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As much as I loved the chance to play an additional chapter, Tiki's paralogue doesn't live up to the standard set by base game maps, and the Emblem Bracelets themselves don't add much to a completed save file-though it was nice to see Tiki and the house leaders get a chance to talk to Marth and Byleth since the Emblem characters never actually talk to each other in the base game. The expansion pass is a better value if you purchase it early in your playthrough, but you'll likely be stuck in the same position I am now for the remaining five Emblem characters to be added throughout 2023. Ironically the DLC is likely to be more enticing for players who pick up Engage late after all of the additional content has been added, since it's tough to say you'll get your money's worth now unless you're confident you'll still be playing Fire Emblem Engage at the end of this year.
The game deals with some very heavy subjects at times, but always does so respectfully and without making them seem like a crutch for the narrative to lean on. There are also a lot of cats that can not only be pet but can also be named, something some people may see as a very worthwhile bonus (I know I do). If you like your adventure games to try and yank some tears out of your poor, poor eyes, A Space for the Unbound is easily your first great choice of 2023.
I have never played a game quite so ravenously, sinking over ninety hours into my first playthrough in just two weeks (though don't get too intimidated by that number, it counts all of my resets from playing on Hard difficulty, and I also played all fifteen optional chapters). At the end of it all I didn't feel exhausted or burnt out, but rather like I somehow wished that I could play for even longer. Fire Emblem Engage may not check every box that fans were hoping for, but it is easily the strongest showing for the series in the last decade.
It packs a healthy amount of content into its lengthy runtime, and if the combination of school life sim and dungeon crawler strikes you, there's little reason not to dive right in. It's worth considering that P3P does feel a fair bit darker in tone and theme, complete with characters needing to shoot themselves in the head to summon their personas. For those who first played the game on PSP or Vita, the visuals and performance have received a noticeable boost over the original version, in addition to now being able to quick save your progress at any time. The update doesn't reinvent the wheel, but added quality of life features definitely make this the ideal way to play Persona 3 Portable.
Those coming from Persona 5 will likely find many of the systems they're familiar with are present but in a much clunkier fashion. The bland dungeons and sudden difficulty spikes might also turn off new players, but if they can push through those they may find a thrilling murder mystery featuring some of my favorite narrative moments in the Persona series. Add this to an extremely likeable cast of characters like Kanji Tatsumi or Yukiko Amagi, as well as one of the most catchy soundtracks to ever be put into a video game, and you may well find yourself falling in love with Inaba. Despite all of its flaws, you might find that in the end you're actually sad to leave.
It's a creative attempt at mixing up the formula for the series. It's just an attempt that didn't land as well for me as I had hoped. Here's to Jupiter continuing to creatively iterate on Picross while also returning to the old style and giving us a new allotment of traditional puzzles every now and then.
There's no doubt that it's a decent way to spend a couple hours as far as action-platformers go, and fans of the genre–particularly the retro-focused kind–will get a kick out of something so clearly paying homage. For my money, though, I'd have liked to see a few twists and a bit more risk taking with such a well-worn type of video game. Falling short of being a full Moonrider, Vengeful Guardian does enough to make rolling credits worthwhile, if not much else.
If you're going to get into Witch on the Holy Night, perhaps while waiting for someone to tie George R. R. Martin to a chair long enough to finish off their magnum opus, it's going to be a commitment. 20+ hours of either nudging an analog stick to stop the system from going into screen saving mode or jamming A will get you a well-written story that sets up a lot of things for the future.
The Punchuin is at its best, though, in its core puzzle gameplay, and it's worth fighting through the other stuff to see that. Its unique blend of action-puzzle-platforming is really fun, and easy to jump into and out of in bite-size chunks.
You can even edit each of the non-mashup levels to make your own customized version. From both a gameplay and presentation standpoint, what's here is nearly unassailable, and the game serves as an exquisite reminder of just how spoiled we are with the wealth of indie titles on Switch and also how astonishing it is that it took until now to get a flattering facsimile of Rhythm Heaven on Nintendo's latest console. Playing this late at night might not boost your brain's melatonin levels, but it's sure to leave you smiling before bed time.
It should be very accessible to people who do not play a lot of games, even though I felt that by the end that the game had run out of steam and felt a bit too abstract for its own good. While the Switch version performs fine enough, the controls did feel like a drag when using a gamepad, which caused me to play the game in handheld mode with touch screen controls. A Little to the Left has a clear and unique identity among other puzzle games and while it won't last you an entire weekend there is enough here for those looking for a new type of puzzling challenge.
It's mostly the same thing, just way more of it. The new characters are fun, the city is much larger, there are way more quests, and the story has higher stakes. The minigames are a great new addition, boss fights are tough but fun, and oh man, that soundtrack.
Unfortunately, playing the game offers too little of an incentive for how challenging it is to control your red panda friend. While it may be true that a good deed is its own reward, such a proverb doesn't lend itself well to the medium of video games. There are some worthwhile moments to be had in this world, but they're just too few and far between.
I just wish the game wouldn't get in its own way so much. If Treasures had more monsters, a more thoughtful combat experience, fewer annoying interruptions, and some more bosses, Treasures would hit the Saturday morning cartoon highs of Level-5s best titles. This, unfortunately, misses the mark a bit.
Much of its gameplay is repetitive and its narrative only pays off in fits and starts. Those who want to see and do all that this Reunion remaster offers will find dozens of hours of content, but outside of its compelling protagonist, Crisis Core feels fairly hollow, and it should be judged in a 2022 context as a home console experience. As such, its appeal will be limited more to diehard fans than RPG players as a whole.
This is a game with a lot of heart that I kept wanting to explore even with its messier aspects. If you're looking for a farm sim mixed with a JRPG or a JRPG mixed with a farm sim, this is perfect for you. And if you go into it with the right mindset, you'll enjoy the relaxing stroll of this world and its gameplay.
While many of the lesser combat encounters can feel repetitive and somewhat meaningless they're punctuated by some much more compelling boss battles. The characters are charming and learning more about Sigrid and the world around her is legitimately engaging. While a few technical hiccups trip up select areas, the net experience as a whole is one of the more legitimately fun and unique games I've played through this year.
I actually would recommend it if you’re a fan of Waifu Hack ‘n’ Slashers, but the Switch’s framerate issues keep me from issuing a full-throated endorsement. If you have access to other modern consoles, maybe check out some gameplay videos. If it’s way smoother during combat situations, maybe go for that version. I’m enjoying the game on Switch, and will be buying some of the DLC, but it suffers a lot on the performance side. That and the terrible platforming segments that, thankfully, are pretty rare.
I certainly understand the purpose of the Union Level, but it's an inelegant solution to a problem that other RPGs have themselves faced. Still, the aesthetics remain true to the original versions of the game, and the audio experience is simply marvelous. It's built much more for veterans of the genre and players with patience and persistence, but Tactics Ogre, in the right hands, can absolutely soar.
Stages are well designed and replayable, platforming feels tight and responsive, and performance is perfect. Its only significant failing is how quickly it comes to an end, with many of its best ideas feeling underexplored. Lunistice feels like a tease of a hopefully much grander sequel that I can't wait to play.