Cubed3's Reviews
In the end, Europa Universalis IV: Rights of Man simply doesn't deliver the stunning shock that would make one cry out that it is a must-buy. That, however, makes it in no way a weak expansion either. In fact, this is more where expansions of this kind should be; which is to say a good thing which will be missed out on even though it does not shake the foundations of the core game's foundations.
On reflection, F1 2016 is a game that has enhanced itself significantly with this instalment. It accentuates the smaller details of the sport, but also makes a series of more wholesale changes, which makes the game seem more purposeful. The availability of proper lap analysis and telemetry data brings a proper purpose to practice sessions. It finally turns a too often pointless mode into the proactive, useable tool that it should be for improving driver performance. While it's not the perfect outing, it's a more serious and functional affair that will appeal to the purists two-fold. Codemasters has certainly learnt from DiRT Rally, which didn't deter less serious racing fans, but introduced the details to players in the right way. Although it is not quite perfect overall, it's an encouraging step in the right direction and still easily the most authentic F1 racing game ever made.
Root Letter was on the radar of every visual novel fan out there when it was announced to be getting a release in the West, but it does not live up to the hype. The story starts strong and then peters out into a mess and the writing is simply awful, the fun characters being the only real saving grace. The gameplay mechanics feel like shallow approximations of better titles, and, ultimately, this quickly becomes a considerable let-down.
Mordheim: City of the Damned is a tough game to get into at first. It is a daunting experience from the moment the game is turned on and the tutorials are attempted, but the mechanics are better off learned during the heat of battle. Trial and error will eventually get the ball rolling in terms of finally being able to win missions, but it does take a lot of losing early on to finally get into the swing of things. With not much of a story to keep newcomers interested, and its poorly laid out user interface, it is the rinse and repeat process of building a team of fighters and levelling them up across campaigns that is the real selling point. This is not a pick-up-and-play title, and it requires many hours of dedication before it starts to become a fun experience. Again, though, persistence is the key to cracking this beast of a game, and though it does deliver on its sense of accomplishment, it takes a lot of blood, sweat and tears to get there.
The trouble with Valley is that it has to employ various design decisions in order for both the story and game to function. It wants to have adventurous aspects, but it also wants threats that players must combat. Being able to run fast and jump incredibly far is an awesome and satisfying experience, but it never grows to be anything more than that. The boss encounter towards the end is remarkable, yet also completely out of place. It's emblematic of a game that lacks a cohesive vision. A video game that involves superhuman exoskeleton suits, the ability to manipulate life, and takes place in and around a forgotten WW2 weapons research facility isn't something that can be neatly wrapped up in a five-hour long adventure. The music and graphics are quite excellent, though.
Quality always beats quantity… almost always, because Ashes of Ariandel is surprisingly short for the price tag that it currently comes with. Its desolate, frozen world is majestic, the challenge is high, the bosses are pretty neat, but it's only a small taste, when it could very well be a full meal. Hopefully, Dark Souls III's next (and final) DLC will be way more satisfying than this one.
Jackal Assault is a free standalone dogfight level that uses VR, and it is pretty fun while it lasts, which, sadly, is not very long. It may leave some feeling unsatisfied, but that might be because action games with fast paced space combat are not strongly represented on consoles. Jackal Assault gets the absolute core basics down and it is sad to see it end.
RPG turned-based combat, base management, a zombie apocalypse, survival horror premise, plus the typical randomisation that rogue-lites tend to offer. Sounds like a dream? Unfortunately, while Dead Age definitely shows promise, and is somewhat fun for a playthrough or two, it soon gets insanely repetitive, way too easy for the sub-genre it belongs to, and a bit too predictable for it to remain enjoyable in the long run.
Mafia III inhabits an interesting era in time rarely visited by video games, and, for the most part, it succeeds in spinning an engaging yarn involving some well-developed characters. Hanger 13 should be applauded for creating a highly detailed sandbox that maintains a gritty, authentic feel throughout, and that, most importantly, is a fun environment to kill both time and henchmen in. It's just a shame that the overall package is marred somewhat by the particularly dense enemy AI and its repetitive mission structure.
Cubed3 gives its old-school 'conglaturation' to Haydee Interactive. Not only because its first creation wasn't afraid to handle its sexiness at full force, but, mainly, because this is actually a great game. Those prejudiced against Haydee's tit… ular lead will lose the opportunity to experience a surprisingly fun indie action-adventure, with fantastic, yet simple, audio-visuals, an almost survival horror-like atmosphere, and a strong, unconventional (for modern gaming standards) attitude towards gameplay mechanics and challenge.
No surprises, no innovations, nothing new or worthy of mention here. With that being said, Episode 6 - Hokkaido generally offers one of the finest levels in Hitman, despite it being somewhat short and easy. These aren't its biggest sins, however. The worst thing about the title at hand is that it's supposed to be the grand finale, only there's nothing really "grand" about it.
BlazBlue: Central Fiction does everything a continuation should: change nearly nothing and simply expand on what has worked in the past. There are more characters and a very complex story, but this game is not any different than any of the past BlazBlue entries. This works in that a fan can come in and everything will feel completely familiar, but it is not so good in that there is nothing revolutionary short of the most convoluted story in a fighting game ever. Purely as a 2D fighter, it works on all accounts, and the diversity of characters should deliver a long time of entertainment.
To summarise, Kyurinaga's Revenge has aggressively bland level design, flawed mechanics, and the only purpose its few bosses serve is to put expensive HDTVs and controllers at risk. Although the backgrounds show some creativity and the combat mode is a serviceable distraction, they do little to stem the tide of misery that is this game.
A worthy purchase option for serious motorcycle fans, and a cautionary tale for curious onlookers, Ride 2 succeeds in establishing itself in the racing space, with authentic track and bike design, a vast array of play styles and options, and a key online support to boost longevity.
The thing about Civilization VI is that there is so much content, that a traditional review struggles to do it justice. The number of units on show, the diversity in buildings, the research tree, the choice over governmental direction and the bonus this gives; it is honestly a title that is best experienced first hand and delved into in the deepest possible way. It is definitely the most fulfilling and enjoyable Civilization to date, and with Firaxis tendency to add expansions and updates to their products, it can only get better from this point onward. Some irritating issues do exist, such as religion and some slight AI deficiencies, but these are minor complaints in a title that is so easy to get addicted to that it is scary. The strategy crown remains with Sid Meier, and it is hard to see any challengers conquering his empire in the near future.
Thanks to an excellently paced single-player campaign featuring little to no fluff, and a multiplayer that emphasises genuine strategy and smart play, Titanfall 2 manages to stand out as one of the better surprises of 2016. The campaign is a very enjoyable sci-fi character drama that is only elevated by its fun cast and equally fun story. A clear eye for level design keeps the single-player fresh, blending the FPS and platformer genres together to continually pump out memorable moments. Titanfall 2 fixes just about everything that went wrong with the original, featuring better map design that plays to the core mechanics, and greatly expands the once dull universe. There are still some issues with multiplayer mode variety, but Titanfall 2 is strong enough to overcome its shortcomings to be a great sequel, and an even greater game.
Dragon Ball: Xenoverse 2 is the most ambitious and enjoyable Dragon Ball game to date, but it still has a way to go. The combat could be smoother and the loading screens leave a terrible impression. That being said, for hardcore Dragon Ball fans, this is a must-play filled with plenty of elements perfectly aimed at that sector. There's also an absolute ton to do here that will keep anyone busy for a long time to come and, as if that wasn't enough, Bandai Namco has already announced six months' worth of DLC, containing characters and stories from the recent (and superb) Dragon Ball Super. Look forward to getting hands-on with Goku Black and maybe even Super Saiyan Rose…
One Way Heroics is fun for a run or two, and the quick learning required is a major source of the enjoyment on the first playthrough. There are a lot of things holding it back, though, and bad graphics/UI are a major issue to begin with. Furthermore, the fun factor due to the novelty of "what happens next?" does not exist here. The fundamental depth of this title is not enough to encourage long term play - the price of entry is cheap, but don't come expecting something worthwhile.
If it can connect with the player, then this game is a profound experience. It takes the medium into different directions, while drawing upon its artistic qualities to find what lies within the viewer. Of course, there's no guarantee that it will garner the same response from everyone. Some people might even say it's pretentious, which wouldn't be an unfair assessment. In the end, this is just a point of view. However, inspiration can't be taken for granted, because it allows someone to look a little harder at the world around them, and a little deeper into themselves. This is reason enough to consider investing a couple of hours into Small Radios Big Televisions.
Azure Striker Gunvolt 2 is completely solid. The basics of platformers are left in place, whilst new aspects are brought in to keep it fresh. The story and characters are very well done for this type of game, and the aesthetics, level design and thought put into it shine through in many ways. Including the fact that it can be played twice with the two different characters, as well as challenges and equipment to farm, there is plenty to keep players around. As far as platformers go, this is great, and harkens back to when they were a major genre. Hopefully we will see more of this type of game.