The Games Machine

The remake of Dead Space follows the track of the original game, obviously (and considerably) improving it from a technical point of view and adding or modifying some gameplay elements. The result is a sci-fi horror adventure that will please both veterans of the series and thrill-seeking newcomers.

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Warlander is a high-quality MOBA with a hack 'n' slash combat system that works well even in the most chaotic online situations. Regardless of the task at hand in battle, there is never a shortage of action, whether you seek for a fight to break through enemy lines or stay in the rear building defen-sive machines. Character growth and equipment provide satisfaction, and even without the Battle Pass, a lot of rewards can be unlocked. I am a bit afraid about the importance of in-game purchases, however, since the upgrades are not all merely cosmetic but directly affect player stats.

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Cozy. This is PathCraft, a very comfortable experience which doesn't really break any new ground in the puzzle platformer arena, but it makes you feel home and will challenge you with progressively more difficult puzzles. With its cute art and precise and immediate controls, it's easy to recommend.

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Spiritual successor of the good old Rampage, Terror of Hemasaurus delivers a funny (but short) experience of total arcade carnage and destruction, with a charming pixel-art and hilarious story

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Between novelties and various refinements, Fire Emblem Engage's combat system is perfectly polished and exciting. Not all of the campaign is full of twists and turns, and the shadow of socializing at all costs might make the more grumpy digital generals nervous, but overall Fire Emblem Engage is a recommended chapter.

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Persona 3 Portable is an unconvincing conversion of a game that could have expressed more in 2009, constrained then by limitations that current platforms do not have. It remains an important chapter for the saga with a unique aesthetic that serves as a bridge to its origins, but it is a shame that the adaptation was made without the will to dare.

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Lone Ruin is an action roguelike with an intense gameplay loop, the kind of game that you want to keep coming back to. A shame that, even for an indie game, it's not particularly rich content-wise.

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One Piece Odyssey is definitely the best game dedicated to Eiichiro Oda's omnibus work, and a perfect JRPG for newcomers. Those who don't like One Piece or are looking for a more challenging and in-depth experience would do well to look elsewhere, knowing however that such successful adaptations are a very rare commodity indeed.

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By betting everything on the Death Knight and its difficult but undoubtedly successful adaptation to the dynamics of Hearthstone, Blizzard ends up forgetting a bit about the other classes. Could more have been done for Anduin and company? Probably, but the risk of exaggerating was perhaps too high and we finally have our DK, so that's okay.

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Potion Craft: Alchemist Simulator simulates the life of a novice alchemist trying to pave his way to fame and glory discovery after discovery. As in real life, it requires dedication and perseverance, which do not always go hand in hand with casual game philosophy. The system of moving along the alchemical map will entice you to experiment for a few hours in search of the ultimate formula, but an uninspired endgame relying on grinding might turn away even the most ambitious alchemists. If you're looking for an original sandbox puzzler and aren't afraid of repetitive gameplay, it's definite-ly an interesting game.

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A game written and directed by one of the creators of Rick and Morty could have been a masterpiece, instead turned out to be an interesting and hilarious product only in parts. The gameplay holds up for a few hours but in the long run becomes quite repetitive, fortunately the dark humor that characterizes the entire production manages to lift it up in no small part.

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Those who love the traditional WoW modus operandi will be well rewarded by Dragonflight, but the expansion could have aspired to other goals with a little more courage in terms of creativity and design.

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Swordship is a great example of contemporary arcade. It does one thing, it does it well, and it's incredibly fulfilling, challenging, and exhilarating. Smugglers of the post-climate change future against corporations, pirates at the service of the least, always ready to take risks and with a great sense of entertainment. Great management of the risk / benefit component, precise controls, audiovisual remarkable, with each game over generating more sense of revenge than frustration. A truly remarkable work in its compactness.

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If I had to define Crossfire: Legion in one word, I'd use "competent". If I could use more than one word, I'd say "competent, but overall lacking in personality." While it's not a bad game by any means, it also never really shines, it never surprises, and it doesn't leave a mark. It doesn't help that, despite a good variety of multiplayer game modes, the population has already dropped to a few dozen players. Still a decent choice if you're itching for more RTS gameplay, but don't expect to be blown away.

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Hell is Others is a mix of genres among which survival horror looter shooter stands out, but once you have acquired the right equipment, the Free for All mode also comes into play. Inventory slots reduced to the bone, permanent loss of loot and a rather high difficulty especially at the beginning make us move with circumspection, becoming more and more bold as our character grows. But it is a moment to find yourself back at the beginning, and the feeling of perpetual vulnerability guarantees a constant tension. As in all PvP the future will also be decided by the amount of updates and events entered by the developers, but for the first dozen hours fun is guaranteed.

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The Master of Magic remake is an ambitious project which, however, has never decided whether to be just a graphic restoration or a complete makeover of the original. It's still a decent 4X video game, but nothing more. Ultimately, if I had to choose between the remake and the original one, I would opt for the latter without hesitation.

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Togges makes no secret of his sources of inspiration: Super Mario Galaxy above all, but also Katamari Damacy and Pikmin. While Togges does not have all the qualities of its benchmarks (particularly in controls and cleanliness in design), it knows its strength points and focuses on those: smooth, colourful graphics on which rests a relaxing, carefree gameplay. All in all, Togges is an average-value game that nevertheless took on a huge challenge, confronting himself with the masterpieces of the genre, without being destroyed by the comparison. But ambition and bravery should be appreciated, and rewarded too.

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Need for Speed: Unbound is a particular work, capable of forcefully bringing back street culture, the contemporary one of generation Z, but unable to create new spaces of playful expression. Everything that revolves around the characters of the story and our avatar works like god, from the style chosen to describe them to the driving system, from the soundtrack to the special effects in graffiti style, in contrast with a Lakeshore that, despite its vibrant technical realization, remains an ordinary and almost anonymous city, a hub with some collectibles scattered around that acts as a glue to a rather lazy playful structure.

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A treasure hunt in the world of Dragon Quest turns out to be a pleasant RPG with simple and affordable mechanics suitable for young and old, especially aimed at those who like to have fun without bothering with overly complex plots. The collecting aspect takes over from a basic combat system, but it remains a very enjoyable game.

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Crisis Core -Final Fantasy VII- Reunion is a hybrid between a remake and a remastered. Aesthetically enhanced, with revised polygonal models and an optimized combat system, having fun is guaranteed even if you will collide with the inevitable defects, the same of 2007.

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