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Don’t get me wrong, Bayonetta 3 is still an excellent action game. If you like the franchise, you’ll still have a great time with it. It still retains the dumb fun vibe the franchise is known for, and the fact you can play this over-the-top nonsense anywhere you want to is a major plus. But I cannot ignore the fact it feels more like a game being held hostage on a console which cannot run it like it should. Being a Nintendo Switch exclusive is a detriment to its potential, and, as a result, we’re getting drab visuals, less impressive level designs, and serious framerate and resolution issues.
But that’s all: it’s a good little game. I enjoyed it, but I highly doubt I’ll go back to it. My time with Stray didn’t change my life or make me rethink gaming or give me bold new insight into what it means to be alive. It was a game, and I appreciate that it exists, and that’s sort of it. If you can wait till you can play it on Gamepass or the like, I think it’s perfectly acceptable to wait. If you are unfathomably into cats and cyberpunk, then sure, pick this up. But as for me? I’ve had my Fancy Feast fill, and now I’m going to wander off into the tall grass. Just like I was taught.
The Chant is a promising start for new development team, Brass Token. Its premise on the most basic level might not be something unheard of, but the way that it’s implemented and explored is quite original. I was impressed by the diversity of the enemy designs and the efficient use of a relatively small map.
I love the open world design, but hate its visuals. I love the inclusion of multiple routes and storylines, but despised the brand new gym battles. I loved the new pokémon designs, but didn’t care that much about its new gameplay gimmick, as usual. It was released before it was ready, before the hype caused by Legends: Arceus could calm down a bit. That being said, it’s Pokémon: it will still sell, it will still be really fun for those into the franchise’s gameplay loop, and Game Freak will surely release a new generation in a few years without caring about fan feedback, as usual.
The PS5 port of YS VIII: Lacrimosa of Dana is a joyous romp that profits immensely from 60fps. No one can dispute how much the silky transitions and animations leave a person salivating in awe.
I have played on three separate occasions and I loved each one. There’s something truly special about the way the mechanics marry together. I love their cohesiveness. Thanks to fixes made to nonsensical calls from the vanilla version, I had a blast.
It’s not a particularly long play, and it does have a fair amount of replay value, so there is some inherent worth for Buddy Simulator 1984. What it seeks to do and what it actually does, while I suppose that could be subjective, are two very different things. I didn’t hate the game by any stretch of the imagination, but it became a bit of a chore to get through in the end.
Sonic Frontiers is so frustrating because it was so close to greatness. Despite the story weirdness, I did genuinely enjoy Kronos Island. The mechanics and feeling of speed were great, the levels were fantastic (this carries across the whole game), and the boss fight was absolutely incredible. But then you fly off to Ares Island, something shoots you scattering the Chaos Emeralds, and you crash land realizing that you have to do everything you just did all over again. It’s at that exact point the game falls apart and it never recovers because it pulls this nonsense two more times.
This isn’t just a new version of a game, this is the updated version that actually caters to what gaming personalities expect and look for in new titles. Sure, there’s no touchscreen controls, which is a bizarre choice for something that was just on a goddamn touchscreen device, but whatever! It’s The Oregon Trail, you can play and unlock the filter to make it monochrome green if you’d like. Or you can appreciate the color, the pizazz, and the actual gameplay and realize that it’s a frigging masterpiece.
To say this title surprised me is an understatement. I was so torn in continuing to watch and wanting to look away that this was my entire evening, and then a rather restless night of sleep. It’s something to behold, but I would only want to behold it for a short period of time and then not behold it again for a long, long while. If you’re into a narrative that tracks in no direction and a visual novel that’s breaking the fourth wall constantly, then you’ll find something here.
This game has no future for my own interests. I can nod and say “I played it,” followed by shrugging if asked if I liked it. If my friend wanted to try it, I’d give it another spin with them, but it’s far, far down the list for a game I’d recommend to pick up and play.
I know I’ve said time and time again that “game x” is a love letter to “franchise y”, to a nearly exhaustive degree, but Atari 50: The Anniversary Celebration is just something else. It’s a worthy celebration of one of the most important companies not in gaming’s history, but technology history in general. Hell, maybe even the 20th century as a whole. The sheer amount of games included in it, both old and new, would already make this collection worth checking out for a retro enthusiast, but the tons of extras, namely footage from the 70s and modern interviews with Atari alumni and celebrity fans, result in this almost becoming a playable documentary.
The minigame competitive scene is already chock full of great choices, and Garfield Lasagna Party isn’t one of them. It’s somehow both too long and too short at the same time, with minigames and animations running overtime, and gameplay being terse and light.
Signalis pretty much perfects this new wave of retro survival horror. It has a surprisingly engaging world that just pulls you in and never lets go. If you are a fan of the genre this is an absolute must-play. Signalis is easily one of my favourite games of this year.
Modern Warfare 2 is the strongest release from the series in quite a while, possibly since Modern Warfare, maybe even longer than that. There are some missing features though: the battle pass won’t launch until nearer the end of November, while hardcore playlists don’t exist. The multiplayer maps are decent enough, but nothing overly spectacular, but at least the multiplayer feels mostly balanced. The campaign was a great experience, with a small visual glitch here and there.
Let’s put it this way: there’s enough content in Let’s Play Curling to justify its existence as a video game, and not just a mode in a winter sport compilation title, but not at the currently asked price tag. It’s not a deep experience, it doesn’t look appealing, and you won’t play it for more than twenty or so minutes at a time. I commend Imagineer for milking as much content as possible with what little they had at their disposal, especially in an ultra niche sport like curling, but this one is a tough recommendation.
I imagine that Vampire Survivors is going to spawn a legion of imitators and developers trying to capture the same effect but with some variation, and I’ll be staying far, far away from them. This game is amazing, and it’s one of those titles where I don’t know or care about the lore: I just want to get those blue gems and feel the chemical reward of doing something that my brain says is good. Pick it up and play, but be sure to block off an afternoon. Any other plans you have are going to get canceled.
Arkanoid: Eternal Battle is a fun take on a dated and immovable gameplay loop, that suffers from the fact it will only be fully enjoyed if more people buy it and play its excellent battle royale mode. Even though it has other modes to satiate your brick breaking needs in case you’re a solo player, be it with the inclusion of the old arcade game or bots, it’s just not the same without the sheer chaos provided by lots of players going nuts at once.
Tt’s pure, cathartic, and an unapologetic sensory overload. It’s pure nonsense. It’s a game that doesn’t excite with its visuals and overexcited sound design, but it’s so bizarre you will keep on playing it out of sheer amusement. There isn’t anything else like it on the Nintendo Switch or any other console.
The differences being minute aren’t exactly a deal-breaker. It’s legitimately hard to improve upon a formula that has been polished to near perfection for Sports Interactive’s small, but die-hard loyal fanbase. Football Manager 2023 caters to its audience and gives zero craps if you’re not part of this minute niche. If you are part of this demographic, however, this will once again be a time-consuming, heart-wrenching, immersive, and engrossing experience, one you could easily spend spend hundreds of hours playing.