Uagna

The arrival of *Indiana Jones and the Ancient Circle* on Switch 2 brings with it all the magic and adventure of the original MachineGames title, but at a high cost. While the blend of exploration, puzzles, and action remains rock-solid and perfectly in line with the spirit of the films, the port suffers from significant technical compromises. Between frame rate drops, pop-ins, and obvious visual compromises, the game struggles to maintain stability, especially during the most chaotic moments and when playing in Dock mode. Setting aside the stealth AI, which isn’t always brilliant, it remains a great adventure, but purchasing it is recommended only if the Nintendo ecosystem is your sole gaming platform; otherwise, look elsewhere to enjoy the game in all its glory.

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NITRO GEN OMEGA is a testament to DESTINYbit’s talent and boldness. The Italian studio sets aside traditional formulas to deliver a “handcrafted,” brutal, and magnetic tactical RPG. Although the narrative never quite takes off and some of the management routines between battles can feel repetitive, the beating heart of the game is a polished gem. It’s a technically sophisticated and deep experience that rewards precise planning and crew synergy, offering one of the most original takes on the mecha genre.

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Directive 8020 represents a significant leap forward not only for Supermassive Games and the Dark Pictures Anthology, but for horror adventure games in general. The story follows the terrifying events of a catastrophic mission to colonize a new planet. The player has complete freedom to shape the characters' personalities and destinies: the "Turning Points" mechanic allows you to change your choices and rewind the plot at any time, exploring its many twists and turns. The gameplay is more varied and engaging, with a focus on direction and a cinematic experience. The story isn't particularly original, and the stealth sections disrupt the idyll, but overall it's a solid adventure that didn't disappoint.

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Battlestar Galactica: Scattered Hopes immerses us in the atmosphere of the acclaimed TV series through a tactical, story-driven interstellar journey. The roguelite gameplay is well-designed, though the high difficulty level might discourage newcomers to the genre. The art style and soundtrack are also excellent, though voice acting for the narrative scenes would have added a level of depth and player immersion.

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Mixtape is a short, heartfelt and stylistically powerful narrative adventure that captures the essence of adolescence without reducing it to mere nostalgia. The way it weaves together music, memory and personal growth is the true heart of the experience, even more so than its mini-games or interactive structure.

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Two years after its release, TopSpin 2K25 remains a work in progress. With a controller in hand, it is the undisputed king of virtual tennis, offering a deep, meritocratic and exhilarating simulation. However, as soon as the umpire calls the end of the match, the limitations of an infrastructure stuck in the past become apparent, hampered by visually outdated graphics (due to its cross-gen nature), a roster that is still somewhat sparse, and the shadow cast by the requirement for a constant internet connection. If you love playing tennis, turning a blind eye to these minor flaws will be easy: it remains the only true tennis simulation on the market.

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Combining a rhythm game with a fighting game might seem like a crazy idea, and indeed, Dead as Disco is anything but an ordinary game! Its vibrant visuals and soundtrack captivate players right from the menu. The ability to play along to our favourite tracks makes the game endless and fully customisable. Now, however, we just have to see how Brain Jar Games handles the early access period, but the early signs have us feeling very confident.

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Gameplay-wise, Invincible VS proves to be as ruthless and fascinating as the comic/animated series it's based on, drawing inspiration from the bloody history of Omni-Man and the consequences of his arrival. Accessible for newcomers, it's packed with deep mechanics. The content, however, doesn't quite make up for Quarter Up's success, and it actually lacks a truly awful story mode.

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Demon Lord: Just a Block is a surprising tactical roguelite created by the solitary YuWave. Its strength is its original movement system: the world advances only in response to our moves, creating a deep and hypnotic gameplay loop. Despite an impressive amount of content (weapons, abilities, interactive biomes, and bosses inspired by classic games) and impeccable technical fluidity, the title suffers from uneven balance and completely forgettable graphics and sound. Overall, aesthetic limitations aside, it's a true indie "miracle" that demonstrates how a brilliant gameplay idea can outperform many other works in the medium.

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MotoGP 26 improves on the series' content formula by focusing on where it matters most: the track. The new Rider-Based Handling delivers extreme realism, enhanced by fantastic sound and perfectly recreated bikes. Career mode adds depth with contracts, press conferences, and fun Race Off challenges. However, some minor issues remain: dated faces, repetitive podiums, and stale commentary occasionally break the immersion. It's a must-buy for true MotoGP fans.

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As usual, Double Fine’s games feature some truly interesting ideas. Kiln is no exception, drawing on the party brawler genre while incorporating deep character customization. This customization affects not only the characters’ appearance but also the gameplay itself, altering the stats of the ceramic characters. Unfortunately, the launch content is still too sparse, leading to a rather pronounced sense of repetition.

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Diablo IV: Lord of Hatred offers the best campaign of the Age of Hatred. The story is packed with twists and turns and charismatic characters, and Lilith is finally given the screen time and character development she deserved. The two new classes, the classic Paladin and the brand-new Warlock, are notable additions, although there will be some balancing issues to iron out. The map expands further, and the Skovos archipelago offers us a brand-new Hellenic landscape. The Horadric Cube also returns, and the Warplanes finally allow us to avoid getting lost amongst the myriad endgame activities. Lord of Hatred is a truly successful expansion, but one that highlights once again how Diablo IV’s flaws stem directly from its base version. Blizzard has listened to the community, and what it is implementing is a genuine process of rebuilding its iconic hack “n” slash game.

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Vampire Crawlers is further proof of poncle’s talent: a game that knows exactly what it wants to be and doesn’t waste energy trying to force originality at all costs. It takes familiar formulas, reworks them with flair, sets them within a coherent universe, and crafts a magnetic, rich experience that’s quick to grasp but hard to put down. And it is precisely in this ability to draw the player into its vortex of progression, combos and instant gratification that Vampire Crawlers finds its greatness.

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Saros confirms Housemarque’s growth, delivering a spiritual successor to Returnal that is more accessible, polished and self-assured. Whilst it sacrifices some of the predecessor’s element of surprise, the game stands out for its extremely solid combat system, a well-executed evolution of the formula and top-tier technical execution. Some concerns remain regarding longevity, as once the campaign is complete, additional activities are virtually non-existent, leaving a sense of regret at having to leave an experience too soon—one that, given the quality of its gameplay and the solidity of its structure, deserved to keep us on Carcosa for much longer.

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Jay and Silent Bob: Chronic Blunt Punch is a game defined by stark contrasts. On the one hand, it shines thanks to its excellent hand-drawn 2D art style and irreverent humour that perfectly captures the spirit of Kevin Smith’s View Askewniverse, bringing great joy to long-time fans. On the other hand, unfortunately, it falls flat when it comes to gameplay: clunky controls, input lag, imprecise hitboxes and a repetitive level structure turn the 3–4-hour campaign into a frustrating experience. The total absence of checkpoints and the need to resort to tedious tactical workarounds to survive mean it cannot compete with the true heavyweights of the beat 'em up genre. Despite its affordable price, it is a purchase recommended exclusively to the most die-hard fans of the dynamic duo.

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Mouse: PI for Hire isn’t revolutionary, but to be honest, it doesn’t even try to be. It doesn’t aim to stand out for its substance, but rather for its style, and it actually succeeds very well in this: the artistic and visual style is distinctive and captivating, transforming the game into a nostalgic cartoon that we threw ourselves into headfirst. The result isn’t outstanding, partly due to a somewhat outdated structure in gaming terms, but in our view it deserves credit for Fumi Games’ courage in at least attempting to forge an artistic identity, with a fine result.

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Tides of Tomorrow starts with a laudable ambition: to combine the urgency of an environmental theme with an innovative asynchronous multiplayer system (the Story-Link), in which each player’s decisions spill over into the worlds of the others. During the first playthrough, the magic works perfectly, underpinned by excellent and engaging resource management mechanics and a truly exceptional soundtrack. Unfortunately, the illusion shatters as soon as you start a second playthrough: overly ‘feel-good’ writing that negates the weight of negative choices, combined with bland supporting characters and gameplay weighed down by poorly executed filler sections (stealth and mini-games in particular), prevents the game from really taking off. Despite its technical shortcomings, it remains a fascinating experiment for lovers of narrative adventures, but it represents an opportunity only half-realised.

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Last Flag by Night Street Games is a 5v5 hero shooter focused exclusively on Capture the Flag, set in a distinctive, meticulously crafted 1970s setting. The gameplay is easy to grasp but capable of generating intense and dynamic battles, thanks in part to the characters’ unique abilities and the radar tower system that guides the search for the flag. However, there are some issues, particularly with weapon balance and a general lack of content. Despite this, the game shows great potential and is enjoyable, especially given its low price.

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ChainStaff is an imperfect yet incredibly inspired game. An action platformer that takes the best of a bygone era and reimagines it with a visual imagination that is all too rare in today’s landscape. It has obvious flaws, including an uneven pace, a few too many frustrating moments, and gameplay that isn’t always flawless. But it also has something that many more polished games lack: a strong, distinctive and constantly surprising vision. It is a title that dares, overdoes it, makes mistakes, but never ceases to be interesting. And in a market full of well-made but soulless games, that is no small feat.

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OPUS: Prism Peak is a captivating narrative adventure that explores the nature of memories and the quest to find a new purpose after the hardships life throws at us. Sigono’s work is inspiring, and possesses such power that it can be compared to some of the finest anime of the last twenty years. Prism Peak is recommended not only to fans of visual novels, but even those who usually play video games may find the plot intriguing.

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