Console-Tribe

Cryptic as you like, and hampered by a frustrating inventory management system, it would be unfair to reduce Signalis to these flaws alone. Analyzed as a whole, rose-engine's production is a design and atmosphere gem, reviving the original survival horror concept and adapting it to the present without losing its essence. The story may be hard to grasp, and you might curse like in a soulslike after returning to the magic chests countless times, but its dark allure is hard to resist. Sure, you might drop it out of frustration, but the urge to finish it will always be there. Perfect? No. Fascinating? Absolutely.

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Gotham Knights is yet another confirmation this generation that making a bigger game doesn't always mean making a better one. WB Games Montreal collapses under its ambition. It's a shame, as there was a good foundation to build on, but technical and gameplay issues result in a product overly repetitive in missions and far from the refinement of Batman's last console adventure in the distant 2015 with Arkham Knight.

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Overreaching? After thorough analysis, while I personally enjoyed The Last Oricru, it's hard to promote GoldKnights' debut, marred by design and execution issues. The title is built on ambitious pillars inspired by notable references, but production flaws make it hard to swallow in late 2022. It's a shame, as the potential for a notable title was there. Hopefully, this setback serves as a lesson, and the team can stay on course for their next game.

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There's little to say about PGA Tour 2K23 other than it's currently the best golf title on the green. HB Studios' experience shines through in new features, especially the appreciated three-touch swing system. The game offers a solid and satisfying framework, with an impressive online competitive mode providing hours of fun. A slight technical boost would have been welcome, as the visuals aren't always up to date, but with no real rivals, it's hard to ask for more.

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Ghostbusters: Spirits Unleashed is undeniably fun, especially with friends. Despite some simplicity, the game offers balanced and strategic gameplay with fitting cartoon graphics and a "maniacal" respect for the legendary films' legacy. However, the production is marred by technical and conceptual issues, primarily the single game mode and limited unlockables. It's a good game, priced about half of a typical AAA, and with proper developer support, especially in gameplay variety, it could become a competitive asymmetrical title reference.

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Looking for an over-the-top soulslike that comically pays homage to the genre's basics while introducing some clever ideas? The Last Hero of Nostalgaia could be perfect, as long as you accept its imperfect difficulty balance and sometimes chaotic level design. Over the Moon's title isn't without flaws, but its love and respect for the genre, wrapped in thick irony, are strong and palpable. This makes the missed potential even more apparent, as budget constraints limited what could have been much more. It arrives in a period where there's little room for "good but not fully realized" soulslikes.

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Did I enjoy it? Despite being the last (for now) soulslike of 2022, Moonscars is a convincing and fun debut for Black Mermaid. Though not entirely original and with some power balance issues, its element mix works well. It may not challenge those who can defeat Malenia blindfolded with a corkscrew-connected pad, but Gray Irma's quest for truth is compelling, thanks to a solid structure and well-crafted combat system. It's worth considering.

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As usual, we remind you that these opinions may resonate with some players while others may disagree entirely, so don't dwell too much on what's been said. Fans of LEGO and pure, classic creation may appreciate this title. However, from our perspective, it's a real disaster, sadly having the potential to be a good game. Bricktales doesn't excel in graphics, music, or story, but most disappointingly, it fails in gameplay, which becomes a real nightmare, especially as the frustration grows throughout the adventure. The characters aren't particularly entertaining or distinct, lacking the charm that has always characterized the series when working with existing franchises. Moreover, ClockStone Studios clearly didn't adapt the concept well to consoles, and since we specialize in them, we can't recommend it. Let's hope for a better LEGO title, maybe from Light Brick Studio again.

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Tunic returns to PlayStation after a successful debut on Xbox, and Sony console owners should be thrilled and ready to purchase for this simple reason. Andrew Shouldice's digital translation work hasn't diminished the original's quality, bringing it to Japanese hardware in great shape, with solid gameplay blending various inspirations. If you love Zelda-inspired action/adventures and don't mind a slightly above-average difficulty, the little fox's adventure might be perfect for you.

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The DioField Chronicles is a well-made, interesting, and engaging real-time strategy game with excellent music and graphics, and gameplay that entertains without tiring, thanks to mission variety and longevity. These allow players to savor the game in small doses or immerse themselves for hours while progressing the plot. The minor flaws are easily overlooked, except for the lack of our language, which may affect sales. However, for those proficient in English (or French, or German, as these are available in subtitles), it can still be fully enjoyed. The game is available on all platforms: Nintendo Switch, Xbox One, Xbox Series S, Xbox Series X, PS4, and PS5. The deluxe version includes a digital artbook and soundtrack, with the option to transfer the latter to USB and listen anywhere.

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This latest title is clearly born from immense passion, evident in every pixel of its unique and fitting graphics, despite differing opinions. The attention to detail, story, and characters elevate it to iconic status, becoming an instant classic in the series. The characters' charisma and connection feel so natural that it seems they've always existed, perfectly integrated into the game universe. This return marks the end of a mature and characteristic cycle, concluding exactly as it should, leaving a deep and mature sentiment with a practically perfect/imperfect ending achievable in about 20 hours (more or less depending on individual skills and use of hints). Play it if you want the nostalgic feeling of old graphic adventures and finally discover Monkey Island's secret, hidden for thirty years.

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Destroy All Humans 2 – Reprobed does exactly what you'd expect from a remake of this kind: taking the original material and modernizing it for today's audience, who, for age reasons, couldn't experience the PS2 era saga, which we can now call a small cult classic. This return of Crypto-138, with added side missions, also offers something for old fans. Destroy All Humans 2 – Reprobed is recommended for a wide range of audiences: younger players seeking old-school fun and longtime fans enjoying destroying humanity again.

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What more is there to say about Metal: Hellsinger? An original game with many strengths, embracing a meta-gameplay concept but, unfortunately, falls short in classic "game" numbers. A short campaign and design limitations partly overshadow the fun and furious rhythm-based gameplay, complemented by a legendary soundtrack. Recommended especially for shooter and metal fans (usually a standard combo). Could this be the start of a long game saga?

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Despite some flaws and a lack of technical depth, Reply Game Studios' work has shown character and a clear identity, thanks to a fascinating world and well-developed protagonists. In a time flooded with souls-like games and an absolute scarcity of action hack 'n' slash, Soulstice is a blessing for genre fans who will find hours of enjoyable entertainment in this Italian-developed game.

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Inscryption is a masterpiece, a gem, a must-play title. Stop reading and go buy it on the PlayStation Store. Do I need to elaborate further? To flesh this out a bit more, I'll repeat ad nauseam: don't be deceived by its card game nature. Daniel Mullins' title hides much more beneath its seductive surface; just have the patience to look beyond appearances. Don't hesitate, the reward will be immensely satisfying. Okay, I think I've finally said enough.

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We've reached the end of this analysis of The Last of Us Part 1, and for me, the initial questions don't entirely favor this re-release of the Naughty Dog classic. While the technical polish is evident and palpable, the stark contrast between the price and the quality and quantity of the offer can't be overlooked. The content is identical to the PS4 release, which can be found for a fraction of the cost (or free with PlayStation Plus). Thus, the rating below considers this imbalance, which, while not affecting the game's quality, makes this commercial move seem too bold and audacious this time.

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Just as I mentioned a few days ago for Steelrising, it was impossible for Thymesia to emerge unscathed from a clash with the behemoth that is Elden Ring. Nonetheless, considering the project's scale and its price, OverBorder Studio's debut in the gaming scene is commendable. Although highly derivative in themes and mechanics, their effort to shuffle the deck regarding the combat system is appreciated, even if, personally, the emphasis on parrying wasn't my favorite. The overall experience, while enjoyable and fun, wasn't free from some naivety, primarily the ease of breaking the game with specific builds. However, the young team has shown they can bring interesting ideas to the table, which we hope will be even better expressed in their next project.

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Unfortunately, there's not much else to add because there's no more content to discuss. We Are OFK captures attention with its colors and visuals, and the marketing did an excellent job with the trailers, but is it because the visual aspect is all that matters in this "game"? The spontaneous question is: why pass it off as a game when it's clearly a five-episode TV series, meant to be watched on YouTube while munching popcorn and fiddling with your phone? The game itself, when starting, shows a Netflix-style interface asking, "Who's watching?" Maybe we're not the only ones with this impression. The choice is yours.

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Let's be clear: Saints Row is a reboot with an asterisk. A big asterisk since the main change from the past is the game's tone. The tone has shifted from absurd and brutally politically incorrect to a lighthearted and adolescent humor, more commercially viable and politically clean but probably less entertaining, especially for long-time fans. Overall, Volition's title is a fairly fun and lengthy open-world action game, but it offers a content package that's conceptually old and almost unchanged from previous entries. Additionally, at least on day one, the game is riddled with bugs and various imperfections, making the experience even more "tiring." What's left is a good dish, perhaps a bit blander than before but certainly already tasted.

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I know, by this point in the reading (because you've read this far, right?), you might find the score below too generous. In reality, despite its evident limits, I find it hard to condemn the work of Spiders, who, despite their first experience in the soulslike genre (and releasing just months after Elden Ring), have managed to create a fun and accessible experience. This isn't necessarily a flaw for such a production. True, Steelrising has some technical and gameplay naivety, but Aegis's adventure is enjoyable and engaging, even if it doesn't excel in any aspect. Hopefully, with the Greedfall sequel, the French studio will finally make the long-awaited quality leap. In the meantime, let's enjoy their latest work.

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