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Budget Cuts does a good job keeping you intrigued throughout its very short run time. There is definitely a fun gameplay hook of sneaking through offices and solving puzzles. Unfortunately, the adversaries are easily fooled and puzzles are a bit too simple.
Dustoff Z is pretty simple and straightforward. It’s a short but fun arcade experience that isn’t going to make a lasting impact, but still manages to be entertaining in short bursts. I don’t exactly think I would have enjoyed this game at all had I played anywhere else but on the Switch, but that portable system ended up being a perfect fit for a title like this.
The game did a great job of recreating the art style, the music, and the atmosphere, which creates a great amount of nostalgia, without elevating or enhancing the material at all. I enjoyed the experience of playing the game, and I think people who have never played this type of game would enjoy it as well.
Transient had the potential to be something great, fusing a gorgeous cyberpunk setting with a Lovecraftian-inspired story. However everything else besides the world and its visuals just falls flat. The gameplay is uninspired and tedious, managing to make a relatively short game drag on for longer than it needed to.
The fact this was accomplished form a single person is enough to be impressed by. As a tech demo, this is spectacular, however, this is being sold as a game for $8 on the MS store, and it is not worth the asking price. Playing this did get me more interested for the upcoming Bright Memory Infinite, but be aware that you’re paying for a 30 minute teaser.
Overall, Root is a strong adaptation of a great board game. While I’ll always prefer to play the board game version, the digital edition is a good alternative if I’m on the road or want to play against others while social distancing.
Is there any silver lining in here? Well, the soundtrack doesn’t fit at with the game’s overall vibe, but it isn’t terrible, and there are some unlockable vehicles in here. But that would mean playing the game for a longer period of time just to get something definitely not worth the hassle. Speed 3: Grand Prix is a disaster. It’s ugly, its controls feel unfinished, it lacks content, and most importantly of all, it’s just not fun.
I turned 30 this year so maybe I’m just out of touch with what the youngins want. I don’t know. What I do know is that selling an ad for social media influencers under the guise of feel good, earth friendly, “seize the day” quotes and cheesy bios to young consumers in a half-baked game for $40 is an outright unethical move that undermines every ounce of Slide Stars attempted positivity.
As an adaptation of a beloved classic, Grey Skies: A War of the Worlds Story won’t do anything for anyone. As a standalone game, it still won’t do anything for anyone. The incredibly slow paced stealth sections, poor level design and insane difficulty spikes makes for a broken and frustrating gameplay experience that is simply impossible to recommend.
No More Heroes 2 is definitely much better than its predecessor in pretty much every single conceivable way. It looks nicer, its gameplay is more fluid, its soundtrack is more iconic, its voice acting is nowhere near as irritating as before, and the lack of pointless filler makes the game feel a lot more fluid as a result. I’m finally starting to understand why people love this franchise so much, even if I still think No More Heroes and Travis Strikes Again are massively overrated.
There is no reason not to visit this delightful world. Whether you focus on catching every single bugsnax available or mixing it with the mystery, wit, boss fights, charm and an overall system that appeals to adults while accessible to kids, it is a treat. Bugsnax is an excellent entry point to story driven narrative adventures.
This is a truly impressive 2.5D action platformer that boasts some of the best production values on the entire Switch’s library, with gorgeous visuals and a great soundtrack. Its gameplay is fast-paced and addictive, and its slice of life mechanics, while far from being the best thing about it, are still interesting and not very intrusive.
Foregone is an all-around great game. It’s gorgeous, its combat is slick and entertaining, and its level design is excellent. Besides the aforementioned unfair boss fights, its main issue is the fact that, while competent, it simply does not bring anything new to the table. It pays tribute to tons of previously released games without ever standing out on its own. With that being said, that’s not a dealbreaker by any means.
It’s a faithful rendition of the hit series, translated properly in arcade format with a few twists of its own. It boasts good graphics, excellent voice acting, easy controls, and most importantly, couch co-op.
I can’t say that I disliked A Tale of Paper. In fact, I can very much say that I enjoyed my short experience. I just didn’t get it. I didn’t get the why, I didn’t get the where, I didn’t get the who. It is a solid game that, on paper, just isn’t as memorable as those that have come before it.
I don’t think anybody was expecting for Tropico 6‘s Switch port to be superior to any other previously released version of the game, and it shows. It’s clearly the ugliest and clunkiest version of the game released so far. That being said, Tropico 6 is still one hell of a fun game on the Switch. If you can put up with the ugly visuals and initially weird controls, and decide to play it almost exclusively in portable mode, then you can still have a blast creating your totally democratic states on-the-go.
Ghostrunner is one of the most fun games I’ve played this year. The fast and difficult one-hit-kill gameplay is constantly thrilling, whilst a surprisingly decent story and progression system help keep things interesting. Not to mention the killer soundtrack and fantastic visuals. Now, if you’ll excuse me, I’ve got my times to beat. I won’t stop playing this one for a while.
While I understand those less than impressed, I still really enjoy Torchlight III. I feel if the game had stuck with its original title, reception would have been totally different. As it stands, it feels like this weird hybrid game, with elements of both Frontiers and a proper Torchlight III haphazardly mashed together.
I used to think that I wasn’t getting No More Heroes‘ appeal because my only previous experience with the franchise had been its mediocre spinoff from 2018. Sadly, after playing this remaster of the original game, I have to say that my point stands. No More Heroes is shallow as a puddle, dated in terms of gameplay, and really not funny for a game that’s supposed to be comedic.
DIRT 5 might have some small issues, but I’d be lying if I said I didn’t love it. I really liked its arcade-friendly approach and overall goofier vibe. It is loud, colorful, in-your-face, and accessible, without ever forgetting about its skill-focused roots, letting veterans tinker the gameplay to their liking.