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Genre fans will of course be happy of this revival, but the writing isn't as good as we hoped.

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Need For Speed: Payback is a solid, lengthy and entertaining racing game, but it's unable to reinvent its genre. The work by Ghost Games is weighted down by its stiff singleplayer structure, which clashes with a progression system that, whilst clever in theory, fails to be as balanced as it should be in practice.

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As a simple collectathon built around the concept of flying around in a magnificent cloudy world, Oure does more than its job and ends up being a pleasant zen experience. However, whenever it tries to be something more – wheter it is by trying to push on the gameplay side or by evoking pure emotions – this very derivative game simply falls short, showing all the limits of a not so stellar production.

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WWII is exactly what the Call of Duty series needed: Sledgehammer Games probably maked the best game in the series since Black Ops 2. It's a solid and spectacular shooter, but It's also a game characterized by a naif narration and a bad AI. Despite all, WWII is a very satisfyng episode, and a new beginning for the saga.

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MachineGames' latest work is a concentrate of brilliant finds, entundred on the structure of monumental and fulfilling gameplay.

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Legitimate heir to Super Mario 64, Odyssey recovers its canon, structure and rhythms, and enhances them thanks to a brilliant modernization operation.

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While certainly inspired by the cult-classics of the 90s, Wulverblade lacks their natural class and their inherent appeal: it's still a game that will entertain you, but one that eventually won't leave you with much more.

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If Adr1ft had arrived too early, bringing with it a large load of innovation but also a lot of naivety, Lone Echo takes over the baton and represents the first real zero gravity adventure in VR. The narrative takes its time to evolve properly, while the locomotion system accompanies exploration to perfection, managing to make players feel free and agile, without any unwelcome side effects.

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From Canada comes the brightest new indie superstar: a magnificent run and gun shooter, a mausoleum of pure gameplay, an ode to boundless creativity. Visually, Studio MDHR's debut title is not only one of the most impressive games ever created, but it's also a true instant classic, one that could look the masters of the genre straight in the eye. It's spelled Cuphead, it reads masterpiece.

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Forza Motorsport remains one of the best racing games on the square. Turn 10 has managed, in recent years, to perfect all aspects of its franchise, which finds its excellence in the balance of the driving system. Of all the "simcades" available at the moment, Forza Motorsport 7 is the most dynamic and malleable, capable of enhancing both the realism of driving sensations and accessibility.

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Larian Studios has kept all its promises, realizing a title that surpasses the previous one in every respect; from writing, to gameplay to first-class graphics. It is undoubtedly a watershed, a title with which - from now on - every role-playing game will have to confront.

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And perhaps this reflection can really make us understand what The Long Dark is, in essence: the work of Hinterland Studio is the interactive and digital representation of an extraordinary ecosystem with a decisive cultural and historical value, which the authors wanted to allow everyone to explore, satisfying our playful and interactive needs, but obliging us in any case to live it in depth, with the dignity it deserves.

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Metroid: Samus Returns is more than a brilliant remake of a relatively obscure cult-classic: it's a very significant moment for the whole saga, one that actually marks the rebirth of a beloved heroine after a troubled time.

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XCOM 2: War of the Chosen is the "definitive" experience of XCOM 2, which not only hypothetically closes the circle of the development of the strategic sci-fi, but again raises the bar of excellence in the genre. The care taken in technical optimizations and in inserting content that does not unbalance the delicate balance of the challenge, shows how the developer has been sensitive to the requests of the community and has kept an eye on the development of the modding scene, adopting in his own way the features present in some of the most popular mods.

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Pillars of Eternity is a title born on PC, and in some ways this conversion denounces its genesis: the interface and the summary menus are complex enough to metabolize, and the adaptation work could have been more careful, at least on this front. On the other hand, the control system has some good ideas, and after making the callus in less than a handful of hours, even the most inflexible players will be able to easily enjoy this great CRPG.

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Animated by a unique sensitivity that is difficult to match, Undertale on PlayStation 4 is the same, identical miracle of writing and gameplay that has enchanted PC players. A work as brilliant as it is original, where the definitions of "right" and "wrong" acquire new meanings, and in which the impact of our decisions takes on a finally tangible value.

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A quirky crossover that seamlessly blends two universes apparently far away, a compelling strategic game that despite its simplicity has a lot of depth to it (and one that could be a perfect introduction to the genre) and above all a production that truly captures that special, peculiar Nintendo feel: well played Crying Ubisoft Man, well played.

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More than a simple DLC, the latest chapter of the Uncharted series, The Lost Legacy, gives us a long lasting, various and exciting adventure, clearly proving that the series is perfectly able to work even without its iconic main character.

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The performance capture truly adds a special touch to the already intense cutscenes, the audio department is stunning and visually it's kind of a treat: too bad that the gameplay elements in Hellblade: Senua's Sacrifice are just so shallow, bland and uninteresting, dragging down an otherwise deeply fascinating project.

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A good scripting and some humour aren't enough.

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