Digital Chumps
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A delightful little dungeon crawler, Riverbond, is fun for everyone. The voxel styling paired with the abundance of skin choices makes for a wonderful visual experience. The drop-in/out multiplayer means the whole family can hop on the couch and play as much, or as little, as they want to help clear a board. In a medium full of ever-increasingly realistic graphics, Riverbond is a breath of fresh air with its colorful world and characters.
Rocket Arena is a very young battle arena shooter. It is off to a decent start, though the pain points of the game are blatantly obvious. Its intentions are to capture that Fortnite crowd with its personality but definitely falls short with its delivery in certain gameplay areas. There is hope for this game and I can see it succeeding with updates and expansions, but right now it's a tough sell when compared to its competition.
'F1 2021' continues to grow on what 2020 built. It's a technical, story driver, fast, and fun ride. It's a continuation into a franchise that has become what any F1 fan, or honestly racing fan in general has been wanting for years.
Nepenthe is a solid indie game. It's a fun, complicated RPG that has brilliant moments backed up by unique art and music presentation. It does have some bugs to fix, but nothing yet that isn't manageable or gameplay disruptive.
End of Zoe is a Resident Evil 7 gaiden that replaces guns with fists, herbs with bugs, and grenades with javelins. Becoming a bog frolicking ex-boxer uncle who fights monsters with his bare hands is precisely how I wanted to end 2017. End of Zoe is temporal, unhinged, and, either by intention or accident (it doesn't matter), often hilarious.
I would definitely recommend Hexologic, it is cheap and a very fun challenge!
Clearly, fans of the genre, especially those that prefer to play on console as opposed to PC, should give PD a serious look. If you're on the fence about diving into the genre, and your committed, this is also a great way to jump in, just expect some frustrations along the way.available
In conclusion, Layers of Fear 2 is a worthwhile experience, and even more so if you consider the launch price of $30. I can’t say I found it as thought-provoking or chilling as the first Layers, but it’s still pretty solid. The story, writing, sound design, much of the game design overall really, outlasts the lesser, but still very significant, flaws of the game.
Through its characters, its designer, and its player, Gorogoa keeps an outsider's perspective in a present state of mind. Straightforward action—shifting panels and considering different points of view—doesn't preclude logical twists or emotional complexity. In only a couple hours, Gorogoa creates a window into a daydream and a companion to despair.
All in all, this game had great aesthetics and commentary, but it was entirely too repetitive. Every ‘mission' was pretty much the same, but increased in difficulty throughout the game. I would give this game a 6.5/10 rating, but it is also a cult favorite and I respect those who have love for this game.
One Piece: World Seeker falls flat. Its poor mechanics, sloppy combat, slow pacing, and repetitiveness all made me want to stop playing. The game has a decent story but was not worth the frustration. I would not recommend. 4/10
Overall, you get a bigger adventure with Shadow of the Tomb Raider, as well as a bigger world to explore. To cap it all off, the story does the character justice by pushing Croft towards a more mature and badass persona through her obvious and logical flaws. It hits all the right notes and tries new things to give the series a different direction. In the end, it's an impressive upgrade from the last game.
Mothergunship is a solid title that hangs its hat on weapon customization, while sacrificing some gameplay. It's definitely worth a go, even if only to show the insane weapon designs one can concoct.
Gang Beasts' madcap brawling creates a dynamic alliance between conflict and chaos. It also enables human responses like surprise, merriment, revenge, and screaming. Driving a wobbly creature to comically murder another flailing mess, as it turns out, is a pleasant and repeatable practice. If only three of your friends could always come along for the ride.
Valkyria Chronicles 4 is an imperfect, flawed, and splendid game where the highs ultimately outshine the lows.
All of the gameplay design choices made by First Contact Entertainment seem to be more on the good side of the scale rather than the bad. The menus could use some improvement and simplification, and maybe the eventual addition of a campaign, but nothing that can't be corrected in post. What you get with the design is good controls, lots of room for error during the game, intense gameplay with a smooth vantage point, and maps to get lost in when you want to get lost in them. The loadouts, the options of how to conquer your enemy will be the driving point to the gameplay. That's never a bad thing when those options are in the positive.
Okami, now on its seventh platform, remains unaffected by the ravages of time. The convergence of Japanese folklore and a Sumi-e aesthetic over the blueprint of The Legend of Zelda created a benign opus that, eleven years later, remains unchallenged and unequaled by any scale of competition. Okami, even with its pronounced vulnerabilities, is a singular creation and merits constant preservation. [OpenCritic note: Eric Layman separately reviewed the PC (9), PS4 (9), and Switch (8) versions. Their scores have been averaged.]
Dragon Quest XI: Echoes of an Elusive Age is a beautifully designed game from story to gameplay construction. To boot, the game is absolutely gorgeous and is fun to watch in motion. The fact that you have easily over 70+ hours of gameplay (teetering on 100) makes the longevity of the adventure more memorable. This is how you make an RPG, and I hope that the good folks at Square Enix continue to develop the series the same way.
Phantasy Star is the best release so far from the Sega Ages series. It shows off innovation, outside the box thinking, and, after all these years, it is still a blast to play. It's one for the ages, folks.
Resident Evil 2 survives the horror of summiting a twenty-one year old apex. Time-worn mechanics, either left abandoned or considered obsolete, are accountably refashioned through an agile interface and a relentless commitment to creating tension. Resident Evil 2's pervasive sense of dread, the handshake between past and present, remains delightfully, gruesomely in place.