Romeo is a Dead Man Reviews
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Review in German | Read full review
Romeo is a Dead Man is an absolutely wild ride, and although it has some duller moments I'm seriously glad I saw it through to the end.
Romeo is a Dead Man is an experience more than a game, and for anyone looking for that unique Suda51 style, it delivers. For people looking for depth in their Hack and Slash game, the game can be lackluster, even on harder difficulties.
Romeo is a Dead Man throws every idea at the wall, and while some won’t stick for certain people and some might bounce straight off, the game is full of so much human creativity and love, it’s hard not to fall in love with this weird, undefinable Shakespearean tragedy.
Romeo is a Dead Man presents an original lore and impeccable sound design, but stumbles in gameplay and performance. Frame drops are frequent, and the game quickly becomes repetitive, stripping away the shine of what could have been an epic adventure.
Review in Portuguese | Read full review
Romeo is a Dead Man brings everything you expect from the Suda51 style—and I mean everything, especially when it comes to its visuals. Though it suffers from technical issues and a simple gameplay loop, the unpredictable narrative, paired with its eye-catching visuals and strong audio design, makes it a memorable experience.
Though its level design and technical performance can be frustrating, I can’t help but love Romeo is a Dead Man. While it may not be their best, it is in many ways the ultimate Grasshopper Manufacture game, paying homage to the studio’s legacy with an unbridled level of creativity and style, and incorporating everything great from its past work into something fresh.
Romeo Is A Dead Man's time travelling shenanigans offer fun, if generic gameplay and a bonkers story, making this is a decent addition to Grasshopper's library. It's a 7/10, but complimentary.
Probably the wackiest Suda51 game ever. Fans will love it, others... Well, you just have to try it. As an action-adventure game, it is solid for the most part!
Review in Finnish | Read full review
Romeo is a Deadman is certainly a Suda51 game, and while it is Grasshopper’s best in years, I do wish the No More Heroes jank didn't follow itself here and infect combat and general movement. Still, the craziness that is Romeo is a Deadman is sound, and those looking for another bizarre fever dream are likely to be pleased.
ROMEO IS A DEAD MAN is a once-in-a-lifetime experience. What initially feels like a standard, run-of-the-mill action game quickly evolves into a completely off-the-wall adventure that continues to surprise players from beginning to end. Even when the credits roll, you can't help but ask yourself what you just played—while knowing full well it was Suda51’s best action outing to date.
Romeo is a Dead Man isn’t without its flaws. Performance issues can disrupt gameplay, repetition can occasionally take you out of segments, and some gameplay sections can get incredibly tedious. But in the end, these stumbles give way to a wacky and confident vision that carried me through the credits with a smile on my face. The fact that I still can’t stop thinking about it says enough in itself, and I suspect fans will be raving about Romeo for years to come.
Romeo, oh Romeo. Romeo Is a Dead Man is a bizarre, stylish delight from Suda51 that blends smooth but occasionally stiff action with deep upgrade systems, twisted Bastard customization, and an utterly unhinged Romeo and Juliet reimagining that feels like Shakespeare, George Lucas, Quentin Tarantino, M.C. Escher, and—controversially—Justin Roiland all dropped acid together.
Review in Dutch | Read full review
Romeo is a Dead Man proves once again that Grasshopper Manufacture simply ticks differently. Fans of this uniqueness will not only like the game, they will love it. Those who are not yet familiar with this uniqueness should definitely give it a chance. Despite a few uncreative dungeons and questionable design decisions in the level structure, Romeo is a Dead Man shines with a fantastic story, fast-paced, bloody action gameplay, and great characters that will remain in your memory forever.
Review in German | Read full review
Romeo is a Dead Man doesn’t hit all the notes it hoped to hit. When the action is on high, it’s thrilling, but its heavy-handed outlandishness and muddled graphics detract from it. That’s not to say what Grasshopper Manufacture crafted is bad in any way, as it is an endearing love letter to sci-fi and one of the most out-there titles on the market. It’s more so that it feels like the studio could do more to fine tune things, but didn’t get to.
In many ways, Romeo Is a Dead Man feels like the ultimate Suda51 and Grasshopper Manufacture game, combining so many crazy ideas into one experience. It’s by far one of the most original and surprising games I’ve played in years, and I honestly can’t stop thinking about it. Can I easily recommend it to everyone? Not really, it’s a bit too out there. But at its lower price point, it’s definitely worth giving a shot. If you’re tired of sequels and remakes, give Romeo some love and save the multiverse together.
Romeo is a Dead Man is a fun, crazy, chaotic action title with a lot to offer, even if a few niggles rear their heads at times.
Possibly his most chaotic project to date, Suda delivers a fairly solid combat system in Romeo is a Dead Man, which occasionally gets lost in the visual chaos and sheer number of enemies, but truly falters in the repetition of bosses and their sheer quantity.
Review in Portuguese | Read full review
I am fully aware of my fanboy stance when it comes to Grasshopper Manufacture, and I believe that most people who are fans of their titles have the same stance as me: you either vibe with their titles or you don’t. I would go out on a limb and say Romeo is a Dead Man is one of their easier titles to jump into. Much like No More Heroes, Shadows of the Damned, or Lollipop Chainsaw, it’s a title that cleverly uses addictive combat and gameplay while slowly indoctrinating the Grasshopper way onto the unsuspecting gamer. You’ll get the absolute most out of Romeo is a Dead Man if you’re a fan of Grasshopper Manufacture and Suda51, but even if you are new to the "Sudaverse," you are still presented with an absolutely wild and refreshing AA-feeling title. If you were a gamer around the PlayStation 2, 3, and Xbox 360 era, it will absolutely ring that nostalgia bell. If you always wanted to know why a certain section of gamers go wild for the name Suda51, or you’re like me and have replayed the entire Kill the Past series in sheer anticipation for this one, Romeo is a Dead Man is a great game. It does a fantastic job of reminding gamers that there is a healthy middle ground between "Indie" and "AAA." Long live Suda and the cult of the quirky AA game.
There are games that are over the top outrages and then there are games that are balls to the wall outrageous. Romeo Is a Dead Man firmly falls into the latter and I love it for that.