WayTooManyGames
HomepageWayTooManyGames's Reviews
For a game that was clearly inspired by Star Fox, I was saddened to find that it was devoid of the charm that made those games so great.
The PlayStation 5 version of Control Ultimate Edition is one of the best, if not the best game available for the system so far. The game is finally available on a system with enough horsepower to handle its visuals, physics, and wacky gameplay. That, coupled with the near nonexistent loading times, multiple graphical presets, and small, but still welcome implementations of the DualSense’s features, makes this version the best and mandatory way to play Remedy’s masterpiece.
The Medium is right on the edge of being a great horror game, in many ways being the closest we’ve got to a true Silent Hill successor. Returning to the classic camera angles seen years ago has been a treat, whilst the dual reality pushed the genre forward in clever ways. Sadly, uninspired puzzles and stealth encounters bogged the game down quite a notch.
Adol’s awkward goth phase may have started on his 34th birthday, but thankfully, it ended up being the good kind of goth. The one that listens to Nightwish and reads 19th century literature, not the phoney one that hangs out at Hot Topic and thinks that Keanu Reeves’ role in 1992’s Dracula was competent.
It’s a completely unique kind of game, mixing deep character development, intergalactic sailing (literally), mystery solving, and even ancient civilization linguistics. To top it off, it looks gorgeous, sounds decent enough, and runs surprisingly well on the Switch.
Despite the unfair difficulty curve and uninteresting presentation, Disjunction is a very well-designed take on the Hotline Miami formula, albeit with its own stealth-focused twist. It offers enough gadgets and gameplay tropes to let players tackle each level the way they want to, either by being stealthy and classy or by being ultraviolent and unsubtle.
Silver Chains is actually decent, but it would have been a much more enjoyable horror title if it wasn’t for its short run time and overabundance of irritating jump scares. All the ingredients are here: its graphics are surprisingly good, its framerate is rock-solid, its story is engaging (but predictable), and some of its puzzles are quite interesting. There are much worse horror titles out there, though.
Olija never sets out to be more than it is. It plays it safe, delivering an action platformer with a traversal mechanic and never straying too far from what works. But Olija has an undeniable depth of charm and character that some higher budget productions just can’t grasp. Olija is a tale that deserves to be heard at least once.
Cyber Shadow is not the best retro-infused indie platformer starring a ninja I’ve played in recent memory, but it’s still well worth your time. It’s occasionally unfair and frustrating, but once you reach a boss battle or a better designed level, you’ll be greeted with a surprisingly rewarding action experience with great visuals and soundtrack.
Don’t think Atelier Ryza 2 is a bad game. There are lots of good things in it, in fact. The problem is that I was expecting more from a game with a full-fledged Playstation 5 build. With the exception of the fast loading times, the game doesn’t take advantage of the system’s hardware, resulting in a game that looks dated and runs as well as what I would expect from its Switch port.
In short, some of the games included in here might suffer from some graphical and gameplay issues brought over from the 90’s, but this collection really impressed me nonetheless. Turrican Flashback is one of the more robust retro collections released in recent memory.
Hitman 3 is an absolutely stunning ending to this trilogy, finally delivering a story that, whilst not mind-blowing, did subvert my expectations in the best of ways, all while delivering the same high quality gameplay and level design that fans have come to expect. It may not innovate on the previous titles’ core gameplay, feeling more like an expansion than a new standalone game, but it’s still worth your while, offering plenty of new content to dig into.
I was really hoping to be impressed with Medal of Honor: Above and Beyond, but it unfortunately actively tried to ruin itself. It’s not poorly made, or glitchy, or unplayable, it’s just unbelievably mediocre. In fact, the best thing about the game is the real life documentary in it that interviews real vets.
Teratopia‘s biggest flaw is that it doesn’t know what kind of game it wanted to be. It has beyond basic controls, but it’s too hard for children to play. It looks like an adorable kid’s game and has lots of silly humor, but then there are random moments of adult level jokes and references. I’m honestly not sure who this game is meant for. Let’s just save us all some trouble and say it’s not enjoyable for anyone.
The music is fun, the story and animation are quirky, and there’s plenty to reminisce with friends over while you’re playing couch co-op. But its nostalgia has tainted our recollection of what Scott Pilgrim vs the World: The Game was and it’s not what we need anymore. If I’ve learned anything from this experience it’s that hipsters, nostalgia, and emo kids are the real villains.
Everything runs smoothly, the online connectivity works surprisingly well for a Switch game, and even the lack of a Switch keyboard can be mitigated by playing the game on handheld mode. All in all, it’s a competent port to probably the only console Among Us makes sense to be on.
As expected, Hed the Pig is terrible, absolutely abysmal, with terrible visuals, controls, and one of the most boring gameplay loops in recent memory. It’s the game that makes me wonder how easy it must be to get one of these Switch devkits. Why was this conceived, and most importantly, approved for commercial release, will remain as one of the biggest mysteries of the universe.
All in all, it’s a shame that Writhe is severely lacking in content, but that’s not its main issue. It’s not fun to play, and it’s ugly to look at. Its gameplay is clunky and borderline unfair at times. Not to mention the noticeable technical issues that hinder its performance. This might possibly be the first exclusive FPS to the Switch, but I don’t see the reason to pick it up in its current state.
Iris.Fall might not break any new ground in terms of gameplay, but what it brings to the table it does well. There are some pacing issues due to severe difficulty spikes with a couple of its puzzles, but for the most part it delivers an enjoyable (albeit short) experience.
Skater XL is a game full of good intentions, but not only is it completely devoid of content, but it’s also devoid of a community that was supposed to come up with new levels and assets for other players to enjoy. Sadly, I see no reason for people to give this game a shot nowadays.