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Eternal Hope is a great little puzzle platformer. What it lacks in originality, it makes up for in heart, offering a relatable story of love, loss and redemption. Perfect if you're looking for a short, heartfelt adventure to keep you distracted for a few hours.
It's difficult to sum up Conspiracy! On the one hand it's a great concept and the meta approach is fascinating. It's a game with many interesting things to say about online culture, the news cycle and how we perceive the world we have constructed. This is a game with lofty ambitions, but it also happens to be a dreary experience that, despite a short run time, was an absolute slog to play.
Orwell's Animal Farm relays the content of the book well, but stops short of drawing from any new depths, as choices are limited and the plot takes second place to a dry management sim.
Rigid Force Redux delivers an R-Type emulating experience to be proud of. Fast, fluid and with smooth action, this is the type of shmup that makes you want to smother it in exciting and complimentary adjectives. If only there was more content, then perhaps it would be Rigid Force Redux that future side-scrollers try to beat.
I can't really recommend Super Mario 3D World + Bowser's Fury enough. Whether you've played the original game before or not, the addition of online multiplayer is a big win, while Bowser's Fury is a testament to just how pure a Mario game can be while still feeling fresh and exciting. Put simply; this is an essential game for Mario fans.
It's rather obvious, but if enjoyed the first Little Nightmares then you will enjoy the Little Nightmares II. While some new elements have been added it is more of a next chapter to the story than a full blown sequel. The attention detail is incredible, bringing the story to life without a single spoken word. It's unsettling, creepy, darkly amusing, and at times a little frustrating, but immensely enjoyable. Another little, slime covered gem from Tarsier Studios.
Persona 5 Strikers is an excellent welcome back party for the franchise. It takes a formula that is proven to work and takes it to a new place by adding a whole new combat system that allows you to play as the whole team, rather than the main character we're all used to. This said, and although Persona 5 Strikers is excellent in its own right, there's enough that's been stripped back to make this game work that it can't reach the lofty heights of the original.
It isn't without its rough edges, but Skul is a really compelling experience, and definitely scratches the itch left by the button-mashing brawling of Hades and Dead Cells. If you've played those games to completion, or if you want a game with decadent pixel art and a wealth of characterful play options, then it's an easy recommendation - just don't lose your head during those challenging final stages...
Windfolk is a game so turgid that it almost managed to put me off video games. Painfully flaccid combat and boorish level design both serve to undermine any fun that flying might offer. The subtitle promises that 'Sky is just the Beginning', but after this showing I'm rather hoping it's the end instead.
Vigor had a decent idea, but it bungled the delivery in multiple ways. Base building is unforgivably dull and drawn out, while the player count is too low or the maps are too big so you can go multiple matches without encountering anyone. There is more fun to be found with the squad-based deathmatch mode, but not as much fun as you could have in countless other games in 2021.
Landflix Odyssey isn't a revolutionary title by any stretch but it is a fun and mostly well-realised diversion that takes a light-hearted look at our TV obsessions. The different worlds offer some nice variation, but some are definitely more successful than others. I could have happily lived without the frustrating slowdown mechanics of the Going Mad levels for sure. It might not get you obsessed like your newest favourite TV series, but it shouldn't make you reach for the remote either.
Sword of the Necromancer is a fun roguelike, with a unique enemy revival system that sets it apart from other titles in the genre. Unfortunately, a lacklustre combat system and unoriginal story mean that it doesn't quite match up to the absolute best roguelikes out there.
Werewolf: The Apocalypse - Earthblood feels like it had the potential to be really good, but even though the combat is very satisfying, the drab interludes and disappointing stealth meant I spent a lot of the time asking when the game was going to be over. To me, that speaks volumes.
Nioh 2 - The Complete Edition manages to give budding yokai hunters even more to do, and whether you missed the PS4 version of the game or not, it's definitely one to sink your teeth into if you fancy a challenging experience.
The car combat genre has long been out of fashion and still has a way to go if it wants to take us back to its glory days of the 1990s. Destruction AllStars is a mostly satisfying modernisation that has some neat ideas and looks fantastic, though ultimately spins its tyres on repetitive rival-wrecking gameplay and a lack of truly worthwhile content at launch.
As a port, the Turrican Flashback collection cannot be faulted – these are perfect conversions of some all-time greats. Although the collection is missing some of the others in the series, £7.50 per game isn't bad value and given the difficulty, getting a perfect run is going to take many hours of playtime.
Hellheim Hassle is a must-play for fans of platformers. Some fiddly controls aside, it's a wonderfully dark and funny adventure that's well worth going out on a limb for.
Habroxia 2 makes me erupt with positive and overly excitable adjectives: entertaining, fun, delightful, near-perfect. I could go on, and I will: fast, frenetic, fluid, confident. This is a game that demands the attention of any fan of 2D retro shooters and offers a seismic improvement over the original. You'll be hooked from beginning to end.
If you're looking for a great indie title to while away a sombre afternoon, look no further.
Encodya has some lovely elements – the soundtrack, a few interesting plays on dystopian fiction and the heart at the core of its story – but uninteresting puzzles, lack of environmental variety, and unremarkable storytelling mean I can't recommend it over its contemporaries.