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Windjammers 2 is, at its core, a Neo Geo sports title for the year 2022. Take this as the best kind of compliment possible.
Even though I didn’t expect for Pupperazzi to wow me, it had enough features in its premise to make me, at the very least, look forward to it. What we ended up getting is a beyond mediocre photography game that might be the entertaining for the first ten minutes or so, until it becomes a tremendously uninteresting title devoid of challenge or charm to make you want to play it for much longer.
KEMCO has partnered to create something special, and I have walked away from this with a brand new lens through which to view their creations. It’s fun, it’s challenging, and it’s engaging. Although, if they want to patch in a toggle for timer elements (they have toggles for both combat and golf difficulty), I think it’d make everything just that much cleaner. RPGolf Legends is, hands down, my favorite title that KEMCO has ever published, and this is a clean drive into a beautiful birdie for players everywhere.
Nobody Saves the World is a unique take on the ARPG genre with DrinkBox Studios’ signature style and the end result is something that I completely recommend. While there are some things that I wish were fleshed out a bit more with the dungeons specifically, this was an adventure that I didn’t want to put down. The way the game made me want to keep changing and upgrading characters is really well done by making their world involvement matter in unique ways.
This game deserves the cult classic status it has held for the past two decades, and it’s a must for RPG enthusiasts and fans of both companies.
I like Left 4 Dead clones, and I love VR. It was made by a developer with previous experience in both, so I figured it had a good chance of being quite fun. Even then though, the game still impressed on every level. Game design, both in gameplay and graphics, did exactly what they set out to do. Is it particularly innovative or forward thinking? Not really, but at the same time that’s not what I signed up for. If you want a fun atmospheric VR Left 4 Dead clone with solid gameplay and a decent spread of content and replayability? Then After the Fall is your game.
I like Summertime Madness in theory. I like its premise, its world, I even like the fact it’s a walking simulator with a stupidly fast running button. On the other hand, this is a puzzle-solving adventure where the act of solving puzzles feels cryptic and arbitrary, almost as if it was intentionally made for you to fail your first run. With some slightly better puzzle design, this could have been a cult hit among puzzle enthusiasts. As it stands, I respect its premise, but I can’t exactly recommend it.
While it wasn’t the sequel I was hoping for, it does still have its own intriguing narrative. It does get off to a slow start, but things pick up once you hit the second act and gets really compelling in the third act. You don’t necessarily have had to have played the other entries before starting Impostor Factory, but you will certainly get a lot more out of the experience if you are familiar with them first.
It amazes me how the inclusion of a single feature can completely revamp a tried and true puzzle formula. Picross S7 is still more of the same, which isn’t exactly a bad thing for us nonogram addicts, but the long-awaited implementation of touch-based controls improves this particular sequel so much to the point of rendering its predecessors obsolete in comparison.
I’m trash at bullet hell games, but I love to try and I love to fail. Castle of Shikigami II makes me feel like a glorious disaster, and it’s so much fun in the process. It’s got the heart and excitement of something visually-novel adjacent, and it’s got the chaos and erratic heartbeat moments of a proper danmaku. Take some time and dive in, but be warned: it’s hell, and a controller is not going to be your friend. Get ready to ride the keyboard, cowboy, we gotta save Tokyo.
Dungeon Munchies has one really clever idea, which, sadly, doesn’t make up for how mundane the rest of its gameplay and presentation are. The novelty of cooking parts of your fallen enemies and acquiring their powers wears off quickly once you realize the rest of the game is still an ugly platformer with really simplistic combat.
On one hand, the story is interesting, at least interesting enough to have made me want to see it through to its conclusion. But on the other hand, it’s incredibly padded with unnecessary sections, rife with bugs and glitches, and has some distractingly bad lip syncing issues.
The first Hollow was so bad that there was just no way a sequel could be worse. I will say that, somehow, Hollow 2 surpassed my expectations, but only because they were pretty low to begin with. Granted, it is not entirely bad, and can be enjoyed by space horror aficcionados, those craving for a Dead Space-esque experience on-the-go. Just bear in mind that this game is still severely flawed, suffering from a bad framerate and janky combat sections.
More than just a fantastic killer app for the Oculus Quest 2, Resident Evil 4 VR is a killer app for virtual reality in general. Unlike Half-Life Alyx, this is a phenomenal shooter available on the cheapest, most readily available, and most comfortable VR system in the market. It features everything you have always loved from Resident Evil 4, but in a brand new perspective that turns what was already fun and immersive into something even more intense and memorable.
Shovel Knight Pocket Dungeon isn’t some haphazardly thrown-together spin-off. It’s the real deal, blending both puzzle and roguelite genres perfectly.
Loop Hero is a faithful release on Switch that plays well both with controller and with touch screen. The game is completely up to date, and for anyone who didn’t stick with it on PC, it’s a great game to play on-the-go and be able to stop or pause whenever needed. Even though the PC version game out nine months ago, I’m likely to have spent more time playing on Switch already, accessibility really does Loop Hero favours.
I went into Horatio Goes Snowboarding with an expectation on where the game would take me, but I never expected a cross between Papers, Please and I Have No Mouth and I Must Scream. Philistines will only see a simple arcade game, but I’ve peeled back the curtain to witness the true message within, and it’s a glorious indictment of the world around us.
I like to walk away from games with something to take away, something to remember my playing by. Unreal Life has left me thoroughly disquieted, filled with ideas about what it means to connect, to be a part of someone’s life. How much our own illusions can protect us from what might seek to harm our livelihood, and how fragile a person can be, even if we feel the change is minor.
Enemies and locations do eventually get kind of repetitive, but the combat is what you come for and it’s what makes you stay. VR needs more games like this, ones you play because you just wanna have some harmless thoughtless fun.
Shadow Tactics: Blades of the Shogun – Aiko’s Choice was a surprising release five years after the original’s debut, but I’m glad it exists. Whilst it doesn’t tread any new ground, it doesn’t need to, thanks to its excellent level design and gameplay that still fresh and rewarding.