The Suicide of Rachel Foster Reviews
The Suicide of the Rachel Foster is a masterpiece in atmospheric storytelling. The slow-paced unveiling of the truth is crafted meticulously, and whilst the ultimate ending is a little disappointing, that doesn't make the journey any less thrilling. The game knows exactly how to manipulate emotions and does so throughout. Equal parts intriguing, frightening, disturbing, and thrilling, The Suicide of Rachel Foster sets a new high-bar for the already strong first person exploration genre.
Powered by a dark and evocative narrative, The Suicide of Rachel Foster is compelling from start to finish
Another captivating adventure game from Daedalic Entertainment, The Suicide of Rachel Foster employs beautifully written dialogue, great level design, and solid voice acting. Throughout our review of The Suicide of Rachel Foster, the game constantly reminded us of one undeniable truth: video games are a powerful storytelling medium.
With a lengthier campaign and better character development, The Suicide of Rachel Foster could've been an engrossing equivalent to first-person adventure-style mysteries prior.
Lolita and Jack Torrance share a hotel as the ghosts of their past haunt a daughter stranded in a blizzard.
An interactive story telling with some minor gamer input. Flawed, but eclipsed by the story and enigmatic experience.
The Suicide of Rachel Foster is well constructed when it comes to design and mechanics, but is let down if you stop to examine the plot for a moment. The deeper into the game you get, the more it feels like it's trying to shock rather than effectively engage with serious topics.
Take yourself on a thrilling journey to discover the truth behind what Nicole thought was her mother's suicide. With no one to talk to besides a mysterious voice on the other end of the phone, rely entirely on your senses to discover and investigate the very location you grew up in. But be warned, you may not be as alone as you think...
Sad story of the tragedy and the truth behind it. Intriguing 'till the last minute.
Review in Russian | Read full review
Packed with droves of tension and atmosphere, The Suicide of Rachel Foster will keep you on your toes.
Uncovering the past has its ups and downs in The Suicide of Rachel Foster. While not a horror game, it only needed a slight nudge to become one and it would have been better for it. At least its roomy hotel setting is nice to explore, even if the world needed more detail and excitement.
Dramatical walking through Hotel with weaker narration and interaction.
Review in Slovak | Read full review
Despite the heavy topics at its core, The Suicide of Rachel Foster in the end proves to be a bit overly melodramatic. It resembles the work of a playwriter that tried too hard to be dramatic, with overacting characters, the entire experience being a sizzle rather than a bang. But, thanks to the few moments when the tension can give you goosebumps, The Suicide of Rachel Foster is worth experiencing on a rainy afternoon, but only by the fans of the genre.
The Suicide of Rachel Foster takes on some heavy subject matter but doesn’t quite nail the execution with all of it. Despite that, I did enjoy the story and the game’s great visuals and audio design made the hotel a very immersive setting for me to explore. If the subject material here doesn’t bother you then I do think it is worth a playthrough.
The Suicide of Rachel Foster walks the fine line between adventure and a thriller-supernatural horror. It’s not perfect, but it is certainly up there with the best in the genre.
While audio issues stop it from reaching its full potential, The Suicide of Rachel Foster is a dark and intriguing walk-‘em-up that will keep fans of the genre on their toes. Just be ready to weather some frustrating technical problems to get to the good bits.
I enjoyed the game very much and I am happy to have finished it. But I would not play it again. Not because the story didn't grab me, or because the above mentioned points would bother me too much. Rather because there are simply not, as for example in a "Life is Strange", different decisions to be made, which would dramatically affect the gaming experience. Furthermore, the player can neither find out more about the history of the game by exploring it, nor are there any collectibles. I think that's a pity. I had the feeling all along that the game was giving away a lot of potential. Still, if you're looking for a game with a gripping and exciting story, and that's the most important thing in the game to you, you'll have a lot of fun with 'The Suicide of Rachel Foster'. But be careful, the story may seem harmless at first, but can be very hard to digest. If you're having trouble with the general theme of the game, I recommend the same as the publisher: Don't play alone and get help.
Review in German | Read full review
The Suicide of Rachel Foster delivers a haunting narrative within a beautiful, yet creepy, isolated hotel. With only an unknown companion on the phone to keep you company, you’re trapped in the last place you’d ever want to be, surrounded by memories of the past and secrets best left hidden from the world. Although delivering a conclusion which left me with questions, the experience throughout the entire three-hour narrative had me intrigued, invested, and captivated as to what we’ll uncover next and what’s around the corner.
The Sucide of Rachel Foster was advertised with its mature story about a really delicate matter and although these themes are still present in the game, they fail to catch the player’s attention. As a result, we received another generic walking symulator the potential of which was buried by the lack of experience.
Review in Polish | Read full review
In the end, The Suicide of Rachel Foster feels like the quintessential first draft of a horror/drama flick latched to a graceless gameplay template. The excitement and deliberate pacing early on suggest learning from the industry’s best exemplars. Ominous warnings suggest ghosts are roaming The Timberline’s halls. As it progresses, however, uncoordinated game design and tonally-tangled storytelling turns that engagement frozen stiff. Like walking through a grand hotel with years of decay, you can’t help but wonder how it could fare under new management.