next gen" edition suffers from some failures (and choices that are too ambitious and rather risky) that certainly do not make the gaming experience unforgettable.

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With Aragami 2, the development team changes art direction, fleshes out the gameplay with everything that has come out in recent years and adds content on content, preferring quantity to quality. With a little more care and a better finish, Aragami 2 could have been a jewel: as it is it remains an effective product, but still leaves a bit of a bitter taste in the mouth.

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Gamedec's writing is sterile and boring, and it's a shame, because even with a structure not as perfect as the one at his disposal he had some potential. As it is, the game struggles even to carve out its own space in a landscape where it is difficult to find such titles. The direction, however, is the right one: with some more care Anshar could in the future get to pack a good role-playing game sui generis. Gamedec, unfortunately, is not that good RPG.

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The small smudges reported up to this point do not compromise the experience as a whole. In the approximately 10 hours of play required for completion, to which is added another handful to complete all the secondary ones left pending, Tails of Iron constantly keeps the player's attention high, just like Redgi's shield. We are far from the complexity of a full-fledned souls-like, but the production of Odd Bug represents an engaging challenge, sometimes exciting, which will certainly keep even the most demanding players engaged.

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Despite the frenetic combat system in an action key and the exquisite tactical component represented by the introduction of the nice Cioffi, already in 2018 Ni no Kuni 2: The Destiny of a Kingdom could not fully convince us, due to a cloying and excessively puerile story, which among other things delegated to the downloadable content the fundamental task of answering the most interesting questions left unanswered.

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If we were to evaluate exclusively the ultra Age combat system we would not hesitate to say that it is a small pearl. Unfortunately, however, we find ourselves having to consider the entire package and it is therefore impossible not to take into account the serious problems of this production, ranging from level design to the graphic sector, passing through some very questionable gameplay choices.

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Ultimately, Lost Judgment is a great sequel, characterized by inspired writing and a great deal of irreverence. A second chapter more courageous, more refined and extremely more elegant, which offers the possibility of being played by all those who have never had direct contact with the first episode or with the Yakuza saga.

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Eastward is not only the dazzling debut title of a very small development studio in Shanghai, just as it is not just a video game that closely resembles the best Zelda 2D in history. Don't call it Zelda-like: not because it's not a formally correct definition but because Pixpil's creature wants to be something more than the classic declaration of love to a title of the past. Eastward is one of the brightest examples of what are the true qualities of independent development: a real pearl that deserves to be discovered, perfectly able to carve out its space in the niche of instant cult videogames.

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Deathloop is an original, visionary and courageous work, a playful experiment that returns to reiterate the indisputable talent of the Arkane Studios team, which over the years has never stopped putting itself to the test with ever new challenges, often in line with the commercial logic of the triple A market. The result of the studio's latest creative bet is a brilliant game design exercise, at the base of a ludonarrative construct as multifaceted as it is compelling, blessed by an absolutely majestic artistic direction. Deathloop is a one-of-a-kind game, which unfortunately is torn from excellence by some rather important flaws.

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From the artistic direction to the narration, passing through the combat system, Lost in Random stages a suggestive contrast between order and chaos. A modern dark fairy tale that owes much of its aesthetics to the imagery of Nightmare Before Christmas and Coraline, Lost in Random will undoubtedly conquer lovers of Tim Burton's works. Able to entertain, entertain, but also to disturb, the Indie of Zoink Games is absolutely recommended to all players looking for a good Action Adventure full of ideas and original solutions.

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Life is Strange: True Colors is the most extensive and ambitious chapter of the Square-Enix series, but it does not reach the narrative depth of the previous chapters. While declining in a precious way the theme of empathy and forgiveness, some narrative choices and certain script ideas would perhaps have deserved a greater deepening.

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Tales of Arise is to date the highest peak ever reached by the Bandai Namco franchise, which despite the ability to tell touching stories had never managed to shine even on a technical and graphic level. The transition to the Unreal Engine 4 and the adoption of the Atmospheric Shader have instead allowed the Japanese company to overcome its historical limits and create a delicious cel-shading, which without renouncing its identity marks a strong and evident detachment from the past.

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Unmissable for Xbox Game Pass subscribers, and absolutely recommended for everyone else, The Artful Escape of Francis Vendetti tells with irony and intelligence the path of artistic and inner growth of a talented teenage musician. Through the celestial bodies of Stupefacosmo, the protagonist and the player learn together to follow only the rhythm of their electric guitar, among extraordinarily inspired landscapes.

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WarioWare: Get It Together! it is a triumph of the absurd, a brilliant example of game design as well as yet another, tasty demonstration of how much Nintendo knows how to be scapestrata, irrentent and even dirty. The idea of characters with somewhat different abilities is a non-trivial solution, which gives character to this episode of the series, while not everyone will appreciate the decisive turn towards a decidedly more cooperative and less competitive fruition.

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Golf Club: Wasteland is a story made of stories, of messages left by the strongly representative scenography and the testimonies of credible characters without a face. Despite the fact that the production visibly struggles on the gameplay front due to a tenor of challenge that tends to never take off, it must be recognized that the demagog studio proposal can adequately counterbalance the lack of playful depth with a well-kept staging.

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Ultimately: does it make sense to buy WRC 10? The price is quite affordable, with its € 50 for the next-gen and Switch versions (coming in the coming months) that drop to € 40 for the PS4 and One versions, so if you are not already in possession of other similar titles and you are looking for some fun in drift it actually makes sense to jump on this new chapter of the series. The situation changes drastically if you get from WRC 9. WRC 10 is almost more of a reskin of the previous chapter that on a practical level really adds too little to distance itself from the past, with the sole exception of the 50th Anniversary mode, which is quite clear that it was the main focus of the development team during the work.

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Rustler is a fun pastime without particular pretensions that succeeds discreetly, and at a low cost (on Steam it is on sale for only 14 euros), in order to entertain the player with a series of characters and events out of all logic. If you love the game structure of the old GTAs, you are willing to turn a blind eye to some imperfections of the control system and you are not frightened by the continuous jokes of the protagonist based on vulgarity, alternating with the emission of body gases, then Rustler is exactly the game for you.

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