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Danger Zone 2 has all the groundwork set to make an explosive comeback for Burnout, but Three Fields Entertainment just needs to up its quality control. Also, how do we still not have Kenny Loggins on the soundtrack?!
I have a lot of questions for this game, like why is Poseimon one of the last tracks I unlock when it's so dull and why does Dino Juice have a Jurassic Park design motif with a Danny Elfman inspired music track? Or why did I race the same track two different times in a single cup? But I don't want to think about what the answers to those would be because I really don't want to think about All-Star Fruit Racing anymore. If this were on mobile I'd have deleted it after my first trip to Avocado Roller. As it's a PS4 game, I was holding to hope there'd be something, anything, I could grasp on to here that would signify it as a quality kart racer for the platform. There isn't.
For five bucks as a digital upgrade all of these Sonic Mania Plus additions are a no-brainer. Sure, encore and maybe the multiplayer updates would have been added as free DLC in some circles, but the new characters and the package as a whole props up one of the best platformers of 2017 for a more than reasonable price.
With some more focus and better design, this could have been a relaxing and reflective trip about dealing with grief and loss. Instead, it just feels like an obstructive way of listening to an album.
It's a beautiful game, but that beauty can't hide the fact Pocket Rumble still needs a bit of work. When playing with friends locally the game is an absolute blast. That's when it's at its best. It's all the other modes that weigh the package down. I'm not too keen to return to any of the single-player options until the AI is fixed nor do I wish to endure the spammy assaults of the same three or four characters I face online. With some fine-tuning, Pocket Rumble can get to where it needs to be, but Cardboard Robot Games should probably hurry because the Switch isn't short on quality fighters and the field will only grow more crowded as we continue the march towards the end of the year.
At its core, The Spectrum Retreat has a tragic story about a family cast aside by the American health care system. That much becomes apparent early on, but the finer details are hidden behind too many consecutive puzzles. There's a narrative worth hearing here, but the cadence at which it's told is just a little bit off. That, mixed with the good-but-not-outstanding puzzle design, keeps The Spectrum Retreat from being a truly great stay.
The game really does offer something different compared to other fighting games and I think a lot of people will enjoy it once they've had a try. And with a super low price tag for entry, there really isn't a better time to hop on and have a go.
Hopefully, some patches bring this remaster up to par, because it would be unforgivable to have Guerrilla fail a second time due to a rushed port.
I called dibs on Grab the Bottle because it looked kind of silly, and figured at worst it'd be a fun little distraction. It definitely hit those points, but wound up being something I legitimately enjoyed for some quick, on-the-go puzzle solving. And with a story that wound up having minimalist heft to it, I think this is a nice little excursion from your typical gaming experience well worth hitting the sauce for.
Wolfenstein II makes some acceptable compromises to run on Switch
I think the developers made the right call by branching out with planes and boats and going for a more approachable play-what-you-like format. They just spread themselves too thin trying to cram it all in.
Lumines didn't need to reinvent the wheel for its remaster as it already had its base down pat. If you already own it you likely don't need to revisit it on a modern machine as the re-release doesn't really add anything you haven't seen before, but this is a great way to discover the magic for the first time.
Season passes for Call of Duty games are unpredictable. Sometimes they'll dole out maps you can't find in any other shooter and add a nice zombie cherry on top (Treyarch is the king of that sweetness). On many other occasions they'll simple augment the existing experience, and your mileage may vary depending on how strong the core is. That's how United Front feels.
Mario Tennis Aces has a chance at being a great game down the road. Right now, it's simply good. The gameplay is as addictive as ever and the Adventure Mode is a great way to educate people on the ins and outs of Mario Tennis. It's just missing features that, while small, make a world of difference when it comes to the longevity of the game. I want to play Aces for the rest of the Switch lifecycle, but right now it's not giving me much of a reason to keep booting it up.
The Awesome Adventures of Captain Spirit functionally serves as a playable teaser for the sequel to Life is Strange. Because of this, we never get real resolution to Chris' story. It ends on a gratuitous cliffhanger, and that's so predictably frustrating. But Captain Spirit uses its two hours well to craft a narrative that leaves us wanting more. That was the whole point. Chris may be a superhero but he's also an underdog. Everyone loves a good underdog story.
The fusion of Dark Souls with metroidvania is something that can certainly lead to a great title. Unworthy falls just a bit short. Not much can be done about the level design, but a few key tweaks to item management and difficulty balancing could lead to this becoming a hidden gem. If nothing else, it scratches the itch for more Souls that From has left.
I enjoyed playing through the game, but felt some of the questionable decisions and creaking technology kept it from achieving its potential. It's quite good for a licensed product, and can be fun for a couple of kids to play together, or for a parent to play with their child. It just isn't anything special, and in a game all about being Incredible, that's kind of a letdown.
Sadly, Evolution just comes off feeling like it was rushed out the door.
The plot of Shaq Fu: A Legend Reborn is, as Shaq says himself "convoluted and full of holes". A poor Chinese orphan, Shaq Fei Hung, is forced to face up to his destiny when it becomes apparent that some of the world's biggest celebrities are actually demons plotting to keep the people in a state of moronic subservience. As dictated by The Prophecy, Shaq must use the skills taught to him by his kung-fu master, Ye-Ye, to travel the globe, take down the celebrities and save the universe.The game itself is a simplistic scrolling brawler. As Shaq, players take on wave after wave of drone-like enemies. Mashing attack builds up a combo, before ending it with Bayonetta-style giant boot finisher, Shaq also has a shoulder charge, a ground pound, and a fairly useless jump-kick. Various weapons can be gathered from the streets or dropped by opponents. Once you reach the end of a stage, you face a celebrity boss, who must be defeated to progress.The problem is, the game is just so numbingly repetitive. Despite the fact it is a mere six stages long, and can be completed in about three hours, it becomes so drawn out, due to the endless waves of villains - non of whom put up a decent fight - and tiresome sequences designed for variety, but are just tedious. For example, one stage has you push boulders down a hill onto enemies for what seems like an eternity, before you move to another hill and do the exact same thing again. Occasionally a stage will lock you into an area, power you up (such as with the "Big D" Mech suit) then force you to defeat, literally, 200 baddies before you can move on. Even though you can mow through them with ease, it's just really boring to do so.
As cool as the "agent" and underground concept is, a lot of the aesthetic shift feels like a re-skin of sorts.