The Evil Within Reviews
The Evil Within has a strong foundation in the past but fails to build on it
The Evil Within seems to be a title that tries for too much but falls flat in everything it attempts to do. Jump-scares are still fun in the title, but The Evil Within largely creates an uninteresting gameplay environment that is plagued with issues in it's storyline, mission structure, character development, and as such - fails to achieve itself as a title that lives up to Shinji Mikami's preceding reputation as the former director of Resident Evil 4.
When the game works, it is fantastic. Unfortunately, the rest of it feels average and frustratingly built to make players fail. While obsessive collectors might see replay value in New Game+, the story and gameplay simply aren't compelling enough to warrant more than the original 20 hours for completion.
I experienced many scares and might have even pooped my pants a bit. Yet in the end a lacklustre storyline, uninteresting characters, clunky combat and far too many frustrating sequences hold "The Evil Within" back from being considered one of the greats.
The Evil Within is a good game, an assembly of Mikami's best work and a rather pointed lesson in classic survival horror that Capcom would do well to note, but it's also unashamedly rooted in bygone years. As such, it'll pleases nostalgic fans yearning for a shinier, bloodied love letter to the creepy classics of yesteryear, but it doesn't really deliver anything particularly new. Greatest Hits albums are usually stuffed with goodness, and The Evil Within certainly has its moments, but they're also usually put out by bands with nothing more to say, I can only desperately hope that's not true of Shinji Mikami and Tango Gameworks.
The Evil Within is an example of a great idea that lacks execution. There are scares a-plenty and very often, the fear factor is sky-high. The pacing and variety we see in this adventure are worthy of praise as well, and I appreciate how the atmosphere continually drags you into the experience.
Despite The Evil Within's attempts to mimic RE4, it plays like a game that preceded RE4 instead. It has many minor flaws, annoying problems and nagging issues that its spiritual predecessor didn't have. There are times it comes so close to brilliance, and those moments make the game worth playing, but the frustrating portions can easily eclipse the rest of the title. You have to be willing to work with it to see the good within. Many of the design decisions make the player want to give up rather than work past the frustrating elements to reach the fun.
Check out our interview with Shinji Mikami to hear what he had to say about making Resident Evil and why he wanted it to be like beer.
A throwback to survival horror's heyday, The Evil Within's story is daft and convoluted, featuring a mad scientist who might as well be Krieger from Archer. Frustrating and entertaining in equal measure, The Evil Within falls short of offering any proper scares.
At its controller clutching best, The Evil Within evokes memories of Silent Hill's high points – but it's the Resident Evil comparisons that are most consistent throughout. Unfair difficulty spikes swap out the title's pervading sense of fear for outright frustration at times, while technical issues undo the developer's outstanding art direction. Thankfully, legendary director Shinji Mikami doesn't disappoint in the gameplay department, forcing you to get creative with your plentiful combat options due to an unending absence of resources. It's here that developer Tango Gameworks finds the breathless brilliance within.
There are some genuinely terrifying, nightmare-inducing moments in this game. Unfortunately they are few and far between, which is frustrating because the concept here is solid. A little restraint would go a long way here. Stop throwing hordes of enemies at me and just let the game be scary.
The Evil Within definitely delivers a survival horror game that will scare the s*** out of you, but some may find a few of the combat mechanics to be a bit more terrifying for the wrong reasons.
If you like old-school third-person action games with horror elements, I'd recommend picking up The Evil Within on a console, possibly at a price cut. It will definitely scratch the itch of someone who has been pining for a return to the older days of gaming, but everyone else who has come to expect that certain layer of polish likely won't be amused.
The Evil Within is Shinji Mikami's return to the survival horror genre, but that return is muted. Overall, the Evil Within is solid and it definitely has some great moments, but poorly-implemented mechanics and a bland story bring down the overall package. Survival horror fans should pick it up, but others may want to wait until the price drops a bit.
The Evil Within is a captivating return to the glory days of survival horror whose various issues keep it just short of greatness.
Despite letting some of its most compelling aspects die off, The Evil Within is still worth a shot for bringing some unique ideas in the first place, and giving us a new way to think about survival horror.
While The Evil Within never quite terrifies, it has plenty of moments early on where it threatens to wrap you up in its gory world. However, it never really delivers a completely engaging experience and by the end goes totally off the rails.
If you loved Resident Evil 4 and you're looking for more of that style of game, The Evil Within will probably push the right buttons for you. The game is a clear success in a throwback sense to that earlier title, though its lack of innovation, strategic depth, or an engaging story are all marks against it.
While this may not be the scariest game you will have played, it will probably be up there in terms of suspense as it definitely provides an ample amount of it throughout its entire play through. It is a game with evident flaws, but not enough of them that it will deprive you of the solid, survival horror-filled entertainment.