Kotaku's Reviews
Maybe it was that little touch, or maybe it was the fact that I was a bleary-eyed mess playing the game at 4 AM, but I felt so connected to… everything.
The plot and structure of Mass Effect: Andromeda can be viewed as a metaphor for the game itself, where a population eager for a fresh start makes a leap into a new frontier. The destination isn't the paradise we hoped for.
Wildlands' gameplay is too chaotic to call back to Tom Clancy classics like Rainbow Six or the series' earlier titles. Its politics are too vapid to compete with the Splinter Cell series' pulpy yet prescient narratives. Wildlands wants to be everything. It succeeds at being nothing.
Giving players the option to enjoy the game on their own terms is something Nier: Automata does very well. Challenge-hungry players can ramp the difficulty all the way up, doing away with silly things like targeting and aiming. Folks who just want to enjoy the nice game with the pretty androids can set the difficulty to easy, which allows for the equipping of special chips that auto-heal, auto-fight, auto-dodge—they almost play the game for you.
Triumphant. Groundbreaking. The pinnacle of Zelda.
A worthy successor to Planescape.
The main plot of Night in the Woods didn't move me much, and in fact it disappointed me a little in its shift from relatable 'people stuff' into grander, supernatural machinations. But for me the plot was secondary to the experience of kicking around town, bumping Mae up against everybody's lives, seeing myself, who I could have been, who I'll never be.
If you want to play a Halo game with the simpler story, backs-to-the-wall tone and cinematic flair of Bungie's good ol' days go right ahead and play Halo Wars 2. Just don't expect the quality of the game to match that of the cutscenes.
With Horizon, [developer Guerrilla Games] is finally let loose to show us how much more they're capable of, and what they're capable of is jaw-dropping.
Even the most clumsy and gnarled duel will achieve moments of greatness. And when two experienced players operating on the same wave-length begin stringing together slashes, parries and counter-attacks in an unbroken chain, the resulting exchange feels as much like a choreographed ballet as a fight to the death…if ballets ended with severed heads flying into the orchestra.
Nioh is one of the most memorable and competent action games in a long time. There's a genuine speed to combat, and the mixture of stances, magic, and other options turns any battle into a violent crescendo of action. It rockets players from challenge to challenge, remaining consistently exciting throughout.
Arkham Knight almost certainly won't be the last great Batman video game, nor must it be. But after watching Bruce Wayne and his clown-faced nemesis wink out of existence one last time, I feel I've seen what I came to see. I can crinkle up my ticket stub and shrug into my winter coat, exiting the theater without a look back for whatever secrets or teases may await after the credits. It's over. This was the story of Batman, and it was good.
Resident Evil 7 can occasionally frustrate with excessive boss fights and patronizing puzzles, but it’s still a scary and violent blast of survival horror that paints a bright future for the franchise. Bloody, tense, and exciting throughout, Resident Evil 7 is exactly what the series needed. Full of dread and brimming with anxiety, the series that started it all has finally found itself after decades of wandering. Welcome home, Resident Evil. We missed you.
Yakuza 0 is the closest thing video games have to a prime-time soap opera.
Like most recent entries in the Tales series, Tales of Berseria is an epic adventure packed with stuff to do. There are mini-games to play, cosmetic items to collect, food to cook and treasures to uncover. Those goofy fun trappings are draped across a much more serious whole this time around, offering welcome respite from a tale that’s not afraid to take its memorable characters to some very dark places.
Ultimately, Read Only Memories provides a clumsy but resonant experience. What it lacks in thematic substance or technical challenge, it makes up for in emotional content, a lush setting, and memorable characters. It’s a story worth experiencing in spite of its occasional frustrations. Come for the robots. Stay for the soul.
I can’t summon the necessary bile to truly dislike Gravity Rush 2, nor can I summon the necessary warmth to love it. In the aftermath of its grand finale I was exhausted in every way, happy to have gone on such an epic journey and just as happy that it was finally over.
Hatsune Miku: Project Diva Future Tone doesn’t miss many beats. Though a couple of my more recent favorite Miku tunes didn’t make the cut (notably “Love Song,” featured in last year’s Project Diva X), I am overwhelmed by what Sega’s latest vocaloid rhythm game has to offer.
Eschewing the spare storytelling of previous Team Ico games, The Last Guardian's plot unfolds in a series of easily digestible cutscenes. It's a dark fairy tale that probably isn't quite what anyone expected, but ultimately serves to make the friendship at the core of the game even more remarkable. The Last Guardian is about two lost souls becoming one, and the strength and joy found in that conjunction.
It's got everything I want from a Final Fantasy game. I know that it'll be yet another snapshot in a life filled with Final Fantasy. Another grand adventure, another gang of worthy heroes; another tale of crystals and magic and betrayal and love, all beautiful melodies and lush scenery and the finely honed complexity of carefully choreographed combat. Onward to secrets beyond the horizon, and don't forget the Phoenix Down. If that's not Final Fantasy, I don't know what is.