Pumpkin Jack is my new favourite platformer this generation. With a great atmosphere, design and a deeply diverse gameplay, Jack's journey might not be the longest one, but a motivating one nonetheless!
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Inertial Drift is like a great old-school racing game with a unique concept. It's easy to learn and hard to master - with a beautiful style und lots to unlock. A great experience!
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Ride 4 shows a lot of passion for motorsports and the bikes but not for the game itself. A solid technical performance is shattered by a useless AI. Ride 4 might be the best choice for a motorbike simulation on consoles - but just because any competition is missing.
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Feather is something special. It shows me how good games with a sole focus on exploration can work. How many freedom they can give you. You can just sit down and relax. Or enjoy speeding through the air.
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art of rally exactly knows what it wants to be and reaches every finish line with ease. It's simple yet sophisticated. And certainly, it's not a rally game like any other.
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The Dungeon of Naheulbeuk is a delight with its diverse group of heroes and deep gameplay. Every joke is the best when you hear it for the first time, however. Therefore, replay value is rather low.
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The Touryst feels like a tiny game at first - but it reveals a lot of depth and freedom in the end. Especially fascinating is the super smooth gameplay and performance. The only thing I was missing in the end was a kind of bigger narrative to support the overall atmosphere.
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Tamarin ended up as a big disappointment for me. I imagined the cute platformer that it could have been again and again. But the Uzi that you receive in minute five changes everything - and the inaccurate shooting mechanics and horrible camera don't even make shooting with it enjoyable. There are a lot of good ideas in Tamarin but they have not been executed well.
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Hotshot Racing is exactly the kind of racing game that I've missed for a while. It reminds me of the great racers of my youth but is modernized in every suitable way - apart from the AI, probably. There are also some technical hiccups on PS4 Pro.
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Ary and the Secret of Seasons is a game to love - its dungeons have deserved a prize. I never had so much fun with puzzles in videogame dungeons. The semi-open world, however, seems unfinished in comparison, which costs a lot of the charm.
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The central roguelite mechanic of the game is the weakest one and most frustrating - when you turn it off, Windbound is an enjoyable experience that's just held back by technical flaws. The story, however, partly makes up for that and Windbound has moments with the most remarking atmosphere.
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Road to Guangdong left me impressed with its atmosphere and the family story told - while its gameplay never gets boring but remains rather shallow. The game is a good choice for an evening of relaxing and atmospheric entertainment but doesn't have enough fuel for the longer term.
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Kandagawa Jet Girls is a bit like a playable anime: It's enjoyable and delivers surprisingly many insights into Japanese culture. As a game, it's very light and, above all, very easy.
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Popup Dungeon tends to put players' creations in the focus - and it really prospers from that. Without them, it would merely be a mediocre dungeon crawler - nothing spectacular. But with Donatello (yes, from the Ninja Turtles), Donald Trump (yes, the President) and Zarya (yes, from Overwatch) in a team, I just had the biggest fun. Popup Dungeons brings a solid game, great developers tools and all that in a neat package. I hope there'll be a huge community!
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Necronator: Dead Wrong hasn't evolved as much as I would like it to. Mirabella's deck is much more balanced and useful than the other protagonist's, and at times, the game unfolds its full potential here. There's a lot of things to be frustrated at still and fairness isn't always a thing. Necronator shows typical weaknesses of procedurally generated games and also the technical issues haven't been fixed completely. It's fun again and again, but also the frustration comes back.
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Tiny Racer is a nice little game to play now and then. It's fun, hard, a little bit frustrating from times to times but still fair. There are some technical issues and the courses are rather flat. The focus of the game is the fun to steer a toy car - apart from that, there's not too many great things about the game. All in all, the name says it all.
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Ghost of Tsushima is an platform exclusive like it should be and it reminds me why I'm still a PlayStation child at heart. It depicts a wonderful world with deep variety, detail and atmosphere, tells a lot of stories that never disappoint in quality and has a complex gameplay that seems polished and made with a lot of love. Even with a few flaws regarding bugs and some repetitive elements, Sucker Punch have proven that they've been so ready for something new!
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Paws and Soul starts off with a big promise but doesn't really delivery it: There aren't that many secrets to unfold in the world and the story is, while being told solidly, really predictable and not exciting. The worlds are wonderful, yet the meditative experience is being thrown back by a nice, yet repetitive soundtrack. Some flaws in controls and gameplay also make the experience less enjoyable.
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Naughty Dog could concentrate on its true strenghts next time to create an absolutely remarkable game. The Last of Us Part II illustrates one of the best virtual worlds ever seen in a videogame and it even gives you a glimpse at a game that it could have become. A game full of emotions, ups and downs and diverse exploration and combat gameplay. The overall experience is let down by a few holes in the narrative as well as the general Naughty Dog gameplay formula that's been refined since 2013 but still hasn't aged very well.
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I wanted to love Waking. It's approach and the first minute are as special as they are unique. Which game makes your first pet to your companion and a bit of soil from your hometown to your special weapon, after all? However, I wasn't able to find the genius in the chaos. In the beginning, I thought I could find it, but in the end, I had to take Waking for what it is: A mess. It has that unique approach that could it make so special but the game around it is just not very good.
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