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The night of the monsters may therefore not be the shocking event that we all expected, especially after the achievements achieved by Lacrimosa of Dana, but a good story and the rugged gameplay of the series, here embellished with a handful of new mechanics and above all by the Gifts of mostrum, which among other things lighten the exploratory phases , however, make it a enjoyable action RPG.

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The Medium is a horror with fascinating potential, but translated into an experience never really ambitious, and indeed paradoxically rather limited, restrained and shallow.

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Killer who kills you don't change. IO Interactive does not revolutionize its playful formula, widely gnawed in the excellent Hitman 2, and proposes it again with slight but pleasant additions also in the third and (perhaps) last chapter of the World of Assassination saga. Agent 47 returns more shrewd and lethal than ever before, within an experience that knows how to enhance the murderous instincts of gamers. All this takes the form of a stealth adventure full of possibilities, a sandbox full of ideas and alternative solutions that stimulate the variety of approaches and benefit from a level design sometimes in a state of grace. A few falls in style in the last stage, a story only of contour and a general lack of courage in a fixting some stumbles of the past episodes, such as a not-so-exciting IA and very coarse shooter phases, however, prevent Hitman 3 from taking a big step forward compared to the second act. The work therefore moves in perfect continuity with what is...

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It is hard to see why Microsoft has so quietly launched a very gluttonous DLC that, in its small way, it could have represented the Xbox response to sony's operation with Marvel's Spider-Man: Miles Morales. In a wild race between stone idols and legendary monsters, the three hours of Hivebusters will serve to remind you why Gears is after all these years a series still so damn satisfying. Hivebusters is a must-see for all Marcus Fenix fans, and strongly recommended for anyone who wants to get closer to the saga for the first time.

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Doom Eternal on Switch is therefore a port of incredible workmanship that despite obvious compromises, manages to return intact the gaming feeling of one of the most important works of this 2020.

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Call of the Sea is an interesting but imperfect experiment, denoted by some (legitimate) error of inexperience. In general, the feeling is that of an adventure written in a pleasant and on average enjoyable way to play, but never get to that status of small gem to discover.

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Fire Emblem: Shadow of Dragon & The Blade of Light is a controversial operation. If it is undoubtedly precious and at times pleasant to discover the origins of a franchise that is part of the excellence of turn-based strategy of fantasy matrix, the first chapter carries on its shoulders in a not too solid way the weight of its 30 years, with a game formula so sufficiently varied and stimulating, yet conspicuously aged to the present day.

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And it is precisely for this reason that, despite all the technical problems of the production, we cannot in any way fail to assign a vote of excellence to the work of CDPR: the defects will disappear over time, but already now Cyberpunk 2077 is a title which undoubtedly deserves a place of honor in all players' library.

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Net of a not exactly impressive content offer, Worms Rumble is a very enjoyable iteration of the series and has not forgotten that strategic component that has always characterized the crazy battles between annelids.

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Despite some snags both stylistic and design, Haven still manages to tell a traditional but effective love story relying precisely on those parts that other means of expression usually hide, or leave behind: the myth of Yu and Kay is built in battles with alien and corrupt creatures, but is deconstructed while we see them cooking, going to the bathroom or playing UNO (yes, we're not kidding!).

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Ambitious and extremely intelligent in creating a playful and narrative system that is always consistent, Twin Mirror has proved to be a fascinating title. A psychological thriller capable of telling the dark side of the American province by talking first of all about people, and what drives them to act in certain ways.

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Being a port of the Switch version, the graphic compromises have remained almost unchanged, but this time the title compensates for its artistic shortcomings with a double frame rate, almost zero loading times and a resolution finally in 4k, which consequently guarantees top-notch performance. If we add to these the presence of the superb Japanese dubbing and all the improvements devised last year for the "S" edition, this third version of Dragon Quest XI may not fully embody the concept of "Definitive Edition", but overall it has turned out to be an excellent alternative to the original, especially in case the consumer wants to use it in 4k. At least for Xbox users and Game Pass subscribers there is no valid reason why they should not finally dive into the world of Erdrea and accompany the Shiner on one of the most epic adventures conceived over the last decade.

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And here we come to exodus, the final part of the comedies. Immortals: Fenyx Rising is a game capable of giving much more than a surprise. Despite the obvious limitations imposed by its undoubtedly derivative nature, devoid of great originality and great qualitative ambitions, the final product works and entertains with an excellent balance between density and vastness.

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Boasting the contents of the original package, the DLCs that can be purchased on old-gen platforms and a series of new delicacies, among which Vergil stands out and support for the new generation machines, the Special Edition is confirmed as the definitive edition to enjoy in all its splendor and without any kind of compromise of one of the most amazing and adrenaline-pumping hack 'n' slash of recent years.

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Tetris Effect finally arrives on Xbox with an even wider and more enjoyable content offer, which makes up for the absence of VR with a new multiplayer sector to discover.

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Demon's Souls is in a very strange position: on the one hand, as the launch game of PlayStation 5, it has the task of emphasizing the generational passage as effectively as possible, transmitting a sense of wonder that accompanies the arrival of the new hardware; on the other hand, however, it cannot misrepresent the philosophy and playful approach that From Software had imprinted on the original title.

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Sackboy is a party to which everyone is invited: a colorful and fun platformer, rich in content and with a level of difficulty suitable for a very young audience. It suffers from a rhythm that is not always well balanced, and from a dilation of content that does not allow the adventure to maintain a homogeneous quality standard for its entire duration. Without shining for originality, Sumo Digital's work still offers some decidedly remarkable stylistic flicks, with musical levels and a great deal of customization capable of soaring over the rest of the offer. Ultimately, Sackboy is an outspoken and genuine platformer, "tailor-made" for fans of the genre.

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Anyone willing to turn a blind eye to some technical and silly edges will play one of those adventures that the Vikings would not hesitate to sing in the Norse courts. Odin's with Ubisoft.

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Bugsnax is a fun and light adventure, suitable for a young audience but able to intrigue even the most grown players. It tells a story of friendship and courage, but also of acceptance of diversity and peaceful coexistence. Meanwhile, it leads us to discover the funny Bugsnax, chasing the same curiosity that is typical of monster collectors at Pokémon. The game mechanics are simple and long distance not too diverse (a couple of extra tools and traps would not have hurt), but thanks to an ever-present script and some surprise related to legendary Bugsnax, ten hours on snacktooth island are more than willingly spent. The price is modest, the production commitment well adapted to the team's ambitions. It won't have a particularly bright imagination or impactful graphics, but from the discovery of the Formikebabs to the fight with pizzafalena, Bugsnax always manages to snatch an honest smile.

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It would be ungenerous to deny Tomas Sala's work good basic qualities, such as to ensure this peculiar "bird's eye" combat simulator a certain solidity at least on the technical-artistic front. What emerges after a few hours in the skies of the Ursee, however, is that The Falconeer is a product that shines more in aesthetics than in actual ability to involve the player within the wet world he chooses to tell.

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