Hitman - Episode 4: Bangkok Reviews
Hitman Episode 4: Bangkok gets proceedings back on track after the somewhat bland Marrakesh malarkey of Episode 3. The Himmapan resort may lack the size and scope of Sapienza, and it isn’t quite the classic Hitman hotel level I was after, but it still boasts plenty of problem solving and murderous mayhem within its walls.
More good Hitman, although the repetition of style and presentation is taking the shine off the experience.
After three wonderful Episodes of Hitman, IO Interactive drops the ball by delivering a chunk of content that's not nearly as thoughtful as what came before. But even if this installment comes off as a little disappointing, you should still get some enjoyment out of it if you enjoyed Agent 47's previous 2016 adventures.
If I paid money for Hitman with just two packs to go (USA and Japan), I wouldn't feel slighted even if Bangkok and Marrakesh are weaker than the others. Diced up or whole, this can of blood-soaked tomatoes serves up so many experiences that aren't offered just about anywhere else outside of the original entries.
It’s far from being the crown jewel in this triumphant reboot, yet manages to pack in loads of fun things to see and do.
Although the Hitman Bangkok mission isn’t as good as others, it’s still another solid entry into a well-crafted series -- providing stunning visuals and varied opportunities to kill.
A familiar setting makes for some excellent kills in Hitman's latest episode.
The fact that Squeenix are continuing to grant us the role of a surrogate James Bond in playgrounds as varied and swish as a luxury Thai hotel, is good enough for me.
Bangkok is the weakest episode so far, but even Hitman at its weakest is still pretty good, grim fun.
A beautiful return to form for 47 after his Moroccan adventure failed to impress too much. Bangkok offers a tight, focused level with plenty to do, which differentiates it from the missions of the last few months - and it's really well-designed to boot.
Hitman: Episode 4 - Bangkok may be weaker than Sapienza, but by no means is it a bad addition. While the setting does feel a missed opportunity, the Himmapan Hotel is ripe with plenty of different kills, and the clandestine nature and harder difficulty makes it all the more interesting. The humour and comedy is excellent as always, and while it's not the strongest level, everything feels organic, and there are plenty of hidden kills. All in all, Bangkok puts Hitman one step closer to gaming Nirvana.
Bangkok’s opportunities just aren’t interesting and the thrill of the kill when executing said opportunities is lost.
In its fourth episode, Hitman takes a step back from global conspiracies to examine the morally gray profession of contract killing. It’s the déjà vu of another extravagant mansion, however, that made me consider Agent 47’s potential career changes.
Technical niggles aside, Bangkok is a confident return to form for Hitman's first season – after the characterless trudge through Marrakesh and the fun, but throwaway mid-season summer special episode. While Sapienza is still the undisputed highlight, Club 27's tight, multi-tiered design and wonderfully vile pair of targets show that IO Interactive isn't ready to rest on its laurels.
Hitman is back on track with yet another solid episode so far, that swaps the size and scope of previous maps for a more intimate and gorgeous setting where you can check out any time you want, but you can never leave.
Hitman does a great job of painting each target as a villain worthy of assassination. Even when the target is someone as unassuming as Jordan Cross, the lead singer of an indie band.
Hitman – Episode 4: Bangkok has a lot of good going for it, but doesn’t quite live up to the excitement that has been established in the past.
Hitman Episode 4: Bangkok takes a few steps backwards compared to the previous episodes.
With this much depth in each Hitman mission I barely notice the monthly release schedule.
Bangkok embraces its more densely packed Hotel level design with some clever depth, but ultimately doesn't stand out more than its predecessors.