Erica Reviews
Erica is an extremely well-done FMV thriller. It offers great atmosphere, good acting, branching story, multiple endings, plenty of replayability and all that for a very fair price. Put your prejudices against FMV titles aside and play it.
Review in Slovak | Read full review
With a fairly solid use of known tropes of the thriller genre, ERICA's highlights aren't necessarily its story or characters. But it's a well-crafted and interesting enough tale to present what is in fact the most special aspect of the game, which is the way Flavourworks has found to increase player engagement by creating a layer of extremely natural mechanics and interactions on top of live-action elements. It is a product that builds a new, more interactive base for FMV productions, opening new potential for the genre.
Review in Portuguese | Read full review
Erica promises players a nice story. But is the story beautiful enough? We don't agree on this
Review in Turkish | Read full review
If you've never played an FMV before, Erica will probably be a lot more interesting and maybe it's a good entry-level to these types of games. But as far as I'm concerned Erica Mason can stay in the hospital and stop bothering me to help light her damn zippo.
Erica is experimental in design, and because of that, some things just aren’t going to work out as well as you would hope. But despite both its big fault and barely noticeable flaws, Erica is an interesting, immersive and well-realised experience.
Erica is a genuinely terrific achievement. As far as the ‘PlayLink’ aspect goes – even if the game is not officially part of Sony’s range – there’s nothing better out here. Technically it feels solid as a rock, with gloriously smooth transitions from gameplay back to FMV cut-scenes. You immediately feel part of the world and it never really gets old. You want to do right by Erica the moment you meet her and there’s very few games that offer this level of interaction, even if as a whole, the game is about the journey rather than the destination.