Destructoid
HomepageDestructoid's Reviews
The voice acting may be terrible, but Disgaea 2 makes up for that with incredibly solid game mechanics. Some of the mechanic interactions may be a bit obtuse, but there is something to be said for the amount of depth present here. I mean, how many games let you throw a tower of people across a map to cause a giant chain-explosion that wipes out literally everyone? And what other title allows you to bribe senators to sway them into letting you summon a "Busty Beauty?" Exactly.
Dungeon Souls proudly wears its inspirations on its sleeve (and its Steam Store description), a mishmash of inspirations that takes a step backwards even as it steps forward. Yet, despite that, it still manages to create a tiny universe of its own, full of engaging heroes and tenacious foes. It's a fun title, but when you have so many standout games that you can combine them to create something like Dungeon Souls, it's hard not to recommend those instead.
If you own a Vita and a PS4, and you absolutely must buy this game, get it on the more powerful console. The portable version doesn’t cut it, and even without the janky presentation, the game itself is bare bones as a strategy RPG. I have no doubt the Dynasty Warriors franchise would make a splendid SRPG, but this ain't it.
One thing I will say for it though – when you drain your last ball and you're asked to input your initials for your score, Riz Ahmed's character wistfully says “they're asking for a callsign...” as the three-letter faux-LCD screen blinks.
Bleed 2 manages to feel accessible while still rewarding precision and accuracy. It plays wonderfully, and you can enjoy it as a light co-op experience or really break it down and dig in to master its intricacies. I'd definitely recommend playing with a controller, but if you're looking for a fast-paced platformer with plenty of action, Bleed 2 has you covered.
Despite everything I've said, I still think We Are Chicago should be given credit for tackling some touch subject matter. It isn't successful, but hopefully Culture Shock learns from its first attempt and really hones in on the strengths that gaming has to offer. Much like how Depression Quest sought to inform gamers about a topic many never thought about, We Are Chicago is noble in its efforts to educate gamers on poverty and inner-city life.
All-in-all, Banned Footage Volume 1 is an interesting little package. You get a tense puzzle-focused escape room, a fun-as-heck action mode that I'm sure I'll be playing in the coming months, and a bastard-hard masochist-a-thon for those who want that. While I'm not a huge fan of Ethan Must Die, there'll be people out there who dig it, and those two tapes continue aspects of Resident Evil 7 that I'm hungry for. I hope Volume 2 has a similar value, and that the upcoming free DLC Not a Hero answers some burning questions I have from the game's ending.
Hopefully the next patch for this game will let any interested parties have the best possible experience. Not every product is for every person, but it becomes impossible to defend something that actively breaks due to misinformation or buggy code. Divide deserves better than to be forgotten because of launch-day issues.
With its emphasis on challenging combat and light storytelling elements that are at times bordering on parody (in a good way), Nioh feels like a true successor to the Ninja Gaiden series and fills a nice void that Souls left behind. Did Team Ninja ever leave? Whatever the case might be, it's back.
Tales of Berseria may not be the most ambitious or innovative game ever, but that's entirely okay. It may have a handful of issues, not least of which includes its forced backtracking, occasional reuse of dungeons and its uninspired puzzles. At the same time, its characters are often likeable and entertaining, its tale of revenge is intriguing, and its combat system is fast-paced and responsive. If you're already a fan of -- or are curious about getting into -- the Tales series, this is one to check out.
Dragon Quest VIII was without question one of the best RPGs on the PlayStation 2, and 13 years later it's one of the best RPGs on the 3DS as well. If you haven't played it before, this version offers a lot of features that make it very easy to recommend over the PS2 and mobile versions. Even if you have, there's more than enough new content to make DQVIII worth revisiting. As I said in my review in progress, this game is a classic in every sense of the word, and I'm overjoyed that it's available for a new generation to get their hands on.
Atelier Shallie Plus may close the curtains of the Dusk trilogy, but it is a good place to start for those new to the Atelier games and can even be a good way to ease into the series. The story doesn’t get overly serious while maintaining a lighter tone than your typical JRPG. Being on a portable like the Vita, this entry makes it easy to pick up and play where you can get things accomplished in short sessions. Atelier Shallie Plus is perfect for anyone ever interested in trying out an Atelier game.
Poochy & Yoshi's Woolly World is as fun on the 3DS as the original is on the Wii U. The levels are just as crafty as before, the visual take a slight hit but are still colorful and creative, and the soundtrack is so gosh darn charming. It's the best Yoshi game on the 3DS, and if you don't already own it on the Wii U, I would suggest picking it up.
That's the unpredictable allure to Candleman. Its obvious hook is in its unique mechanic, but that's not enough to carry it to the conclusion. Then, there's a Rudy-like emotional investment that takes over when everything stops revolving around gameplay. Fittingly, Candleman burns out prematurely. But, that doesn't mean that it stops shining.
Arc System Work's staunch dedication to the retro aesthetic for Double Dragon IV is admirable, but still falls short of the mark even when juxtaposed to several of the series' own entries. Punch and kicking dudes as Billy and Jimmy still works, but many elements of IV just feel a little too off-brand for my liking.
As usual the new zombie map feels like the main event, but Call of Duty: Infinite Warfare: Sabotage is a mostly successful injection of new stuff to do. I'll be combing forums for days trying to figure out all of Rave in the Wood's tiny secrets, and at this point, I think we've solidified that the gang is coming back for three more add-ons. Tubular!
From the looks of it, Bamtang likely had to deal with a tight deadline and a low budget when they undertook this project, since Bandai Namco probably wanted the game to come out before the Power Rangers movie hits theaters. Seeing that the title showed a bit of potential with the way how the Rangers played, I could see this being true. However, this doesn’t prevent the game from leaving a huge dent in the Command Center.
There is so much heart and so many great ideas in Nefarious that I want to see it as a better game than it is. I want to be able to recommend it as a hidden gem in Steam’s massive collection of throwback indie titles. But I can’t. It’s a sloppy game that feels in many respects half-done. All the heart in the world can’t make up for something that just isn’t fun to play.
The Descendant is a wildly inconsistent adventure; reflective of the reasons why Telltale Games is seen in high regard, even on its worst days. At at the same time, it's one of the better pretenders out there, thanks to the morally grey protagonists, daunting set-pieces, and odd gameplay subversions. Much like the sci-fi oddities found deep in Netflix, The Descendant has this rough B-movie charm going for it; flawed, but perfectly passable.
Resident Evil 7 went beyond my expectations, and I feel we have an instant classic here. I want to jump back in right now, and I have a feeling I'll be doing so for years to come.