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Combat wasn't bad, but I always generally wanted more of the better parts of the game, like the slick soundtrack. By the end of my time with Dungeon Munchies, I certainly wasn't full. I felt like it deserved more and could be more, maybe a little more time in the oven.
Okinawa Rush attracted me the moment I played it and dragged me in with its visceral, fast paced powerful battles. You won't find a developed story or a stellar soundtrack, but sound design in combat is top tier, with each hit feeling like it's forceful enough to crush skulls. If a dark, gruesome brawler that empowers you to be a badass is what you're itching for, then Okinawa Rush is just the right scratch for you.
After all these years, I'm still a zealot for the Picross S (and its predecessors) even if innovation and evolution is slow paced. Seeing touchscreen support added after more than four years of Switch releases is great to see, and hopefully more upgrades and updates will come to Picross S8 and more in the future. Until then, here's almost 500 new puzzles that are at the same solid level of execution as the thousands Jupiter has made in the past.
The time I spent on Jabberwock Island was well worth it, even when it killed off a character I had begun to like hanging out with. It may be dated in a lot of ways, but it also still holds up surprisingly well in a lot of other aspects. If you like a good set of murder mysteries featuring a consistent cast of characters, Danganronpa is one of the best places to get that experience, and this sequel is no different in that regard.
undefined.Sadly I am much less conflicted on the quality of the Switch port in particular. While none of the problems are significant enough to truly prevent someone from enjoying this game, the fact that such fundamental problems from a previous version have not been addressed makes it difficult to justify this version over any others. I think it's worth seeking out and trying Danganronpa for yourself, but I can't recommend doing so by playing a port of the mobile version running poorly on Switch.
RDBR locks you into a system that doesn't seem to understand what has made YGO so diverse and fun to play. If anything, I'm glad we got Rush Duels out of the way since next year will see the release of a proper YGO card simulator in the form of Master Duel. If this is all we hear of Rush Duel in the West, that will be fine by me. With this Battle Royale, everyone ends up being the loser.
Now that a third of the game isn't enough to make my inner English teacher want to have someone at the publisher see me after class, I think there's a decent effort in Cupid Parasite. There's still typos which I'm becoming more sensitive to, and the controls are a bit irritating if you're trying to do anything beyond advancing text, but it's a unique take on the legends of Cupid.
There are hidden memories to unlock in each chapter, too. Despite a few abrupt time skips and scene jumps, Alex's story is one worth hearing; it culminates in a captivating climax, even if the resolution pulls its punches a bit. Color me eager to see more Life is Strange titles come to the Switch in the coming months.
Trash Quest is far from a piece of eShop garbage. It's actually a brief but delightful and welcome addition to the Metroidvania stable on Switch. Online leaderboards that track your clear time, among other things, adds a heaping of replay value. Still, it's not much of a challenge to complete the game with a 100 percent rate, so enjoy the experience while it lasts. If you're dumpster diving for a palette cleanser in-between some larger titles this holiday season, do yourself a favor and consider helping a raccoon on its Trash Quest.
The five stages have a high score element, but if you're in it to explore the levels, beat the difficulty modes, and romp around it all with a friend, there's still not a lot to do here. I'm happy I can say I played Clockwork Aquario, but outside of supporting game preservation, I can't say it's something you need to drop everything and play. It's cute and fun, but more as a curiosity than a game to keep coming back to.
The humor is probably the best writing I've experienced all year, but in true European fashion, it's dark, dry, and very self-referential at times. While it does have a few shortcomings, including the way in which the game has been translated to Switch and its slow movement speed, The Procession to Calvary was a delight the entire time I played it. If you are a fan of point-and-click games or just want a short and funny experience, I'd recommend this game over any Renaissance art gallery.
To say that I'm in love with LOVE 3 would be an understatement. Anyone who wants an incredible collection of platforming stages without the bells and whistles should look no further. This game is a gift to the genre.
Much like the inspiration, it's challenging, but it's also forgiving enough to not dissuade frustrated players. I didn't think I'd see the day when someone did Wario's Woods as a conceptual idea justice, but dang, they did it. Pocket Dungeon is incredible.
I feel that many racers start on a high and the more you play, the less fun the game becomes due to its repetitive nature. I don't feel this at all with Super Impossible Road. It is a game that I will always say, "just one more race" and open when a friend is over. The better you become at finding those shortcuts and taking those leaps of faith off the track - and succeeding - the more fun you'll be having with the tight controls in this action-packed, crazy, and striking space racer.
In order to reach the ending of Loop Hero, you will have to roll through dozens upon dozens of loops, but the way new concepts layer over the basics keeps it fun as you strategize to plan out your challenging loop that will earn you the best loot while ensuring your survival. With new elements dropping in consistently as you grow your village, it rarely stays staid for long. Some of the finer points might require some dumb luck or an assist from a guide, but if you're ready to just poke at a rock solid concept until it cracks and bends to your will, Loop Hero is amazing.
I'm certainly happy to have played through it, but with its late arrival on Switch I also feel like I expected more from it, in terms of both quality and shock value. The fact remains, though, Twelve Minutes is a strong mystery game that fans of story-focused experiences will likely enjoy. It doesn't hurt that Willem Dafoe is a national treasure, either.
Ultimately, this is a solid introduction to Monster Rancher (definitely better than the short-lived TV show). At the very least, it's an enjoyable look back at a series that never quite hit the big time. Now if you'll excuse me, I think I forgot to feed my Golem, and you don't want to see what his tantrums look like.
The Legend of Tian-Ding is an action-packed, kung-fu tale with great writing and an even greater art style. The comic book depicting 1900s Taipei is glorious and such a gorgeous aesthetic to play through; Its use was well executed and added layers of humour, threat, and depth to all characters of this heroic tale. Tian-Ding is a fantastic indie hidden gem that I hope becomes, like Liao Tian-Ding, legendary.
This Switch version, however, is just not very fun to play. It is poorly optimized to a damaging degree and turns what could be a meandering but enjoyable experience into one of the more rough experiences I've had on the platform. There is some fun to be had here surfing along the great wibbly-wobbly, but it's probably better done on a different system.
I want to say that Ruined King is great, because on a design level it is. It shows off the appeal of Runeterra while crafting a unique RPG battle system that is deep, engaging, and rewarding. But the presence of such an obvious and debilitating bug makes it difficult for me to recommend. Some may say that I’m making a mountain out of a molehill over having to take five minutes out of my time every couple of hours, and I have no doubt that many people will probably push past the bug and still love the game regardless.