Virginia Reviews
The story is human, relatable, enabling you to build an empathetic bond with Anne with ease. And even when events go all mind-bendingly crazy as you reach the final stretch, you still care
Virginia’s intimacy makes it more than a Twin Peaks wannabe
Virginia is a sharp thinking, plot driven single-player adventure like few out there. It borrows heavily from other games of its ilk, yet twists it into its own strange beast. Unlike plenty of others, such as Firewatch, Virginia also manages to actually live up to its premise and deliver a satisfying, thought provoking conclusion. I'd love to go deeper on this because Virginia is a game all about its story and it's delivered, but a mystery such as this best served piping hot with a cup of joe on the side.
If a virtual museum of chekhov's guns is your thing then there might be something to it.
Virginia takes you on an unforgettable, incomprehensible journey.
Virginia is one of these labours of love that's hard being… hard towards. From the realism-meets-surrealism visuals and the passionate orchestral tunes, to the great way the whole thing is directed, it's pretty obvious that the developer shows lots of promise. Unfortunately, everything crumbles under the complete lack of interactivity, and the initially enjoyably nonsensical… "plot."
I liked my time with this one for my Virginia review. Playing it a second time after having gone through it all actually allowed me to notice some details here and there that I missed the first time around – or perhaps it was that I didn’t know what they meant in the game’s story. If you’re looking for a different type of “walking simulator” then I recommend that you play Virginia on PS4. It offers an interesting and bizarre story with plenty of weird things to experience in a short package.
If 90's thriller is your bag, Virginia does it magnificently. Loaded with surreal coincidence and unsettling theatrics, its deliciously David Lynch. In another medium, this thing could’ve been great, but its allegiance to film form ultimately restricts its potential as a game.
Even if you recently watched Stranger Things, you might notice a few similarities with Virginia in the subtle and sometimes explicit otherworldly allusions to the masked reality that we cannot actively perceive. This whole feeling that something could be hiding around the corner definitely adds to the suspense that runs throughout most of the game. One might get a fourth-wall-breaking sense that the developers are slowly peeling back the mystery and everything that unravels is for you to behold and try your damndest to make sense of it all.
While extremely confusing at times, Virginia manages to keep players glued to their screens thanks to the wonderful scenery and camera work, mixed with a wonderful story that is to some degree up to those at the helm to interpret. While to some it might be rather annoying to be trapped in silence, never getting a true grasp of what is happening, the pay-off of this style of storytelling allows the adventure to make up for that. Few games manage to capture the mood as well as this one, and some of the surrealistic segments are truly disturbing, making people question the line between reality and imagination, and even whether or not there is actually one to begin with. Virginia is a game that is easy to recommend to anyone who wants to experience something that is truly outside of the ordinary in the industry and truly flexes its creative muscles.
Virginia needs to go back to film school
Virginia is a fantastic piece of interactive fiction, and a fantastic videogame. It’s rare to see a game that truly innovates on the way a story can be told through this medium, and to have something that doesn’t only push those boundaries but does so this effectively is a real treat.
Virginia won't be for everyone due to its lack of interactivity, but its compelling storytelling, artistic direction and sound make for an original and immersive cinematic experience.
Virginia might appeal to those looking for a more artsy gaming experience, but in terms of actually being a game, it falls decidedly short. There is very little to do here, little to interact with, and even fewer things to experience. All of this is likely intentional and not necessarily bad on its own, as the game wants the focus to be on its story and storytelling. Unfortunately, though, it botches this as well, and the game fluctuates between being dull and confusing, with very little that is enjoyable in between. Some of the design choices appear to have been done to make the game artistically memorable, and on that front it succeeds, but overall, Virginia suffers because of it. Virginia may be for lovers, but Virginia isn't really for anyone.
Virginia represents the evolution that video game media represents over other entertainment products. The game lasts as much as movie (2 hours), its priced like a movie ($ 9.99) but different from a movie, it goes deeper as an experience, including you in this narrative as an integral part of it, allowing you to explore scenarios where the plot rolls, increasing and allowing an immersion that other media are unable to offer. The story is only one, but the nuances will be unique to every player, and just like a good movie with a divisive ending, Virginia is a product that deserves to be consumed and discussed.
Review in Portuguese | Read full review
Virginia is extremely well made and a sight for you to behold, a well-developed drama that should be experienced by all. There are issues I found with it, which detract from the experience, but outside of the controls I can see why they were used.
Overall this experience I had with this game was quite enjoyable, the story, which you basically put together yourself was gripping enough to leave me wanting more. While I won’t pretend I understood all of the symbolism in the game I think I pretty much got the gist of the story. My ONE complaint with this game which is kind of a major one for me was the “ending”. For a game that tells a great narrative in a very unique way all building up to a major payoff doesn’t quite get it ever at any point. It almost seems like they didn’t know how to end this tale and took a major cop-out with how it wraps up and took a very “artsy” approach. While it didn’t ruin this game for me by any means did instantly knock it out of scoring in the 90s for me to where it is.
That said, I didn’t dislike Virginia. I was disappointed at the lack of definitiveness and resolution to the matters presented, but the atmosphere and style of the game, as well as it’s brief meditations on society in 1992, stayed with me for some time after I finished playing, and provided a lot to think about. This is far from everyone’s tastes, and I would recommend doing some investigation before parting with any money to consider whether this is going to hold your attention or repel it, but if sedate thrillers that offer more questions than answers are your thing then you’ll find a short but sweet package on offer from 505 Games here.
Virginia is a really intriguing story, one that I just couldn’t put down. Although I wasn’t sure on what was going on all of the time, the dramatic devices used within the game really made me want to find out the ending and what happened to the characters. Virginia’s play time of around two hours for £7.99/$9.99 is perfect, and it’s well worth a couple of hours out of your day.
Virginia is a Rubik’s cube for your senses. The game masterfully provides you with a constant desire to explore and investigate, but can make you feel claustrophobic with its imposing soundtrack and jarring jump cuts. This is a game that takes its potentially biggest weakness and turns it into its greatest strength.