Playing Back in 1995 does not evoke feelings of nostalgia, it only insults those who loved horror gaming in the '90s.
Poisoft Thud Card goes past the standard for being bad; it becomes anti-entertainment.
There have been many effortless cash grabs, but none as blatant as this, which is a $60 commercial. Sonic the Hedgehog 2006 is no longer the worst Sonic game, and it is tragic to see the fandom of Sonic be danced upon by such a cynical cash grab that was quickly slapped together by focus testing and lacks any soul at all. 'Buggy' and 'glitchy' are truly the best words to describe this debacle. Sonic Boom: Rise of Lyric is the mark of the vulgar and should not be touched.
Sanity of Morris is going to be remembered as one of those kinds of ironic and unintentionally funny video games. While it is not quite Big Rigs: Over the Road Racing, the lack of quality control and effort suggests the developers leaned heavily on their concept. The idea of a grounded stealth/horror experience, with adventure-style puzzle-solving is an easy sell to a lot of people. The only problem is that Sanity of Morris does not even try.
There is no reason why anyone would ever play this on any console. Even if it were played on its intended platform, Rip Them Off is barely a game. It is a strategy based, tower-defence where there is no strategy, as it revolves around failing to understand the conditions. No con-artist would ever accept failure, and yet this insists that gamers should learn to enjoy losing.
There are some games out there that are "so-bad-its-good," like most of Swery's games. Outbreak: The New Nightmare is one of those "so-bad-it-gave-me-depression" ones. The developer likely is inexperienced, and working with almost no budget, but not everyone should make a game. The saying "anyone can make a game", means that a good game designer can come from anywhere. All survival-horror fans must stay away from this one.
The broad and generic story is the least offensive aspect of Daymare: 1998. The rotten gameplay and ugly presentation that support this roof of mediocrity won't shelter even the most desperate horror fan. There is nothing classic about the gameplay or story; it is every bit as derivative as most of the soulless schlock that modern studios excrete from their focus group testing. There is no attempt at having any guts at trying to make something that is a throw-back, and the best Daymare: 1998 can offer are a few Easter Eggs and obvious nods to the games that inspired it.
Playing this is the videogame equivalent of drinking cobra venom. There is nothing to be gained, probably is bad for your health, and should only be done as a dare.
It takes a special kind of talent to make a really boring action platformer. AeternoBlade II can almost be the cure for insomnia if it weren't for its embarrassing voice acted cutscenes. Outside of a few striking vistas, there is so little of value to enjoy here. There are so many better similar kinds of titles out there like Blasphemous or Bloodstained: Ritual of the Night and that is not even counting 2D action games from before 2019. With so little going for AeternoBlade II, there is no reason to ever play it.
'Unenjoyable' is a very mild way to describe Blades of Time. This turkey is nigh unplayable depending on a player's tolerance for trashy, glitchy gameplay. With so many elements that are broken, nobody should be playing this, which is too bad because there are some aspects at hand that could have made it interesting. There is a surprising amount of unlockable content that nobody will ever bother to get, because who in their right mind would ever wish to torture themselves? Blades of Time is the skid-row of 3D action games.
Witch Thief is the worst shoot 'em up this critic has ever played. It is barren of redemption, and is an unsightly blight on the Nintendo eShop. The outrageously long load times should be taken as a warning for anyone who wants to give it a chance, and hope there is some light at the end of the tunnel. There are so many quality bullet-hell titles available on Switch these days, courtesy of Arcade Archives, that nobody should need to be tormented with this one.
There is nothing appealing about Out of Ammo. It has no character to it at all and even less polish to its name. This is a huge shame since the idea of an RTS that has a gameplay shift to first-person action does have potential. This is not how it should have been, though. This current build of Out of Ammo is not an Early Access version or an alpha or beta, (even though it plays like it); this is version 1.0. This is a monumentally rough and broken product that had several instances of controls failing to respond and even a crash in the span of only 90 minutes. Out of Ammo is an unplayable disaster.
The Inpatient is one of the most disappointing games ever made. Even when detached from the excellent Until Dawn, on its own it's a shallow walking sim with glossy production values. This might be okay for a one and done play-through, if acquired for free, and even then it is hard to justify the cost of the time spent playing this husk of a game. This is at best a glorified and expensive demo reel for talented 3D artists and VR programmers - not really a game worth playing at all.
Is this the worst game on the Switch? It is very close. Ark: Survival Evolved is easily the most poorly converted game on the system, which makes it feel like it could be the worst. If things worked and it didn't look like computer generated vomit, it might have been an average survival game at best. Nothing would distinguish itself. It is unfortunate that the one aspect it has that makes it stand out is just how much of a porting disaster it has proven to be.
The idea of implementing roguelike elements and endless game design in old-school survival horror has potential, but Vaccine fails to capitalise on it. Aspects where the developers could have improved on were perks that could allow a 180-degree turn, a map system, or even a combo system where it can be possible to earn back extra time like Resident Evil's The Mercenaries mode. With much more variety in level design and more enemies, Vaccine could have been an interesting guilty pleasure. In its current state, this seems more like pre-alpha build with many of the features not yet implemented.
Smashbox Arena might be amusing for some multiplayer shenanigans, but it is very rare to find anyone online to play with given the niche base of VR (with PS Move sticks, no less). The story mode is very deceptive and is really just the multiplayer stages with AI enemies and partners, with no story at all. Even the announcer for the matches sounds like he is extremely bored and is about to yawn. There is a complete lack of appeal and energy, and the overall presentation just feels like it was made by an amateur programmer and not a designer at all. The lack of controller options really hurt this - not that they would make Smashbox Arena much better, since it is nigh empty of content.
Weeping Doll is poorly acted, which clashes with the atmosphere, has 'baby's first puzzles' and is "completed" in less than 30 minutes. A working control scheme that won't cause motion sickness and below average visuals are the only saving graces. The story is told clumsily, mostly through narration, and there is no lose state, so there never is any real tension. No tears will be shed for Weeping Doll.
NightCry should have been classic, instead it's an acquired taste... too bad the taste is rot.
Submerged turned out pretty horrible, and while its concept sounded okay on paper, sadly, the execution is an unbelievable disaster. Ugly, extremely rough, buggy and boring; Submerged should be cast off and is not worth the asking price at all. Anyone who might be interested in a, atmospheric exploration game should just play the HD collection of Ico and Shadow of the Colossus, or get Journey.
It is very difficult to find anything nice to say about such a poorly made product, and nobody should be subjected to it, especially fans of Saint Seiya - avoid, without a doubt.