Hogwarts Legacy perfectly manages to capture the charm and wonder of the Wizarding World universe. Everything in the game is thoughtfully implemented to offer players that unique feeling that you’re sharing the same world as Harry Potter.
Dead Space is more than just the fantasy of any fan of the original game – it feels like the developers once again wanted to prove that their game is the gold standard in its genre. The fine folks at Motive Studio tweaked the experience in the right places to make the game feel fresh without weighing it down with unnecessary bling.
Overall SpongeBob SquarePants: The Cosmic Shake manages to hit the mark it set out to achieve. The game is light, entertaining, and a must for the fans of the series. As far as flaws go, the combat is flat, the platforming could have been more accurate, and SpongeBob’s banter could be less repetitive to the point of becoming annoying.
SEASON: A letter to the future is like a vertical slice of an entire experience. It feels like a part of something bigger and leaves you with plenty of questions, and also wanting more. It is just like life in the sense that it does not give you what you want, and it is up to you to figure out what is going on. The story does a great job creating an immersive atmosphere, but it does not really give a sense of fulfillment. The lack of a proper conclusion leaves things wide open.
Children of Silentown applies the same formula to the traditional point & click adventure genre but augments it with some interesting elements like a unique art style and some really interesting puzzles. Although it does manage to be intriguing and keep you engaged till the end, it fails to deliver the conclusion of an otherwise enjoyable journey.
The conclusion of the Norse Saga starring Kratos and Atreus is most certainly the best part in the series. God of War Ragnarok take the formula from the previous game and refines it to almost perfection. If God of War (2018) is seen as a masterpiece, God of War Ragnarok sits one tier above, in a league of its own.
Mario + Rabbids Sparks of Hope is the perfect Switch exclusive. The game marvelously captures the playful spirit of the Mario universe, while offering some serious tactical strategy options for those looking for fix for their XCOM addiction.
The Case of the Golden Idol is a tight adventure with good mechanics, excellent design for all the scenes, and great presentation. Players should try to play a sequence at a time, savor the clues and avoid relying on the hint system as much as possible.
SuperPower 3 is a massive game that will require time and patience from anyone who wants to understand all the mechanics and try out all the scenarios. But there are no grand strategy games set during modern times that allow a player to choose Brazil and try to become a nuclear-powered Southern Hemisphere hegemon and other outlandish ideas.
Serial Cleaners has a very solid core idea and adds just enough variety with its four characters to make each level feel engaging and unique. I like solving the puzzle of how to get all the bodies while attracting as little attention as possible. The strength of the gameplay makes it easier to ignore the more undercooked elements of the narrative.
Wayward Strand in many aspects is just like an elderly who takes their times and cannot be rushed. The dialogues cannot be skipped, the characters cannot be hurried and every event unfolds following its own pace. Some stories are almost boring, while others carry a heavy emotional load.
Broken Pieces has a decent narrative and puzzles that mostly make sense, with a camera system designed to evoke nostalgia. But the combat sections, few as they are, are mediocre and players need to quickly become invested in the story to keep moving forward, finding puzzle solutions, and returning to their home before 8 PM.
In between silly remarks, turn-based combat and puzzle solving, Sunday Gold provides enough entertainment to keep you going until the end, which is probably around 12-15 hours if you figure out the puzzles and finish the boss fights faster.
Little Orpheus began life as a video game for phones and, on those platforms, its limited gameplay probably did not stand out as much. This made it easier for the narrative and the presentation to impress players and to keep them moving to see how the story of Ivan and the nuclear bomb ends.
Betrayal at Club Low might not the best-looking game and its gameplay might sometimes feel limited or unfair. But the game has plenty of weirdness, a clear goal, great moments, and the ability to get players to explore, take risks, and deal with failure. A small universe and well-defined mechanics make this one of the first titles I have played through three times (with another run planned) in quite some time.
Steelrising is an interesting take on the soulslike formula. Exploring the French Revolution in the body of an automat is definitely something that I never thought I’d enjoy. However, while things look promising on paper, the execution is quite poor.
Lovecraft’s Untold Stories 2 has an inspired mix of narrative and presentation, with decent gameplay but somehow it is constantly under-delivering. There’s not enough madness to be found, players spend too much time picking stuff up rather than investigating weirdness, and the world is too normal to keep players moving forward.
Foretales manages to be both innovative in its gameplay and deliver an engaging story, a rare combination in the world of card-driven video games. It’s fast-paced, asks players to think about actions and consequences, and deals with the fate of the world and with more personal relationships.
Circus Electrique is like a complex trifle: it has many layers that need to be in sync in order to achieve balance. It is not a game you can take lightly, and you will spend a lot of time figuring out details, statistics, strategies and tactics.
Legends of Kingdom Rush is a competent if unimaginative experience. The universe has some quirks, but most players will be able to instantly tell the inspiration for each character or enemy. The mechanics are decent and deliver some tense battle moments, but there’s nothing inherently new to engage with.