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Disney Illusion Island is a game that takes no risks, but at the same time, is exceptionally well made. There aren’t any deep criticisms to be made about its design, outside of it being the safests of bets in the overcrowded marketplace of its subgenre. As an entry level game for those without experience and/or younger players, it checks all the necessary boxes as it not only is a visual spectacle, but a lot of fun to play. And in the end, fun is what matters in a multiplayer game such as this, which it delivers in spades.
Double Dragon Gaiden: Rise of the Dragons is the revival we’ve long yearned for. It’s sleek, with crisp visuals and, excuse my pun, a punchy combat mechanic. Nothing felt sluggish, with zero stutters or freezes to speak of. The optimization is pristine, and the soundtrack is, as the kids say, lit.
Get a few folks together, harass the horse host as a group, and then fight in some really good natured, simple ways. This is that lower tier of gaming that many of us didn’t expect out of Nintendo, but they delivered it with the genuine polish they add to everything. It’s glossy, appealing, accessible and inoffensive. It’s got a better entry barrier than some and a much better retention power than others.
I cannot stress enough how happy I am that Devolver decided to breathe some life into this (potential?) franchise. McPixel 3 is the perfect follow-up to a largely underappreciated game from the mid 2000s. Yes, it has some shortcomings, but it’s still an unexpectedly fun game, especially when you consider that it was made by only one person. Sos Sosowksi, I applaud your efforts and am eagerly awaiting the next McPixel game.
The silliness isn’t where it wants to be, thanks to wackiness having no substance. The graphics are moderate, and I find the Chibi models adorable, but that won’t negate how boring my session was. I’m disappointed by it. In its current state, I can’t, in good conscience, recommend you buy it.
Exoprimal is a game that may not immediately hook into you depending on your expectations. I was initially disappointed in the PvPvE focus that is presented at first, but after just a couple of hours, was hooked into it. The game does manage to deliver a very flawed, but still fun shooter experience. This certainly won’t be for everyone, but despite its fair share of issues, it’s one of my favorite go-to multiplayer experiences right now.
Dave the Diver, needless to say, was an absolutely delightful surprise that I would recommend to just about anyone. It offers so much variety in gameplay ideas that there is something here for everyone. I’d love to express everything I absolute loved about the game, but what impressed me so much was not knowing all the things this game offered, and I wouldn’t want to strip you of that. This may have not been the mindless fishing exploration game I was expecting, but it became so much more than I even initially wanted.
Candle Knight‘s premise and presentation are what carry it. As a platformer itself, it’s decent enough, with some great level designs and one neat little gimmick, but it’s also hindered by poor controls and physics. The outstanding graphics, interesting environments and Elfman-inspired music will mostly make you forget about these setbacks and let you dive into this bizarre, but oddly charming world. All in all, it’s a decent little game, and worth checking out if you can put up with some technical hindrances.
When it comes to their work in this Rise of the Triad remaster, I have nothing but the utmost respect. The problem is that Rise of the Triad is very underwhelming, even for shooters of its time. Boring level design, nearly nonexistent geometry, excessively fast-paced gameplay, an emphasis on platforming when there isn’t even a dedicated means to jump, average-at-best weaponry… this is a game that wouldn’t have impressed me that much in 1995, let alone today.
Oaken looked interesting from the get-go, but unfortunately falls flat with limited ability to change how each run feels. After one or two runs, you’ll have a very good idea of exactly what this game is. If you’re hoping for a new Slay The Spire, keep looking as this likely won’t hit the spot. It definitely didn’t for me, and I gave it a very fair chance, probably a few more runs than I needed to do to make sure I wasn’t missing something.
My Friendly Neighborhood is a very surprising game, taking elements from the mascot horror genre and actually making use of its potential. Whilst it’s not really a horror game, and you shouldn’t be expecting much in the way of scares, it’s unique atmosphere and homage to the Resident Evil franchise are worth celebrating. The story, setting, gameplay, and level design all work well together to deliver a unique experience.
This is one mess of a game, isn’t it? Greyhill Incident could have been considered a hilarious, “so-bad-it’s-good” experience due to its dumb premise and Wiseau-esque levels of voice acting, but it’s way too boring to be considered worthy of an ironic playthrough. Poor stealth mechanics, samey environments, and an emphasis on being an Amazon delivery boy for a bunch of tinfoil hat lunatics cozily sitting in front of your house make this slog of a game feel less like an unintentional gaming version of Plan 9 From Outer Space and more like an exercise in how long you can stomach it before turning your PS5 off.
I sincerely hope that Sky Caravan attracts plenty of attention and even acclaim, as it’s both engaging and unique without being purposely obtuse. It’s incredibly approachable, the art style is endearing and the story, while nothing groundbreaking, is a fun romp for any time of day. Players looking for a read-along with flair and panache should absolutely consider a rewarding career in being a part of the Sky Caravan.
Mr. Run and Jump stands out from the barrage of challenging precision-based platforms infesting today’s indie scene by having some well-crafted (albeit utterly infuriating) level designs, but most importantly, some commendable accessibility options for newcomers to the genre. It wants you to get angry at its gauntlets, but it doesn’t want you to ragequit. It will always give you an extra push to help you beat a section just a few runs before you lose your patience.
Operation Wolf Returns: First Mission had one goal: prove that you can, indeed, revive a classic light gun arcade franchise with the power of virtual reality, especially with the added benefit of the Quest 2’s portability. Even if it has a handful of issues (it’s really short, the occasional framerate stutter, visuals that aren’t particularly amazing), it wasn’t trying to be an immersive, complex experience. It’s pure arcade fun, and it gets the job done with honors.
Bloodhound isn’t a bad first-person shooter, but it’s a wasted opportunity. It could have been much better if the developers hadn’t focused so much of their efforts in ensuring the game would be as edgy, grotesque, and (non) erotic as possible. The foundations for a good DOOM-esque shooter are here, but the terrible enemy placement system and lackluster sound effects brought the combat mechanics down several notches.
I guess ACL Pro Cornhole does a good job at recreating all the sheer excitement of cornhole to a virtual environment, but here’s the very obvious issue: this is too boring, and not particularly exciting to be played as a video game. Cornhole can be fun on a county fair, or when you’re a freshman in college, but as a game being sold for thirty outrageous bucks? Yeah, there’s just not enough substance and content to justify its existence outside of a minigame included in another, much larger title.
Ed-0: Zombie Uprising is the poster child of crappy, nearly irredeemable, but oddly endearing Japanese jank.
Burnhouse Lane is a great little puzzle game to keep you on your toes. Everything can be a clue as to how to solve a puzzle, and the amount of cats is great for someone like me. There are some negatives, but all in all, it’s a great experience with a really good story about depression, despair, and acceptance. As a whole, the positives massively outweigh the negatives.
Rhythm Planet certainly has pros in certain ways it was executed. However, as great immersion is, it’s secondary to what makes a game more fun, which is where gameplay comes in. They were not able to drive home some gameplay mechanics and are severely lacking in modes to play. What they have in the game is beautiful and mostly fun, but it’s very shallow and is difficult for me to recommend to most consumers in its current state.