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If Dark Souls III truly is the last game for now, it makes perfect sense, since it's just as much of a love letter to fans as it is a culmination of the series. I may not have like this iteration as much as the rest, but it's still streets ahead of most current action games and deserves a warm spot on your shelf by the bonfire.
Mood and atmosphere can carry me a long way, and I adored every second I spent in Hyper Light Drifter's world. The combat and movement often left me slack-jawed and giddy, a perfect homage to the '90s RPGs that obviously inspired Heart Machine, while still feeling completely fresh and constantly surprising.
There's not a lot to complain about with the Sequence. Its clean look and atmospheric electronic music don't distract from the real meat, the puzzles. As far as that goes, there are a lot of them to take on, especially for the minuscule price. It can be tough at times, but that just makes it more gratifying when it all works out and the balls go in the hole.
Stephen's Sausage Roll is a rare, beautiful thing. It's a game where every aspect of it is designed with such incredible care and efficiency that it actually comes together as one cohesive whole. I've been intentionally vague on specifics in order to preserve the sense of exploration and excitement that comes with discovering something brand new for when you play it yourself. Please don't dismiss it because of the price or the fact that you think it looks ugly, because you'd be missing out on one of the greatest games I have ever played.
Quantum Break won't at all times feel like a game, as the player spends a fair chunk of time relegated to spectator. But, no matter which side Quantum Break is showing, it's always going to be a spectacular one.
Darknet is something that could technically work in a traditional, non-VR environment, but the immersive nature of the game does feel justified. Even though it was daunting, I loved looking around the world and figuring out where to go next, and for the price, I'd consider it one of the Oculus' must-have games.
While I've talked extensively about the things that didn't quite do it for me, I will say this: if you enjoyed the first game, or if you're a diehard fan of the web series or the movie, you will more than likely appreciate this sequel. For everyone else, including those like me with only a passing interest in the web series, it's a very hit-or-miss experience. If you enjoy potty humor and language filled with more “fucks” and “shits” than you can shake a stick at, then Angry Video Game Nerd II is definitely for you. If not, then I might suggest looking elsewhere to get your platforming fix, because while the actual gameplay is decent once all the humor has been removed from the equation, it's still not the greatest.
Anything it gets right or does adequately enough is countered by a pitfall or something lackluster. It's perfectly functional and seems to do what it wants to do, it's just a pity none of those things are particularly exceptional in any way.
It's noble that Smashing the Battle was built around VR -- at the launch of the Oculus Rift, no less -- but it ultimately feels like a free-to-play game and not a $20 brawler. It's no surprise this was originally slated as a mobile title.
In a season consisting of five or more episodes, a transitional, table-setting tale like Give No Shelter would theoretically justify itself. But with just one more chapter left, it feels like there should be more here. Despite that, I do have faith that the finale will tie it all together neatly.
Recounting my experience to coworkers, I was at a loss for how Slain! could look and sound as good as it does while failing to deliver on essentially every other aspect. While the developers have heard similar feedback from players and have publicly promised improvements, the game's problems lie in its foundation. I'm sure it can and probably will get better over time with polish, but what's here at launch is disappointing. I struggle to picture Slain! ever becoming genuinely good barring major reworks.
Mini Mario & Friends: amiibo Challenge basically amounts to a demo that can be completed in an afternoon and doesn't go far enough with its ideas, but it's a far better effort than the abysmal amiibo Tap. If you already have a collection you may as well dive in during the general release, but don't go out of your way to buy into early access.
Trillion: God of Destruction isn't a game, it's a job; and not a very good one. This isn't something that should be played at home but instead in a cubical, on a desk surrounded by unsigned TPS reports while Becky from accounting reminds you to sign Bill's birthday card before he goes home for the day. And while the company you work for may be interesting, the work you do is so mind-numbingly banal you can't help but wonder if your skills could be put to better use somewhere else.
Windlands is one of the most beautiful games I've ever played. From the uplifting soundtrack to the thrill of jumping around in first-person and grappling like a maniac, it's a fun experience. It's just that right now, in terms of VR, it's exactly that: an experience, flaws and all.
StarCraft II: Nova Covert Ops doesn't deliver anything that you haven't seen before, but it does it in an engaging way that sufficiently supplements the universe. If you aren't big on the massive time investment that a typical StarCraft campaign warrants, this is a nice little alternative.
Clocking in at four hours or so, it doesn't overstay its welcome. I can also see jumping back into Adr1ft every so often to freak myself out again, or show it off to friends. So long as you have a stomach for it, this is one of the first "must-have" games for VR.
I can't stress enough that Adventure Time: Magic Man's Head Games doesn't amount to much more than a tech demo that you can complete in one sitting. In that sense it's a proof of concept for VR platforming, but that doesn't mean it isn't a joy to play from start to finish. While Turbo Button could have really stood to flesh this project out, I'd love to see more, and if it ever happens, I'll be right there on day one.
Despite the convoluted focus on getting players to spend money, I can see myself constantly going into EVE: Valkyrie for skirmishes months down the line whenever I boot up the Oculus Rift. It's addicting and easy to pick up, and the progression system has legs without feeling like I need to dump money into it. It's crazy to think we've come this far, as I can recall playing MechWarrior back in the early 2000s with a rudimentary helmet, dual joysticks, and a rumble vest at a friend's house. This is much cooler than that, suffice to say.
I was left wanting more with Lucky's Tale in the end. Each stage presents a fresh new idea, but those concepts are usually a half-measure, and the thrill is over in just a few scant minutes. As a VR experience though, Tale really sells the idea of 3D platformers, and I'd be very happy to play a fully-fledged sequel one day.
For anyone who appreciates Amanita's previous titles or the point-and-click adventure genre in general, Samorost 3 comes highly recommended.