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Racing pirates through the canyons of asteroids, or getting a multi-lock on a huge swarm of enemies as you dodge incoming fire is just as exciting as it should be. Redout: Space Assault gets very close to being something truly special. I would say I look forward to seeing them nail it with the next entry, but based on the series thus far, Redout 3 is likely to be a puzzle game or maybe a first-person shooter.
I myself originally bounced off the tutorial sections of the first Hitman when it was free to PlayStation Plus members, but I've seen the error of my ways. Even though there may be a time when more people have better online access and cloud gaming becomes viable for Switch owners, such is not the case today. It doesn't take a Sherlock Holmes, a Poirot, or a Phoenix Wright to see through the disgraceful disguise that is Hitman 3 - Cloud Version. Seek out the genuine Agent 47 article elsewhere.
Colossus Down features a grating protagonist going on a childish, fury-fuelled rampage, one with a wide set of levels that don't have any throughline other than her being inconvenienced. The neat aesthetic can't cover for shoddy-feeling combat and ill-instructed puzzle segments that sadly are further bogged-down by an endless stream of blathering by Nika, who has an infinite store of smugness. With so many great brawlers on Switch old and new that include sound fighting, killer soundtracks, and charming characters and worlds, Colossus Down should stay in the scrap pile.
Olija has a wonderful story to tell that takes influence from some of your favorite seafaring adventures. While the technical hiccups can be disappointing and the major portion of the gameplay can feel unexciting, the boss fights and story sections bring to life a drab and dreary world that I would thoroughly enjoy seeing more of after the patches roll out.
My initial impressions were much stronger than my later ones, and as I made my way through the different stages, conquered the bosses, and replayed stages to seek out more coins and collectables, the weaknesses became more prominent and the strengths less so. My understanding is that the developers are aware of some of these issues, so this could turn into a somewhat decent title in the future. At present, though, if there's an alchemy to turn lead into gold, it's sorely needed here.
While issues with the dialogue and a less than stellar space flight mechanic hold the game back from being truly great, there is enough good here to make it well worth your time. The relationship between Aliyah and Six is realistic and fun to see where it goes, and the environments and world building featured are top notch. If any of this caught your attention that may be a sign that you should be heading out to do some archaeology amongst the stardust.
The slow beginning of the first Ryza game is remedied somewhat here, and the ability to fast-travel from anywhere to almost anywhere else is pure bliss. The story's lighter fare, doubly so for the side quests, won't appeal to everyone, but the solid battle system, intuitive but deep crafting system, and decent overall gameplay loop were all enough to hold my attention and then some. Even though the concoction might not have come out perfect, it absolutely Ryza's to the occasion.
A lot of people missed Tadpole Treble the first time around, but it's definitely worth doubling back to now that it's been rescued and brought to Switch. There will be moments of frustration (thanks, piranha) but I spent more time smiling and bouncing to the music than I have in most of the games I've played in the last year.
undefined.Through it all, Cyber Shadow knows why people have fond memories of NES-era action platformers, whether it's the thoughtful level layouts, unforgettable boss battles, or eye-catching visual embellishments. This is not a game for the faint of heart, but more for the persistent. I came away from this retro romp satisfied, primarily because it harkens back to the classics while still carving out a distinctive game that rightfully deserves to enter the pantheon of stellar 2D ninja games that includes the likes of Ninja Gaiden and The Messenger.
This is a game built around the idea that emergent gameplay is fun, and it is. That's why the technical problems are such a bummer. Empire of Sin is a good game, but the Nintendo Switch is the worst place to play it.
However, Wrestling Empire isn't quite "so bad it's good" territory, nor is it the worst. It's basically the small indie wrestling company bringing in a guy with TV exposure to sell tickets. And with more competition coming in the short and hopefully longer terms for Switch wrestling games, it'll be one of those "Oh yeah, that happened" games in short order.
If you can get a friend on the couch with you, Double Dragon Neon is a big, dumb, fun dose of 80's nostalgia.
BIT.TRIP BEAT is an excellent game that still holds up a decade later. I highly recommend this game to anyone interested in the legacy of Commander Video, searching for a bite-sized experience, or those who seek a rhythm-based challenge. Though you should keep in mind that this release is marred by a pretty significant bug.
I still found myself rooting for this game when I would find hidden record players that would kick on fantastic techno beats to galvanize my robot scrapping pursuits. All the guns feel and sound unique, and it's a real joy to find a rare drop, upgrade your character, and unlock new passives for your class. Hopefully in a few months' time, this game will be an easy recommendation for fans of the genre as it has the makings of a hidden gem in the Switch's library.
Its systems are light enough to not be overwhelming, and even if they become too much for you, a well-defined tutorial does a good job of holding your hand as you get a grasp of things. The core problem and one that brings this down from a great game to simply fine is just how little control you get over actual launches. If there was more agency in that side of things, then this would be a no-brainer recommendation.
Scott Pilgrim vs. The World: The Game - Complete Edition is still an incredibly polished and fun beat ‘em up that has truly stood the test of time. While it’s slightly annoying that playing with the other characters requires you to replay entire levels and that the online features and a full playable fighter are currently locked behind Ubisoft’s ridiculous server sign-in, in the end this is still a great title deserving of its re-release.
I understand why someone would enjoy Unto The End. I'm sure that some players out there like being kicked in the teeth with their hands tied behind their back. That, personally, sounds like a bad time, much like Unto The End wasn't a good time. If I wanted to play a game that didn't function as described, I would at least play a game that kind of wanted me to like it.
Dicey Dungeons is an amazing game that I'd almost call a roguelike game for people who don't like roguelikes. You do have to like turn-based combat, though. And dice.
There still isn't an on-screen moves list, although even a passing familiarity with the usual SNK fighter directional combos will serve you well here. Otherwise, there's a big beautiful scan of the game's manual for you to consult (just write everything down somewhere). While I remain tickled that these NGPC ports even exist, though, I am beginning to long for different things, especially since these fighters all look more or less like the same game.
Grindstone is an example of a game which hits all the right notes and keeps up a quality in gameplay throughout that many struggle to maintain. The divine gameplay mechanics give a wonderful sense of control in spite of the randomness of how enemies fall, and the inputs of buying equipment or using currency to give temporary boosts gives ample opportunity for improvisation if things don't go quite your way. I only wish there were more to play.