Amnesia: Rebirth Reviews
Amnesia: Rebirth is a decent horror game yet it suffers from underwhelming and predictable payoffs. It simply isn't as good as its predecessor so if you're going into it expecting something as good as Amnesia was 10 years ago; you're going to be disappointed. Otherwise, it's a good horror game that will scratch whatever itch you have for virtual frights.
Another quality horror game from the masters of the genre, but it's not their best work.
Though Amnesia: Rebirth doesn't reach the heights of Dark Descent, it is a solid pyschological thriller.
At a glance, Amnesia: Rebirth could be taken for just about any other horror game of its ilk. That’s understandable given the last decade of influence Frictional has had on the genre. What Frictional does so well, what it’s always done well, is adapt. Bubbling under the surface of Rebirth are so many slight tweaks, changes, and improvements to a tired, but winning, formula that raises it above the copycats and potential usurpers. This is a game grown from regret and from mistakes as much as it is from success, and while Rebirth works as a title on so many levels, its best use is in how Frictional has reincarnated a seminal horror game as something relatively familiar on the surface, but quite different under the skin of it.
Amnesia: Rebirth is a fitting third entry to the Amnesia series that takes its unique lore and runs with it in a respectable way. If you’re looking for a creepy game to play in October that won’t overload you with jump scares, Amnesia: Rebirth is a worthwhile pick.
Amnesia: Rebirth isn’t terrible in any way. You just get the sensation that within the event that it absolutely was called Rebirth it might be something more.
Amnesia: Rebirth is an innovative horror title that dares to scare players and intrigues them with an interesting story. While the story can hold back on the horror aspect of the game and it's not as good as The Dark Descent. The combination of the horror, story and the new gameplay features makes this a worthy follow-up to The Dark Descent.
Review in Dutch | Read full review
SOMA is still a stronger narrative experience through and through, and if I had to rank their games, it would sit solidly somewhere between SOMA and the original Amnesia. In terms of crafting moody psychological horror first-person games, Frictional is one of the best there is, and I hope there’s more to come from them soon.
Amnesia: Rebirth is one of the best horror games available today, despite few small bugs it contains. In any case, what wrongs it the most is the painfully slow start.
Review in Czech | Read full review
I didn’t hate Rebirth, but I also wish I’d liked it more than I did. While I do recognize that my own bias likely played a part in that, I also recognize that the characters, the story, and the settings were just, quite frankly, not that interesting to me in general. I felt that parts of Rebirth overstayed their welcome, and that parts of it felt shoehorned in as an attempt to diversify and distance itself from its predecessors. That being said, it does also effectively build upon past entries in a lot of ways, and I would absolutely recommend that fans of Frictional’s other games give it a shot. You likely won’t be disappointed, but you may find yourself underwhelmed. As for myself, I doubt I’ll be revisiting the Algerian desert any time soon.
Amnesia: Rebirth is a worthy successor to the series created by Frictional Games a decade ago. It tackles the painful and familiar feeling of loss, marrying in a wonderful way sadness with cosmic terror. If you liked The Dark Descent or in general if you are one of those who want to experience a creepy journey into the abyss of paranoia that will attempt to devour your mind, then look no further.
Review in Greek | Read full review
Rebirth‘s romanticised version of the genre is perhaps best forgotten
Amnesia Rebirth is the most ambitious game in the series. It also has the biggest production values, with some legitimate shocks and horror, and a well-engineered story, all told. While it may be far from perfect, it definitely shows how open-ended the Amnesia series has become and how flexible they can be with a license that seemed certain to be confined to spooky churches. While it didn’t quite grab me the same way SOMA did, it’s easily the best Amnesia game to date, and one of the better horrors I’ve seen this year.
Amnesia: Rebirth successfully breathes new life into the cult-classic series and even though it's not as good as the 2010 original, it's worth paying attention to.
Review in Slovak | Read full review
With a unique and engaging story and some innovations to the old formula of its genre, this not just another one of the samey first person horror games we've been getting throughout the past decade or so. There are some technical problems and the jump scares are a little overused but all in all, this is a good title and worth sinking time into.
Review in Persian | Read full review
Amnesia: Rebirth is a return to Frictional Games' breakthrough franchise. It might not be as terrifying or tense as the original game and this will surely disappoint some fans. But for me, there was enough horror mixed into the top notch storytelling to provide one of the best survival horror experiences I’ve played in years.
Amnesia: Rebirth is a worthy addition to a classic series. It buries the player deep in an oppressive atmosphere of fear like a gravedigger spading dirt onto a coffin. If the state of the world today isn’t terrifying enough for you, picking up Amnesia: Rebirth will certainly sate your lust for scares.
Amnesia: Rebirth stumbles a little with its narrative-based approach and certain gameplay choices, but every time I started to feel frustrated with its direction, it had a nightmarish encounter waiting to remind me that no one does heart-pounding terror quite like Frictional Games.
Amnesia: Rebirth is hardly a stumbling block, but it is a clear step back on Frictional Games' so far ascendant trajectory. Its lack of identity and its abuse of clichés, both playable and plot, are a serious warning about the alarming creative stagnation of a genre in need of fresh air.
Review in Spanish | Read full review