Console-Tribe

Code Vein 2 is an ambitious project full of ideas and personality, expanding the identity of the first game without losing its spirit. When everything clicks, its journey through timelines, companions, and striking environments delivers genuinely engaging moments. Unfortunately, a sluggish combat system, overly omniscient AI, and technical issues hold back an experience that could have shined far more. Still, it remains a distinctive, heartfelt soulslike that rewards those willing to embrace its rough edges. A clear step forward, even if not yet the leap I hoped for.

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Visions of Four Heroes doesn’t reinvent Dynasty Warriors: Origins, but it smartly expands its narrative world and introduces gameplay ideas that show Omega Force’s desire to experiment without losing its identity. New weapons, the central hub, and Strategic Battles are more than cosmetic additions—they mark an evolving direction for the series. Despite some limits, especially the lack of new maps, the DLC is solid, content‑rich, and offers a fresh perspective that enhances both characters and world-building. For fans of Origins, it’s a worthwhile return to the battlefield; for Omega Force, another step toward creative maturity.

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MIO: Memories in Orbit is a metroidvania that dares, stumbles at times, yet never loses its strong, distinctive identity. It’s a journey of wonder and frustration, poetic highs and abrupt halts, as if the Vessel itself breathed in fits, demanding the same resilience it asks of its tiny mechanical hero. When the game stops putting up barriers and lets exploration flow, it reveals a magnetic atmosphere, satisfying combat, and an art direction that lingers. It’s not for everyone, nor does it try to be. But those who embrace its harsh opening and taste for punishing design will find a solid, captivating experience filled with moments of genuine awe. Imperfect, yes, but courageous—proof that even its missteps hide sparks of originality.

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In conclusion, if you have a good command of English and are looking to dive into a mysterious new graphic novel filled with intriguing characters, Shuten Order is definitely for you. On the other hand, it almost goes without saying that if the language barrier prevents you from fully enjoying the game, you’d have every reason to look elsewhere. The lack of localization is certainly a major drawback for a title that is 99% text-based, but we hope Spike Chunsoft’s decision won't negatively impact sales.

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It doesn’t reinvent the genre, but it delivers a very solid take on it. SPEAR’s 2D platforming works thanks to clever ideas and a good variety of situations, supported by a light but effective narrative that playfully pokes fun at gaming tropes. Some control inconsistencies hold it back slightly, though they don’t undermine Polyhedric’s overall work. Considering the very low price, Andrea Cavuoto’s project is easy to recommend — and it definitely makes me curious about what he’ll create next.

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Dispatch is a game that speaks straight to the heart of anyone who loves superhero stories and well‑written interactive adventures. It’s not perfect, nor is it revolutionary in terms of gameplay, but it manages to take a genre that seemed in crisis and breathe new life into it, striking an excellent balance between its management layer and a compelling, emotional narrative, memorable characters, and moral choices that truly weigh on the story. The team at AdHoc Studio has managed to transform the genre into something more mature and layered, also showing the potential of this kind of experience when it’s built around fully original productions rather than licensed properties.

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All things considered, Let it Die: Inferno is a good, slot-based action game with a crazy aesthetic and a reasonable price. Currently, the production suffers from several limitations in virtually every area, but the end result is an overall satisfying experience. The entry cost is negligible, but it's worth noting that there's a premium shop within the game, which, while not exactly pay-to-win, does offer small but tangible advantages to those who choose to spend. A "mixed bag," as English speakers would say, but all in all acceptable.

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Maybe it’s just me, or maybe the mainstream market has moved beyond what I can appreciate, but despite the brief fun it offers, I struggle to understand where A Game About Digging a Hole really fits. I wasn’t expecting a grand adventure, especially knowing its origins, yet I still wonder how such a simple concept made its way to consoles after its success on PC. It’s not a flawed or sloppy product—there’s clear care behind it—but it’s hardly a game that can hold attention for long. In the end, it’s a harmless little pastime worth its modest price, but its lack of depth makes it easy to forget. And yes, that pun was absolutely intended.

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Octopath Traveler 0 proves far more ambitious and polished than its origins suggested. Despite some mobile‑born limitations, Square Enix and Acquire deliver a surprisingly refined JRPG—rich in content, narratively mature, and supported by a sharp combat system, a strong cast, striking art direction, and a memorable soundtrack. The journey through Orsterra remains well worth experiencing. The only real drawback is the lack of Italian localization, which may hold back part of the audience. Overall, it doesn’t reinvent the formula, but it strengthens it with confidence and personality.

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Terminator 2D: No Fate is a sincere, passionate project that pays surprising respect to the cinematic legacy it draws from. It doesn’t try to reinvent the genre, instead embracing its retro spirit with a compact experience full of references, playful variations, and nostalgic charm. Despite some structural limits, Bitmap Bureau’s clear love for the original shines through. For fans of Judgment Day or anyone craving a well‑crafted old‑school action game, this pixel‑art tribute offers a short but genuinely enjoyable trip into the myth of the T‑800.

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Skate Story stands out with its surreal, visionary style, turning a repetitive genre into something unique. Despite some technical flaws and lack of localization, Sam Eng’s game impresses with its gritty aesthetics, eclectic soundtrack, and bold fusion of gameplay and narrative. A wild, poetic journey—challenging for some, but a hidden gem for those seeking something different.

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She’s Leaving is a small but effective experiment by Blue Hat Studio: short, direct, and aware of its limits, it still stands out thanks to its captivating setting, unusual protagonist, and gameplay that blends investigation and survival with clarity. It doesn’t reinvent the genre, but proves that even with few resources one can craft an intense, memorable survival horror experience.

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Thief VR: Legacy of Shadow doesn’t reinvent the saga, but faithfully revives it. Dark atmospheres and stealth gameplay remain central, while Magpie adds freshness without betraying Garrett’s legacy. Weak AI and simplified progression hold it back from past heights, yet for fans of shadows and Stephen Russell’s voice, this VR journey is a modest but welcome gift—not a masterpiece, but a return that still makes us smile as we steal in silence.

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Project Motor Racing shines as a pure simulation, with a credible and rewarding driving model that appeals to those seeking a strict, uncompromising experience. Yet its strong physics and technical detail are undermined by uninspired gameplay, weak AI, and visuals that lag behind top competitors. It will satisfy hardcore sim racing fans, but may leave others wanting a more polished package. Ultimately, it’s a solid testbed for the GIANTS Engine in racing, though still far from challenging the genre’s heavyweights.

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Let's Sing 2026 is the ultimate karaoke party game: a balanced playlist, fun modes for beginners and pros, and handy smartphone support make it perfect for nights with friends—or solo, as long as the music plays.

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Jurassic World Evolution 3 is the natural evolution of Frontier's saga, refining established mechanics and adding fascinating touches like the dinosaurs' life cycles, without daring a revolution in management gameplay. Fans will continue to be enchanted by its creative freedom and longevity, but a generic management fan who doesn't get emotional about dinosaurs risks remaining disappointed again due to somewhat superficial gameplay elements. Ideal for those dreaming of building the perfect Jurassic park, it remains a missed opportunity to aim for the top of the genre.

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Marvel Cosmic Invasion is a 2D beat 'em up that perfectly captures the spirit of classic arcades, enriched by nostalgic pixel art and a cast of iconic superheroes well characterized. The campaign offers an enjoyable experience with a good dose of fan service, which is amplified by the use of co-op play. However, after yet another game of this genre from Dotemu, the need for something new in terms of gameplay begins to be felt, and the Cosmic Swap mechanic alone is not enough to ward off the specter of the typical repetitiveness of the genre. Furthermore, the longevity is rather short and does not help the low replay value keep the game memorable on one’s console after completing the campaign.

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Where Winds Meet defies free‑to‑play stereotypes: it’s neither predatory nor a mindless grind, and technically impressive. Despite flaws like missing Italian support and uneven lip sync, its deep combat, artistic care, and activity variety make Everstone Studio’s wuxia adventure a long‑lasting journey worth experiencing—especially for those curious about how Eastern tradition meets modern gaming.

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The Last Case of John Morley lives and dies by its script: short, straightforward, and light on gameplay, yet offering a couple of hours of well-crafted noir atmosphere. It doesn’t aim for complex mechanics or technical spectacle, but rather tells an engaging detective story that appeals to fans of the genre. Despite its brevity and lack of Italian localization, its early‑20th‑century London setting delivers a simple yet memorable investigation.

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Fear Effect for PS5 is a courageous and respectful return. It isn’t a remake, nor does it try to become something it never was. It’s a modern re-presentation of an experience deeply rooted in its own era, with all the technical and structural limitations that entails, but also with a stylistic identity that time hasn’t been able to erase. It’s a recommended title for those who love discovering or rediscovering cult classics, for players curious about video games as historical and artistic objects, and for anyone who can appreciate noir, cyberpunk, and mystical atmospheres blended with old-school gameplay. It’s less suitable for those who seek modern fluidity, contemporary technical quality, or refined gameplay modes. Overall, Fear Effect remains a fascinating, unique, and bold work, a piece of history worth exploring, as long as you accept the journey for what it is: a leap back into a bygone gaming era.

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