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Thief of Thieves: Season One is interesting, but on the Switch is hampered by a myriad of issues on every level. The story comes to a satisfying close, but the inevitable tease to season two is an exciting setup. I look forward to being around these characters more, and performing more heists with them. Thief of Thieves: Season One is fun, intriguing, and tells a great interactive story. You should just do so on any other platform but the Switch.
What we have here is a game that is short. Doesn’t look very good. Plays decent, and is better playing couch co-op. I have to say I had more fun playing this than say the recently released Contra Rogue Corps, but that’s not saying much. The brief gameplay time is both a good and bad thing here. It prevented me from getting overly bored, but the price tag of $39.99 makes this one a hard one to swallow, even for hardcore fans of the genre or zombies. Nothing here is completely broken or offensive, it’s just so lackluster and basic it hurts what could have been a bit of a fuller and funnier experience.
I like what Invader Studios is trying to do here, but if the actual Resident Evil 2 remaster didn’t exist, this could’ve filled that gap more substantially. But Resident Evil 2 this is not, no matter how hard it tries. There’s a fundamental and unacceptable lack of polish here. Daymare: 1998 is mostly just unimaginative and unfun, and for a game that is primarily a shooter, it doesn’t even do that well enough. I’m trying to think of a place for Daymare: 1998, and while it certainly has one in survival-horror, it’s going to be mostly at the bottom.
I would like to have seen more of the PC game in the Switch version but keep its simplistic part replacement mechanic. For a mindless session of play, it’s good, but don’t expect to get much more than an hour or two of fun here.
There may be something here for you if you’re looking for a game that simulates the experience of planetary colonization so accurately that it includes every ounce of tedium that would come from a solitary life as a Martian colonist. There is also something to be said for being able to take this game on the go, if that’s your thing. However, for a product which fails to inspire a sense of mystery and wonder beyond its opening moments and which is still so rough around the edges, there are simply better, more enriching and more engaging options for your money on the Switch. In other words, don’t listen to Hauser; don’t get your ass to Mars.
When I wasn’t about to throw up by its canned animations and jerky movement, I found there’s a decent game in here that could have been handled much better. KURSK did well at showing that these Russians were humans, not monsters – and some of them were basically kids. This is an amazingly looking game that’s an unfortunate, buggy mess. That said, KURSK does respect the lives lost, as well as convey the emotions and thoughts of those aboard. And to that end, KURSK succeeds. It’s a shame then, that this sinks under the weight of its own ambitions.
This is a bizarre game. There’s very little redeeming qualities with V-Rally 4, but there’s still something about it that kept me coming back as quickly as I kept putting it down. V-Rally 4 does well to emulate what came before it, but does nothing to make the resurrection worth it, or the wait. The only thing consistent is the inconsistency. There’s far better rally games out there, but if you’ve played them all, I can see some enjoyment with V-Rally 4 after you take the time to learn its quirks and nuances that are honestly not worth the trouble.
HYPERGUN is oddly most enjoyable when you’re not doing a complete run. The further you get in the game, the more exhausting it gets, and it’s absolutely frustrating to make it so far and lose to cheap bosses. HYPERGUN is impressively deep yet unrewarding. NVYVE Studios defies convention and bucks trends for all the wrong reasons. I believe these issues can be fixed via patch or update. This is a case where you want to believe the game is better than it is. As it stands, the current state of the game is unbalanced in the game’s favor and simply not enjoyable over a long duration. HYPERGUN is worth playing, but not in its current state or price, even if it feels somewhat modest.
MX vs ATV All Out fails to do anything new or interesting that we haven’t seen before. It’s visually unimpressive and auditorily disappointing, seeming like like a lost game from the last generation of systems. The game-hampering bugs are problematic, though admittedly being fixed. Each of the different event types are well-made and offer a lot of variety and satisfaction with the core gameplay is fun to play once you get a handle on the mechanics of the dual-joystick controls. There’s a lot of basic things MX vs ATV All Out should already have figured out – but it doesn’t.
Outcast Second Contact is a neat idea and one that I wish brought Outcast updated mechanics and controls. Instead of being something that can bring in new fans, it feels like an attempt to just update the visuals and that’s it. New updates to all these features, new voice acting, and perhaps some more ease of use and quality of life improvements could have gone a long way to making this more than it is. As it stands, it’s a fascinating look at an old game with new visuals and that’s about it. The game hugely impacted and helped shape and mold what we have known to become open world games, but it’s not caught up yet with all the new improvements in today’s standards for this release. If a sequel does ever see the light of day, I’d love to see how they can actually refine and perhaps mold new open world games into become something more. If the first game could help start a genre, let’s see if a second one could improve and rejuvenate it. Outcast Second Contact is an experience most will likely want to leave in the past, new visual upgrades or not.
Solstice Chronicles: MIA encourages using tactics and forward thinking in a genre that wouldn't normally have it, and the drone is a really neat addition, but it isn't a compelling enough reason to play. The lack of online co-op which made The Red Solstice a standout is curiously absent and supremely disappointing. Solstice Chronicles: MIA is a twin-stick shooter that doesn't leave a lasting impression, either due to its writing or ho-hum gameplay. While it plays better than its predecessor and offers a unique gameplay hooks, Solstice Chronicles: MIA doesn't do enough, and there's better offerings out there that are more fun to play.
Has-Been Heroes works for the Switch with its small and travel-focused design, but less so at home when there's other stuff on this console and other consoles to play. Has-Been Heroes could really benefit from an easier difficulty, because luck is just rarely ever on your side. There's some fun to be had, but it is far and few between each run you play. The tactics and strategy behind Has-Been Heroes is mostly satisfying, but is sadly undone by its difficulty.
nfinite Air could be a lot better, but there’s not a proper attitude to excite you to want to keep playing. It just becomes hard to recommend with how shallow the game is. If you’re hard-pressed for something on PC, or even on consoles for snowboarding, there will be other options. If this is the one you settle on, buy it when it is discounted.
Writing down my thoughts here and i’ve come to realize that I just didn’t enjoy my time with the game. It could have easily been more fun without the rougelike experience but just having that ingredient in the pie that is Necropolis really soured my experience.
There's an odd compulsion to return to Ghostbusters but the lack of thrills, excitement, and overall enjoyment permeates throughout as it avoids letting you play as your favorite Ghostbuster (old or new) while delivering unsatisfying gameplay in what the publisher calls action RPG, but hardly resembles.
Oceanhorn: Monster of Uncharted Seas has a few problems in it’s design choices and others stemming from its mobile roots. But the developers did do a fitting job paying homage to the classic adventure genre and giving that Legend of Zelda formula their own spin. Even with that though, it’s not fun. It got frustrating, not to mention it has that simple combat. If you’re a fan of the adventure genre and looking for something to play on your Switch, maybe look elsewhere. At $15 it seems a little much for what it is, especially when the iOS version is $8. If you’re willing to overlook the issues I had with this game though, you may have some fun and find the $15 perfectly suitable. It’s not for me though.
Regardless of what platform Kerbal Space Program is on, it's still a fantastic experience. The excitement of the flight, the edge-of-your-seat moments when re-entering orbit, or the magnificent failures during flight will never not be amazing. But I don't recommend the PS4 as the platform to play on. Play this on PC with a decent rig and never look back.
The first game was neat for it’s time, and the remake breathed new life into the series. While I’m not sure we needed a sequel, there’s some really neat ideas, quests, systems, and ways of traversing I haven’t quite experienced. There’s clearly a lot of secrets to uncover and things to do in this open-world adventure we’ve seen before, but in a new way. This really feels like a throwback game from a different era mixed with new ideas. While not every component of Outcast – A New Beginning comes together the way it should, it’s still very entertaining and captivating.
I certainly like Suicide Squad: Kill the Justice League more than I did Gotham Knights, but only just. There’s a good game here, but it’s best moments are in the opening hours, and what follows is live service tedium that takes its own life. There are some laugh out loud moments via the cutscenes and quips said throughout the game, but it doesn’t save it from itself. This game feels forced, more so than WB’s desire to make “Suicide Squad” a household name, and cheer for the anti-hero. No amount of endgame content is gonna change my mind on what should have been finite, self-contained story. Instead, Suicide Squad: Kill the Justice League is an infinite crisis of mundane content.
GUNHEAD is a fine game on its own, because it contains all the pieces that made CRYPTARK so good. That said, GUNHEAD feels surprisingly unambitious as it plays just like its forebear, albeit through a different lens. I’ll say that if you didn’t like the 2D side-scrolling shooting of CRYPTARK , then the 3D first-person shooting of GUNHEAD is probably more appealing. It’s unfortunate that the 3D space is hard to gain awareness of approaching dangers, and the fact it resembles the prior game so much that it doesn’t feel new or fresh. GUNHEAD contains the formula of a great a tried-and-true roguelike that you should at least try before you buy.