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Luckily for it, nothing about its graphics, performance, or controls is bad enough to relegate it to echelon of historically bad failures, but maybe that’s also one of its biggest issues. It’s a bland game that just so happens to have a nonsensically star-studded cast, and one not crappy enough to warrant an ironic playthrough.
Moviehouse: The Movie Studio Tycoon has a solid foundation for a movie producing simulator, but given how you can’t actually make these shorts like its main source of inspiration, The Movies, all you get here is a basic business management simulator with little action, player input, or excitement. If this was a budget title available on a phone, then sure, this could work as a nice pastime for fifteen minutes at a time. It isn’t, so it’s hard not to remember it’s far from being the love letter to Peter Molyneux’s magnum opus it so proudly boasted before release.
Even though Squad 51 vs. the Flying Saucers is beyond frustrating, I didn’t think it was that disappointing. It’s still very unique and completely bonkers. Its premise is set, and needs no improvements. Its gameplay design choices render it annoying to deal with right now, but I honestly think a second attempt, with a smaller playable character and better balancing, would result in one of the best bullet hell shooters in years. As of now, this is a fun diversion, but a flawed one.
Once you get over that initial wow factor that Hubris brings in, with one of the most beautiful and detailed worlds in VR to date, it doesn’t offer much else. The combat is shallow, the exploration can be inconsistent, and the story isn’t engaging at all. If all you want is to see what VR is truly capable of on a technical scale, then it might be worth picking up on sale. Or if the updates continue and the game is keeps improving.
Despite being originally released as some sort of April Fool’s prank, The Murder of Sonic The Hedgehog is not a joke. Sure, it’s silly as hell, but it’s a pretty decent and lighthearted visual novel with some clever writing and a unique premise. Even if it was released as a paid product, I’d call it worth your time, but as a Steam freebie? Just go for it, we’ve all gotten worse stuff on that platform for free.
With some good DLC, Have A Nice Death will be the next big indie roguelike people talk about with the same love and respect that Dead Cells or Hades get.
For anyone who was a fan of Road 96, then I would recommend giving Road 96: Mile 0 a go. Honestly, I am disappointed that they got rid of the procedurally generated interactions, which made Road 96 so unique. Road 96: Mile 0 is a still an enjoyable time, and I appreciate that DigixArt continued to try new things, but it wasn’t able to capture the same magic as its predecessor. Still, it was fun getting to learn more about Petria and some of the motley residents within its borders.
Amidst some of my suffering, I did enjoy the story and the game. The game has nice VR interaction, with good motion sickness/accessibility options (minus the subtitles). It’s a game that is played while seated, with very minimal movements required. It is heavy in dialogue since it is a sci-fi detective game which may not be for everyone.
When the Resident Evil 2 Remake was released back in 2019, I believed the series had peaked and that it couldn’t get any better. I was completely wrong. The Resident Evil 4 Remake takes everything that worked about the original, taking away the few things that didn’t work, and then bringing in some modern features to create an entirely new masterpiece. Finding a perfect balance between new and old. This is for everyone to enjoy.
If like myself you’ve never played Not For Broadcast, and if you happen to own a VR device, then you are in for a treat. This might possibly be the ideal way to experience this sleeper hit from 2022. Not For Broadcast VR is a darkly humourous FMV game that puts you right in the middle of a propaganda wheel. It’s a textbook example of a VR conversion that makes excellent use of the technology in question to immerse you into its unique story.
Clash: Artifacts of Chaos is one of those games that doesn’t come along often. It definitely won’t be for everybody, but it’s so unique with its world, designs, and gameplay focus, while also offering a truly great narrative experience that I would recommend to anyone. If you love melee focused combat, and enjoy a strange world that will keep you in awe in each level, I can’t recommend Clash: Artifacts of Chaos enough. Just don’t be put off by its bit of learning curve, because once it clicks, it feels so good whooping on enemies.
There’s something cathartic about Terra Nil‘s gameplay loop. It might not be the most engaging or addictive strategy/puzzle hybrid out there, but I commend Free Lives for making the sole act of wanting to clean up a wasteland fun and engaging. It is not the most realistic eco-friendly game out there, far from it, but I think it manages to deliver its “save the world” message better than most songs, movies, Twitter posts or activists out there.
Synth Riders is a must for anyone that is a fan of rhythm games. Immersive, beautiful, really fun gameplay, and best of all, a great collection of tracks! A rhythm game to rival and tide you over while waiting for Beat Saber for PSVR2.
Bayonetta Origins: Cereza and the Lost Demon is a weird beast. It’s a pretty decent game, with a neat level of presentation, and a nice change of pace from the tryhardish action seen in the main games. However, it’s also a game I simply cannot recommend at the suggested retail price.
As far as Switch ports go, this one is not bad. Sure, compromises are apparent, namely in the visual department and some egregious loading times, but I had a good time with it. Or better yet, I had as much fun with this particular port as I could on my own. This is still a co-op game at heart, so we can only hope more people buy it in order to populate its lobbies. As of now, however, I can’t say this is a must-own.
It was a commendable effort by its developers, but sadly, the game falters in its minuscule roster size, pointless story mode and ridiculous trophy requirements. Still, I am actually glad this game exists. There’s something about it that made it extra charming. Omen of Sorrow reminded me a lot of those adorable mid-tier fighting games that were everywhere during the Nintendo 64/PS1 generation. Games like Fighters Destiny, Bio Freaks, War Gods, Mace: The Dark Age. Games that weren’t able to compete with the big ones, but sure as hell tried, and we all lauded the attempt.
Mato Anomalies is relatively short, looks good but not amazing, and loads like I just caught it sneaking in after curfew and asked what it was doing. The voice work is okay but not fantastic, combat is good, card game is awful. It’s just a bit of everything but not enough of something, if that makes sense.
Overall, the game has eight stages, which is fun to do in short sessions; sit back and enjoy Replay mode, or aim for high scores. Gamers looking for a simple firework experience may see this as a high price tag, but fans of match-three puzzle type games will definitely get more out of this. A fun VR game, but with optimization issues, isn’t really a must-buy from the wide selection of games already available on launch for PSVR2.
In any case, this is fun, this is dumb, this is a great distraction for exactly as long as you want to give it. Don’t expect to dedicate your life to this game, but have a few chuckles and maybe get inspired to watch the movie again. It is, after all, the only way to make it like a true survivor.
Switchback VR begins as everything I wanted from a follow-up to Rush of Blood. By the end of the first track, I was sold and ready to sign off on it for anyone interested. Then it slowly took one step back for every two steps forward. Atmosphere is creepy and tense, but it isn’t all that scary. Environment is so fantastic and awe inspiring, but that screen door effect. Graphics and character modeling are outstanding, but those fire effects. Switchback VR is a fantastic game, and you should grab it in case you own a PSVR2, but there is always small “but” hindering it from becoming perfect.