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Cuphead perfectly balances it's simple nature, difficult mechanics, and audiovisual style for a game that's rather unmatched.
Gundam Extreme Vs Maxiboost ON may not be completely perfect, but it is a game people have been waiting for. It brings a classic arcade experience home, giving people everything to enjoy. It drives you to do better with its offline and online, solo and multiplayer modes. There are even cosmetic unlockables to encourage you further. It's the sort of game that can become a staple, due to how much it offers and the investment required to truly "git gud."
The very best thing about FAIRY TAIL is just how much fun the game is. Absolutely nothing about this game feels like a chore. It's a delightful romp through Fiore following Natsu's story from X791 arc onward. Not having to grind for hours on end may be the most refreshing part of it all. My JRPG junkies know all too well how much time we tend to spend power leveling characters just so we can move the needle forward. Every aspect of Fairy Tail has been expertly crafted and balanced perfectly in this reviewer's opinion.
Despite being rather rough around the edges, Tannenberg’s unique nature breaks from the trends of most AAA first-person shooters today.
Hellpoint is a sci-fi Souls-like with one killer feature: local split screen co-op. The rest of the game lacks the polish of its obvious sources of inspiration, and ultimately the technical issues including a wildly inconsistent frame rate, hit detection problems, and interface glitches hold Hellpoint back from achieving more. But if you're looking for a Souls-like hit that you can take with a friend, you may want to check out Hellpoint, albeit with tempered expectations.
Hotel Sker may have seen better days, but it's well worth a visit for fans of the horror genre. The hotel is interesting to explore and rewards players who take the time to unravel its secrets. You feel constantly in danger not knowing where the next threat is going to be but knowing you can't defend yourself. No, there's nothing really new here, but that doesn't matter if you just want to sneak around a Victorian hotel where the welcome is less than inviting.
Destroy All Humans' impact on you is definitely going to depend on how much you played the original release. As a fan of the original, I was sat gleefully destroying all the humans and basking in the improvements, but I could also see people who haven't played the 2005 release not quite "getting" it. For those in the same boat as me, it's exactly what it needs to be: a faithful improvement on the original game, and an indication that Crypto has plenty of life in him yet. Hopefully it can pave the way for an all new adventure someday soon.
Othercide provides a challenge without breaking the player's spirit. It hits on all the right notes of an engaging turn-based game, accentuated by the integrated roguelike elements, and an artistic beauty. Add in the lore and you have a pretty solid title worth checking out.
Warhammer 40,000: Mechanicus fits right in with the Warhammer 40K universe, and fans of the series would do well to give the game a shot.
Ghost of Tsushima ends the current generation of consoles on a high note.
Superliminal’s final message is one of growth and discovery within the self.
Marvel’s Iron Man VR has a strong iron heart, it feels like they are squeezing all they can from the tech, but PSVR inherently anchors the experience with technical limitations that repeatedly interrupt the immersion with yet another loading bar.
SpongeBob SquarePants: Battle for Bikini Bottom – Rehydrated is a fun enough game in its own right, but it's encumbered with the weight of near-ancient game design practices. It's new bright visuals bring Bikini Bottom to life in a whole new way, with character animations now better portraying the classic cartoon than ever before, but its gameplay is still firmly anchored to 2003, some of which has been negatively impacted by its updated visuals. At its core, Rehydrated is a repetitive and cumbersome 2003 platformer. A bit of water in 2020 isn't enough to soak new life into this old dried up sponge.
Edna & Harvey: The Breakout – Anniversary Edition takes the much maligned English version of the much lauded German original and gives it a fresh coat of paint that feels right at home on modern consoles, yet still retains some of the original problems that kept it from joining the point-and-click pantheon of greats. It's got a great new art style and a fantastically intuitive console interface, but never breaks out of a kind of plodding mediocrity that keeps it from moving up from being just okay to something better.
Skelattack is a game of exceptional mediocrity, a frustrating adventure with an identity crisis and a balance problem. It screams potential that it never even comes close to reaching as it draws obvious inspiration from numerous places, but fails to capture the charm and intention behind those progenitors. Its story and art is its strongest aspects, but the stagnant gameplay drags down what could have otherwise been a pretty good concept. There's a core of a good idea here, but like it's lead character, there's simply no meat on these bones.
Beyond Blue excels at being a relaxing experience set in a beautiful ocean. The waters teem with wildlife and its environments are diverse enough to tempt multiple visits. The result is a great educational tool to teach people of all ages about its wildlife. Unlike its partners, it misses its chance to drive home the importance of conservation, though. With more time devoted to the important issues it raises, it could have taught us so much more.
Project Warlock is a fun, affordable ($14.99 USD) homage to a bygone era of first-person shooters that did not hold your hand and only allowed you to progress after you earned it. Fast-paced gameplay, tight, secret-filled levels, a fitting soundtrack, and sprite-based graphics all add up to a game that feels ripped from another era, while introducing a few ideas of its own to keep things fresh. Some balancing issues and an occasionally-glitchy weapon wheel hardly detract from what is ultimately a modern blast from the past.
The Last of Us Part II is an era-defining game; a perfect companion to the first that harmonizes with, rather than smothers, that original pivotal ending, crafting an unforgettable and emotionally challenging narrative with these beloved characters.
Unfortunately, I found it completely unappealing in every way, which isn’t great when it was surrounded by better games every time I turned on my system.
When Disintegration’s satisfying first-person shooter gameplay clicks with the intuitive real-time-strategy elements, there’s nothing else quite like it. For RTS fans, there’s enough strategy to get you through, and for newcomers to the genre, the FPS focus makes this the perfect introduction.